{"id":7,"date":"2013-05-29T05:15:14","date_gmt":"2013-05-29T05:15:14","guid":{"rendered":"http:\/\/factualfiction.com\/marsartists\/?page_id=7"},"modified":"2017-01-11T20:19:55","modified_gmt":"2017-01-11T20:19:55","slug":"music","status":"publish","type":"page","link":"https:\/\/factualfiction.com\/marsartists\/music\/","title":{"rendered":"Music"},"content":{"rendered":"
For all search results under this blog’s “Music” label click here:\u00a0<\/span><\/div>\n
http:\/\/marsartists.blogspot.com\/search\/label\/Music<\/a><\/span><\/span><\/div>\n
See also:\u00a0<\/span>http:\/\/Reddit.com\/r\/SpaceMusic<\/a><\/div>\n
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Christopher Abbas Cassini Mission<\/span><\/div>\n
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NASA | SDO’s Ultra-high Definition View of 2012 Venus Transit<\/span><\/div>\n
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The Future Is Ours<\/span><\/span><\/span><\/div>\n
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Meditations on the Martian Surface<\/span><\/div>\n
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Blue Sun Composite<\/span><\/div>\n
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The Most Astounding Fact<\/span><\/div>\n
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The Definitive Guide to the Milky Way<\/span><\/div>\n
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The Detailed Universe<\/span><\/div>\n
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Atlas of the Universe<\/span><\/span><\/div>\n
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A New Perspective<\/span><\/div>\n
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Yosemite Range of Light<\/span><\/div>\n
\"\"<\/a><\/span><\/span><\/div>\n
The Future Is Ours<\/span><\/div>\n
\"\"<\/span><\/div>\n
Time Lapse Sequences of Earth from Aboard ISS<\/span><\/a><\/span><\/div>\n
\"\"<\/a><\/div>\n
“Space Station” by Total Ghost<\/span><\/div>\n
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“We Are All Made of Stars”, Moby<\/span><\/div>\n
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“Major Tom Major Tom (Coming Home)”, Peter Schilling<\/span><\/div>\n
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“Rocket Man”, Elton John<\/span><\/div>\n
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\n

“Surprise!”,\u00a0Leslie Fish<\/span><\/p>\n

\"\"<\/a><\/div>\n
Canadian astronaut Chris Hadfield strums a Larriv\u00e9e Parlor acoustic guitar similar to the one he will use aboard the International Space Station when he commands orbiting laboratory in 2013 during the Expedition 35 mission.\u00a0<\/span>Full Story, Photos and Video:\u00a0<\/span>http:\/\/www.space.com\/<\/span>14938-space-guitar-astronau<\/span>t-music-album.html<\/span><\/span><\/div>\n<\/div>\n
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‘Life on Mars’ by David Bowie (1971)<\/span><\/div>\n
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‘Ballrooms of Mars’ by T. Rex (1972)<\/span><\/div>\n
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‘Teenagers From Mars’ by The Misfits (1978)<\/span><\/div>\n
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‘Approaching Pavonis Mons by Balloon’ by The Flaming Lips (2002)<\/span><\/div>\n
\"\"<\/a><\/div>\n
‘Bird Dream of Olympus Mons’ by Pixies (1991)<\/span><\/div>\n
\"\"<\/a><\/div>\n
‘Blues on Planet Mars’ by Sun Ra (1968)<\/span><\/div>\n
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‘Journey to the Polar Cap’ by The Martian (1993)<\/span><\/div>\n
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‘Send Me Shivers’ by Mouse on Mars (2004)<\/span><\/div>\n
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‘A Martian’ by Ennio Morricone (2000)<\/span><\/div>\n
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‘An Ending (Ascent)’ by Brian Eno (1983)<\/span><\/div>\n
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 <\/p>\n

\u00a0This PDF has been converted to text and archived below:<\/div>\n
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\n

