{"id":5954,"date":"2016-11-29T15:23:26","date_gmt":"2016-11-29T15:23:26","guid":{"rendered":"http:\/\/factualfiction.com\/marsartists\/?p=5954"},"modified":"2020-02-15T04:59:59","modified_gmt":"2020-02-15T04:59:59","slug":"territory-studio-the-martian-uix","status":"publish","type":"post","link":"https:\/\/factualfiction.com\/marsartists\/2016\/11\/29\/territory-studio-the-martian-uix\/","title":{"rendered":"Territory Studio: The Martian UIX"},"content":{"rendered":"

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The Martian tells the story of stranded astronaut Mark Watney and NASA\u2019s efforts to bring him home. Based on Andy Weir\u2019s novel, the story is set circa 20 years in the future, during NASA\u2019s third manned mission to Mars. Predicated on real science, Director Ridley Scott and Production Designer Arthur Max drew on the expertise of specialists at NASA and the European Space Agency, and asked Territory to craft the screen graphics and UI that would be needed.<\/p>\n

As a story that is mediated by technology, hundreds of screens are employed across eight key sets, forming the lens through which the drama unfolds.<\/p>\n

Working closely with NASA, Territory developed a series of deft and elegant concepts that combine factual integrity and filmic narrative, yet are forward looking and pushing NASA\u2019s current UI conventions as much as possible.<\/p>\n

Territory\u2019s plot-based graphics includes identities and visual languages for each set, and include images, text, code, engineering schematics, 3D visualisations based on authentic satellite images showing Martian terrain, weather, and mission equipment served across consoles, navigation and communication systems, laptops, mobiles, tablets, and arm screens throughout.<\/p>\n

In all Territory delivered around 400 screens for on-set playback, most of them featuring interactive elements. With 85 screens on the NASA Mission Control set alone, a number of which were 6mx18m wall screens, there are many moments in which the graphics become a dynamic bridge between Earth and Mars, narrative and action, audience and characters.<\/p>\n

20th Century Fox Credits
\nDirector: Ridley Scott
\nProduction Designer: Arthur Max
\nSup. AD: Mark Holmes
\nMotion Graphics Art Director: Felicity Hickson<\/p>\n

Territory Credits
\nCreative Director: David Sheldon-Hicks
\nProducer: Sam Hart
\nArt Direction: Marti Romances
\nLead CGI: Peter Eszenyi
\nDesign and Animation: Daniel H\u00f8jlund, Marti Romances and Sam Keehan.<\/p>\n

NASA Headquarters
\nDirector, Planetary Science Division: Dr. Jim Green
\nProgram Executive for Solar System Exploration: Dave Lavery
\nManager, Multi-Media Programs: Bert Ulrich<\/p>\n

Playback Credits
\nCompuhire<\/p>\n

Showreel
\nEdit: Marti Romances
\nAudio: Zelig Sound<\/p>\n

\u00a9 2015 Twentieth Century Fox, The Martian<\/p>\n

https:\/\/ilikeinterfaces.com\/2015\/10\/16\/territory-studio-ui-reel-the-martian\/<\/p>\n","protected":false},"excerpt":{"rendered":"

The Martian tells the story of stranded astronaut Mark Watney and NASA\u2019s efforts to bring him home. Based on Andy Weir\u2019s novel, the story is set circa 20 years in the future, during NASA\u2019s third manned mission to Mars. Predicated on real science, Director Ridley Scott and Production Designer Arthur Max drew on the expertise […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[205,229],"tags":[],"class_list":["post-5954","post","type-post","status-publish","format-standard","hentry","category-uix","category-ux-ui"],"_links":{"self":[{"href":"https:\/\/factualfiction.com\/marsartists\/wp-json\/wp\/v2\/posts\/5954","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/factualfiction.com\/marsartists\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/factualfiction.com\/marsartists\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/factualfiction.com\/marsartists\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/factualfiction.com\/marsartists\/wp-json\/wp\/v2\/comments?post=5954"}],"version-history":[{"count":1,"href":"https:\/\/factualfiction.com\/marsartists\/wp-json\/wp\/v2\/posts\/5954\/revisions"}],"predecessor-version":[{"id":5981,"href":"https:\/\/factualfiction.com\/marsartists\/wp-json\/wp\/v2\/posts\/5954\/revisions\/5981"}],"wp:attachment":[{"href":"https:\/\/factualfiction.com\/marsartists\/wp-json\/wp\/v2\/media?parent=5954"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/factualfiction.com\/marsartists\/wp-json\/wp\/v2\/categories?post=5954"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/factualfiction.com\/marsartists\/wp-json\/wp\/v2\/tags?post=5954"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}