\n

CHRONOLOGY OF WAKEUP CALLS<\/span><\/p>\n

Compiled by Colin Fries, NASA History Division<\/span><\/p>\n

Updated 7\/15\/2011<\/span><\/p>\n

Use of music to awaken astronauts on space missions dates back at least to the Apollo Program,<\/span>
\n when astronauts returning from the Moon were serenaded by their colleagues in mission control<\/span>
\n with lyrics from popular songs that seemed appropriate to the occasion. The Apollo 15 (sic) crew,<\/span>
\n whose spacecraft was named \u201cAmerica,\u201d [This is a mistake. \u2022America\u2022was actually the name of<\/span>
\n the Apollo 17 command module and this letter meant to refer to the Apollo17 wakeup call. Also,<\/span>
\n the formal tradition actually began with Apollo 10.] was awakened one morning with a segment of<\/span>
\n \u201cThe City of New Orleans\u201d beginning with the lyrics, \u201cGood morning America, how are you?\u201d<\/span>
\n Several crews have awakened on their final day in space to Dean Martin\u2022s popular song \u201cGoing<\/span>
\n Back to Houston.\u201d<\/span><\/p>\n

The common element of all these selections is that they promote a sense of camaraderie and esprit<\/span>
\n de corps among the astronauts and ground support personnel. That, in fact, is the sole reason for<\/span>
\n having wake-up music; and it is the reason that NASA management has neither attempted to<\/span>
\n dictate its content nor allowed outside interests to influence the process.<\/span><\/p>\n

From a letter from Lynn W. Heninger, Acting Assistant Administrator for Congressional Relations<\/span>
\n to Congressman Robert H. Michel – January 9, 1990.<\/span><\/p>\n

What do astronauts listen to in outer space? Details tracks the sounds of the final frontier<\/span><\/p>\n

Details, January 2000 By Steve Knopper<\/span><\/p>\n

Aboard the space shuttle Discovery, astronaut Steve Robinson once used a 50-foot Japanese<\/span>
\n robotic arm to snare a four-ton satellite. But Robinson’s greatest professional challenge came on<\/span>
\n the ground. Last June, while working at mission control, he was charged with playing wake-up<\/span>
\n music for another shuttle crew. One astronaut’s wife made him promise to play Barry Manilow’s<\/span>
\n schmaltzy ballad “A Little Traveling Music, Please,” and Robinson’s flight director — the mission<\/span>
\n control center’s big boss — insisted he play the rousing U.S. Air Force theme instead. A delicate<\/span>
\n decision.<\/span><\/p>\n

“So I played ’em back-to-back. I thought they would cancel each other out,” says Robinson<\/span>
\n tactfully. “The only complaints were from the navy guys on the crew. But I’m not sure if they were<\/span>
\n complaining about the air force song or Barry Manilow.”<\/span><\/p>\n

Think of the space shuttle as a high-tech road trip with a difference: You can’t get out until the trip<\/span>
\n is over, pot and beer are forbidden, and 125 miles straight down, somebody who isn’t even<\/span>
\n traveling with you gets to pick what’s on the tape deck. That’s often Chris Hadfield, chief mission<\/span>
\n control CAPCOM (capsule communicator), who oversees little details like wake-up music, which<\/span>
\n is broadcast on an intercom-type system with small speakers on the upper and lower decks of the<\/span>
\n shuttle.<\/span><\/p>\n

“You play some lively, peppy bit of music — normally just two minutes of it — and after a pause,<\/span>
\n you hear some groggy voice on the microphone mumbling, ‘Good morning, Houston,'” Hadfield<\/span>
\n explains. “You don’t want to play a dirge or something uninspiring. You want to get them going in<\/span>
\n the morning.” Consequently, the selections are usually benign — it’s considered poor form, and<\/span>
\n possibly dangerous, to freak out a sleeping astronaut with Rob Zombie or Eminem. But the DJs at<\/span>
\n mission control have been known to exhibit a mischievous streak. Once, to the crew’s sleepy<\/span>
\n confusion, Hadfield chose the booming half-U2 version of the Mission: Impossible theme.<\/span><\/p>\n

The 1965 Gemini VI mission was one of the first to include onboard music. Those brave<\/span>
\n astronauts got “Hello, Dolly!,” as sung by clean-cut crooner Jack Jones. For the Apollo II moon<\/span>
\n mission, flight director Eugene F. Kranz psyched himself up with John Philip Sousa marches. In<\/span>
\n 1972, the Apollo 17 crew heard the Carpenters’ “We’ve Only Just Begun.” The cheese subsided<\/span>
\n somewhat with the 1975 Apollo-Soyuz Test Project, the first U.S.-Soviet manned space flight: That<\/span>
\n crew woke to the strains of Jerry Jeff Walker’s “Up Against the Wall, Redneck Mother.” Since<\/span>
\n then, more anthemic fare has prevailed: the theme from Rocky (1984), “Bohemian Rhapsody”<\/span>
\n (1989), and the Star Wars theme (1993). The ’93 Columbia shuttle mission had better luck with hip<\/span>
\n reveilles including the Thompson Twins’ “Doctor! Doctor!” and R.E.M.’s “Shiny Happy People.”<\/span><\/p>\n

(It would be a different playlist if DJs did a set at mission control. Moby told Details he would<\/span>
\n play the Clash’s six-gunning version of “I Fought the Law,” and a little Bach or Hendrix. Master<\/span>
\n mixologist Armand Van Helden would spin Steve Miller’s “Fly Like an Eagle” [what, no “Space<\/span>
\n Cowboy”?] and David Bowie’s “Space Oddity.” Mr. Space Oddity himself would choose Steve<\/span>
\n Reich’s “Music for 18 Musicians.”)<\/span><\/p>\n

Because in space no one can hear you scream, “Turn that Crap down!,” personal CD players and<\/span>
\n headphones help fly guys maintain their sanity. For his space-shuttle mission last year — the one<\/span>
\n with Senator John Glenn, who preselected Louis Armstrong’s “What a Wonderful World” as the<\/span>
\n wake-up call — astronaut Steve Robinson brought 20 discs. While riding an exercise bike on the<\/span>
\n lower level, Robinson listened to electric-blues guitarists Albert King and Stevie Ray Vaughan.<\/span>
\n While staring literally into space, he chose a musician friend’s version of Pachelbel’s Canon. He<\/span>
\n fell asleep to Chris Isaak. “It’s one of the most personal things that you’re able to take up in space.<\/span>
\n Wherever your music is, that’s sort of a version of home,” says Robinson. Both Robinson and<\/span>
\n Hadfield belong to a 12-year-old, all-astronaut, Houston-based rock ‘n’ roll quartet known as<\/span>
\n Max-Q, whose rotating members cover bash-it-out standards like “Louie Louie.” Named after an<\/span>
\n aerodynamics term for “maximum dynamic pressure,” the band has yet to release any albums but<\/span>
\n occasionally plays NASA functions. In 1993, they woke up the Discovery crew with a cover of<\/span>
\n “Heartbreak Hotel.”<\/span><\/p>\n

Such musical experience comes in handy in space — especially if you believe in cross-cultural<\/span>
\n exchanges. Four years ago, preparing for a shuttle mission to the Mir space station, Hadfield<\/span>
\n knew he would encounter Thomas Reiter, a German astronaut and accomplished classical<\/span>
\n guitarist. He also knew earlier Mir astronauts had left a beat-up acoustic for future crews —<\/span>
\n which, he surmised, Reiter wouldn’t appreciate. So Hadfield had a company modify an electric<\/span>
\n guitar, making it lighter than usual and foldable to fit his luggage. United on Mir, 250 miles above<\/span>
\n the Earth, Hadfield and Reiter sang Beatles songs and Russian folk ballads. Air guitar, says<\/span>
\n Hadfield, was never quite like this: “It’s great floating weightless going around the world, playing<\/span>
\n guitar.”<\/span><\/p>\n

On the way back from Mir, Hadfield set his CD player for the Celtic weeper “Danny Boy,” his<\/span>
\n favorite song ever, and watched the stars go by. The experience gave “Headphone music” a whole<\/span>
\n new meaning. “There are certain stanzas of music, certain harmonies, certain lyrics, which<\/span>
\n sometimes just send a warm rush up your backbone,” Hadfield says. “And you get that almost<\/span>
\n continuously up there.” And to think that we here down on Earth thought Barry Manilow couldn’t<\/span>
\n possibly sound any better.<\/span><\/p>\n

From http:\/\/www.knopps.com\/DetailsRockSpacemen.html<\/span>
\n There were no formal wakeup calls sent to the crews of Mercury and Gemini. The missions in<\/span>
\n the early years of the human space program were relatively short. It was not until Gemini 7<\/span>
\n that long term endurance really began to be tested since it lasted almost two weeks. During this<\/span>
\n mission and during Gemini 9 and 12 Mission Control piped the crew music during periods of<\/span>
\n relative inactivity, often in batches. Only some of it was in the morning. I have included<\/span>
\n anything that I have found since it is the genesis of the concept, a concept not fully realized<\/span>
\n until the Apollo Program . The wakeup tradition seemed to begin in earnest and be sent on a<\/span>
\n regular basis only after Apollo 10. Specifically why this mission was selected is undetermined.<\/span>
\n Of course, you will ask why Apollo 11 is missing. Actually wakeup calls were sent on Apollo 11,<\/span>
\n but they were not music, they consisted of news and sports. I have usually only included music<\/span>
\n in this chronology, the exceptions being some interesting examples during the Space Shuttle<\/span>
\n Program.<\/span><\/p>\n

MERCURY PROGRAM<\/span>
\n NOTHING FOUND<\/span><\/p>\n

GEMINI PROGRAM<\/span><\/p>\n

GEMINI 3, 4, & 5<\/span>
\n NOTHING FOUND<\/span><\/p>\n

GEMINI 6 December 15-16, 1965<\/span><\/p>\n

New lyrics to \u201cHello Dolly\u201d sung by Jack Jones sent to crew NYT 2\/7\/68.<\/span><\/p>\n

GEMINI 7 December 4-18, 1965<\/span><\/p>\n

New lines to \u201cTime to Get Ready for Love\u201d were sent to the crew<\/span><\/p>\n

12\/6\/65 Hawaiian music began to be broadcast to them at 1:34 p.m. Mission Commentary, Tape 112, page 1<\/span><\/p>\n

12\/7\/65 Mission Control planned to vary the crew\u2018s musical diet with upcoming selections scheduled to<\/span>
\n be: \u201cBeethoven\u2022s 6th Symphony\u201d, \u201cLes Sylphides\u201d by Chopin, \u201cHungarian Rhapsody #2\u201d by Lizst,<\/span>
\n and \u201cMadame Butterfly\u201d by Puccini. – Mission Commentary, Tape 141, page 1<\/span><\/p>\n

Also that day: \u201cLa Boheme\u201d by Puccini, \u2022Symphony No. 3, the Reinich\u201d by Schumann, music<\/span>
\n by the Fantastics, \u201cSymphony No. 2\u201d by Rachmaninoff, \u201cThe Lawrence of Arabia Overture\u201d, and<\/span>
\n \u201cWater Music\u201d by Handel. – Mission Commentary Tape 154, page 2<\/span><\/p>\n

12\/8\/65 \u201cHigh Hopes\u201d – Mission Commentary Tape 170, page 1<\/span><\/p>\n

Classical music chosen for the crew included: \u201cThe Last Two Movements From Symphony Five<\/span>
\n from The New World\u201d presumably by Dvorak, \u201cPerpetual Motion Opus Number 257\u201d by Johann<\/span>
\n Strauss, and \u201cAir on the G String\u201d by Johann Sebastian Bach performed by the Philadelphia<\/span>
\n orchestra. – Mission Commentary Tape 172, page 8<\/span><\/p>\n

12\/9\/65 \u201cWhat\u2022d I Say\u201d by Trini Lopez from \u201cTrini Lopez at P.J.s\u201d sent to crew, a favorite of Jim<\/span>
\n Lovell\u2018s – Mission Commentary, Tape 215, page 2<\/span><\/p>\n

\u201cI Saw Mommie Kissing Santa Claus\u201d relayed from Tananarive station for Jim Lovell. \u2022A<\/span>
\n request from his daughter, Barbara, age 12 who hopes the song will bring her daddy home for<\/span>
\n Christmas, a little early.\u2022- Mission Commentary, Tape 223, page 2<\/span><\/p>\n

12\/11\/65 \u201cHey, Look Me Over\u201d \u2013 Louis Armstrong, sent to crew. – Mission Commentary Tape 280, page 1<\/span><\/p>\n

12\/18\/65 \u201cI\u2022ll Be Home For Christmas\u201d and \u201cGoing Back to Houston\u201d sent to crew just before retrofire. –<\/span>
\n Mission Commentary Tape 610, page 1<\/span><\/p>\n

GEMINI 8 March 16, 1966<\/span>
\n NOTHING FOUND<\/span><\/p>\n

GEMINI 9 June 3-6, 1966<\/span><\/p>\n

6\/4\/66 “The Lonely Bull” by Tijuana Brass – From \u2022The Last Man on the Moon\u2022. Copyright 1999 by<\/span>
\n Eugene Cernan and Don Davis. St. Martin’s Press, LLC, New York, NY., p.124.<\/span><\/p>\n

6\/6\/66 \u201cRussian Overture\u201d and \u201cLudmilla Overture\u201d by Glinka and a composition by Johann Sebastian Bach were sent to the crew \u2013 Mission Commentary Tape 187, page 1<\/span>
\n \u201cWe have had a change of pace in the music being piped in on one of the inactive (sic) loops here in Mission Control. Run the gamut of the four B\u2022s of music, Bach, Beethoven, Brahms and Brass, Tijuana Brass that is.\u201d – Mission Commentary Tape 189, page 1<\/span><\/p>\n

GEMINI 10 July 18-21, 1966<\/span>
\n NOTHING FOUND<\/span><\/p>\n

GEMINI 11 September 12-15, 1966<\/span>
\n NOTHING FOUND<\/span><\/p>\n

GEMINI 12 November 11-15, 1966<\/span><\/p>\n

11\/14\/66 \u201cMy Favorite Things\u201d from \u201cThe Sound of Music\u201d sent to the crew. – Mission Commentary Tape<\/span>
\n 240, page 2 to Mission Commentary Tape 242, page 1<\/span><\/p>\n

\u201cGoing Back to Houston\u201d sent to crew \u2013 Mission Commentary Tape 248, page 1 – Mission<\/span>
\n Commentary Tape 249, page 1<\/span><\/p>\n

71:52:11 \u201372:06:38 \u201cThe Sound of Music\u201d by Julie Andrews from Gemini XII Voice<\/span>
\n Communications (Air-to-Ground, Ground-to-Air, and Onboard Transcription)<\/span><\/p>\n

APOLLO PROGRAM<\/span>
\n APOLLO 10 May 18-26, 1969<\/span><\/p>\n

5\/21\/69 \u2022On a Clear Day\u2022 by Robert Goulet<\/span><\/p>\n

5\/22\/69 \u2022The Best Is Yet To Come\u2022 by Tony Bennett<\/span><\/p>\n

5\/24\/69 \u2022It\u2022s Nice to Go Trav\u2022ling\u2022 by Frank Sinatra<\/span><\/p>\n

5\/25\/69 \u2022Come Fly With Me\u2022 wakeup from crew to Mission Control<\/span><\/p>\n

5\/25\/69 “Zippity-do-da”<\/span><\/p>\n

5\/26\/69 Bugle call for reveille.<\/span><\/p>\n

APOLLO 12 November 14-24, 1969<\/span><\/p>\n

11\/16\/69 Bugle & Boatswain\u2018s Pipe<\/span><\/p>\n

02 05 05 09 “First Call to Formation” (trumpet)<\/span><\/p>\n

07 19 39 33 “The Yankee Clipper, Apollo 12” (chorus)<\/span><\/p>\n

07 19 40 08 “The Second Time Around” (chorus)<\/span><\/p>\n

08 15 38 21 to 08 14 40 41 “The Yankee Clipper, Apollo 12” (chorus)<\/span><\/p>\n

APOLLO 15 July 26-August 7, 1971<\/span><\/p>\n

8\/2\/71 “Tijuana Taxi” by Tijuana Brass<\/span><\/p>\n

8\/4\/71 – Theme From \u201c2001: A Space Odyssey\u201d Spacecraft communicator Karl Henize<\/span><\/p>\n

8\/6\/71 – \u201cAnchors Aweigh\u201d For Jim Irwin.<\/span><\/p>\n

8\/7\/71 – Al Kealoha Perry – \u201cHawaiian War Chant\u201d from record “Hawaii Calls.”<\/span><\/p>\n

APOLLO 17 December 7-19, 1972<\/span><\/p>\n

Gene and Jack had a total of thirteen wake-up calls during the mission. Ten times Houston picked<\/span>
\n out appropriate musical selections, albeit none of them “Hail Purdue” in honor of Gene’s alma mater, Purdue University. There was no music for their first two wake-up calls in space. For the third morning, Houston picked “The Jayhawk Fight Song” in honor of Ron Evans’ alma mater, Kansas University. There was no music again for the fourth morning but, for the fifth call, on the day that Gene and Jack made their landing, Houston played John Denver’s version of “The City of New Orleans” which features the phrase “Good morning, America, how are you?” in the chorus. “America” is, of course, the name of the Apollo 17 Command Module. For Gene and Jack’s first wake-up call on the Moon, Houston picked Wagner’s “The Ride of the Valkyries”, a tune regularly played on mornings of final exams at Caltech, which was Jack’s undergraduate school. (Gordon Fullerton and Journal Editor Eric Jones were also Caltech undergrads.) Flight Director Gerry Griffin’s alma mater, Texas A&M, was honored the next morning with a rendition of “The Aggie Fight Song”. Strauss’ “Thus Spake Zarathustra” is associated with space because of the<\/span>
\n Stanley Kubrick\/Arthur C. Clarke film “2001: A Space Odyssey”.]<\/span><\/p>\n

[For the rest of the mission, the selections are: Roberta Flack’s rendition of “If Ever I Saw Your<\/span>
\n Face”, presumably a reference to the Moon below the orbiting spacecraft; the Doors’ “Come on Baby Light My Fire”, to be played on the day (December 17) that the Apollo 17 crew leaves lunar orbit for the trip home; “Home for the Holidays”; The Carpenters’ “We’ve Only Just Begun”, played in the belief that the end of Apollo is not the end of humanity’s lunar adventure; and, for the morning of splashdown, a dual selection of the Navy’s “Anchors Away” and the U.S. national anthem, “The Star Spangled Banner.”]<\/span><\/p>\n

[Journal Contributor Brian Lawrence notes that “the BBC used ‘Also Sprach Zarathustra’ to<\/span>
\n introduce their TV coverage of all the missions.”]<\/span><\/p>\n

Apollo Lunar Surface Journal (after 183:33:55)<\/span><\/p>\n

02 08 35 43 – 02 09 39 39 (TEC) (12\/9\/72)\u201cJayhawk Fight Song\u201d in honor of Ron Evans\u2018<\/span>
\n alma mater.<\/span><\/p>\n

04 07 05 01 – 04 07 11 04 (TEC) (12\/11\/72)\u201cCity of New Orleans\u201d – John Denver (\u2022Good<\/span>
\n Morning, America\u2022 line in song refers to Command Module, America. The wake-up call for landing day was John Denver’s version of the Steve Goodman song, \u201cThe City of New Orleans,\u201d with its chorus of “Good morning, America, how are ya?” It was a happy song that had been suggested by people on the night shift in the press room – a song that matched the mood of the crew and, indeed, country-music-fan Schmitt requested a replay while he and the others finished waking up.<\/span>
\n From \u2022Apollo Lunar Surface Journal\u2022<\/span><\/p>\n

05 14 15 05 (TEC) (12\/12\/72)\u201cRide of the Valkyries\u201d by Wagner wake-up to Schmitt on<\/span>
\n Moon.<\/span><\/p>\n

\u201cJack Schmitt and Gordon Fullerton were both undergraduates at the California<\/span>
\n Institute of Technology. At 7:00a.m. it was traditional for students with hi-fi systems to<\/span>
\n tie them together and wake up everybody in the undergraduate dorms by playing \u2018The<\/span>
\n Ride\u2019 at full volume\u2026\u201d Bob Parker may have had the duty of choosing this piece. \u201cIn a<\/span>
\n February 1992 telephone conversation, Bob said that, if it was he who picked the piece,<\/span>
\n it was simply because he likes Wagner and can think of few things more stirring than the<\/span>
\n Ride. He also says that, in the Apollo era, the wake-up music was usually picked the<\/span>
\n night before and that they sometimes had trouble finding a recording in time.\u201d<\/span><\/p>\n

From \u201cApollo Lunar Surface Journal\u201d<\/span><\/p>\n

06 13 45 04 (TEC) (12\/13\/72) \u201cTexas Aggie Fight Song\u201d to lunar crew. Honors Flight<\/span>
\n Director\u2018s Gerry Griffin\u2018s alma mater, Texas A & M.<\/span><\/p>\n

07 12 49 59 (TEC) (12\/14\/72)\u201cThus Spake Zarathrustra\u201d (Theme from \u201c2001\u2022) by Richard<\/span>
\n Strauss to lunar crew<\/span><\/p>\n

08 12 57 10 (TEC) (12\/15\/72) \u201cThe First Time Ever I Saw Your Face\u201d by Roberta Flack to<\/span>
\n lunar crew. Presumably refers to face of the Moon below. Chosen by Neil Hutchinson.<\/span><\/p>\n

09 09 30 51 – 09 09 38 54 (TEC) (Dec. 16, 1972) \u201cLight My Fire\u201d The Doors. Same day that<\/span>
\n crew ignites SPS and leaves lunar orbit.<\/span><\/p>\n

10 07 50 01 (TEC) (12\/17\/72)\u201cHome For the Holidays\u201d by Jerry Vale.<\/span><\/p>\n

11 08 20 01 (TEC) (12\/18\/72)\u201cWe\u2022ve Only Just Begun\u201d The Carpenters. \u2022\u2026played in the<\/span>
\n belief that the end of Apollo is not end of humanity\u2018s lunar adventure.\u2022 From ALSJ. Followed by<\/span>
\n Christmas carol recorded by Ron Evans\u2018 neighbors. From MC.<\/span><\/p>\n

12 07 20 02 (TEC) (12\/19\/72)\u201cAnchors Aweigh\u201d and \u201cThe Star Spangled Banner\u201d<\/span><\/p>\n

12 07 33 47 (TEC) (12\/19\/72) \u201cAnchors Aweigh\u201d again<\/span>
\n SKYLAB<\/span><\/p>\n

SKYLAB 2<\/span><\/p>\n

6\/21\/73 Boatswain\u2018s Call and \u201cLonely Bull\u201d by Herb Alpert & Tijuana Brass. The boatswain\u2018s pipe was<\/span>
\n directed to Pete Conrad by Paul Hand, probably because Conrad was Navy.<\/span><\/p>\n

\u201cYou should have started doing that on about day 2,\u201d Conrad quipped.<\/span><\/p>\n

\u201cAnd the crew down here couldn\u2022t find a song for three bulls, it was only one,\u201d replied Capcom.<\/span><\/p>\n

Conrad countered with, \u201cHere\u2022s a little old song, love.\u201d<\/span><\/p>\n

And then PAO filled in the background:<\/span><\/p>\n

\u2022That last song coming down from Skylab was out of Pete Conrad\u2018s repertoire of country-western<\/span>
\n music he has aboard.\u2022<\/span><\/p>\n

From Mission Commentary<\/span><\/p>\n

SL-II MC-1305\/2<\/span><\/p>\n

Time: 05:31 CDT, 28:10:31 GMT<\/span><\/p>\n

SKYLAB 3<\/span><\/p>\n

8\/21\/73 \u2022Girl from Ipanema\u2022 and \u2022Anchors Aweigh\u2022<\/span>
\n CAPCOM: Bob Crippen<\/span><\/p>\n

8\/22\/73 \u2022The Party\u2022s Over\u2022 by Julie London<\/span>
\n CAPCOM: Bob Crippen<\/span><\/p>\n

8\/23\/73 Army Air Corps Song<\/span>
\n CAPCOM: Bob Crippen<\/span><\/p>\n

8\/24\/73 \u2022Come Fly With Me\u2022<\/span><\/p>\n

8\/25\/73 Selections from Julie London and Tijuana Brass<\/span>
\n CAPCOM: Bob Crippen<\/span><\/p>\n

8\/27\/73 \u2022My Skylab Home\u2022 written and performed by Chuck Morley of Cocoa Beach, Florida courtesy of<\/span>
\n Bill Cummings of Titusville radio station WRMF<\/span>
\n CAPCOM: Karl Henize<\/span><\/p>\n

9\/15\/73 \u2022Paralyzed\u2022 by Legendary Stardust Cowboy. Sounded like Marine Close Order Drill to Owen<\/span>
\n Garriott<\/span>
\n CAPCOM: Bob Crippen<\/span><\/p>\n

9\/17\/73 Message from Mother Earth (the alter ego of Bob Crippen) followed by the instrumental, \u2022Come<\/span>
\n Saturday Morning\u2022<\/span><\/p>\n

9\/18\/73 \u2022String of Pearls\u2022 by Glenn Miller Orchestra<\/span><\/p>\n

9\/19\/73 \u2022Marine Corps Hymn\u2022 played for Jack Lousma. Jack said Mission Control should be standing at<\/span>
\n attention.<\/span><\/p>\n

9\/20\/73 \u201cMoonlight Becomes You\u201d<\/span>
\n CAPCOM: Bob Crippen<\/span>
\n 9\/25\/73 \u2022Going Back to Houston\u2022 (Sic), probably \u2022Houston\u2022 by Dean Martin<\/span>
\n CAPCOM: Henry Hartsfield<\/span><\/p>\n

SKYLAB 4<\/span><\/p>\n

11\/21\/73 \u2022The Lonely Bull\u2022 by [Herb Alpert & Tijuana Brass]?<\/span>
\n CAPCOM: Henry Hartsfield<\/span><\/p>\n

11\/22\/73 \u2022A Walk in the Black Forest\u2022 Symbolic of the fact that the crew of Skylab 4 will be taking a walk<\/span>
\n in the blackness of space to repair the control system for an Earth-scanning antenna.<\/span>
\n CAPCOM: Henry Hartsfield<\/span><\/p>\n

11\/24\/73 \u2022Paralyzed\u2022 by Legendary Stardust Cowboy<\/span>
\n CAPCOM: Bob Crippen<\/span><\/p>\n

12\/2\/73 \u2022Misty\u2022 by Julie London<\/span>
\n CAPCOM: Bob Crippen<\/span><\/p>\n

12\/3\/73 Selection from \u2022The Sea\u2022 by Rod McKuen<\/span>
\n CAPCOM: Bob Crippen<\/span><\/p>\n

12\/4\/73 \u2022Muskrat Ramble\u2022 by Firehouse Five Plus Two<\/span>
\n CAPCOM: Bob Crippen<\/span><\/p>\n

12\/5\/73 UNIDENTIFIED<\/span><\/p>\n

12\/6\/73 A message from the people of Germany followed by German Christmas songs. Santa Claus Day<\/span>
\n in Germany falls on this date. Also \u2022Silent Night\u2022 by Barbra Streisand<\/span><\/p>\n

12\/7\/73 \u2022The Party\u2022s Over\u2022 by Julie London<\/span><\/p>\n

12\/10\/73 \u2022Lonely Bull (El Solo Toro)\u2022 by Herb Alpert & Tijuana Brass<\/span><\/p>\n

12\/11\/73 \u2022Peanut Vendor\u2022 by Chet Atkins<\/span>
\n CAPCOM: Henry Hartsfield<\/span><\/p>\n

12\/13\/73 \u2022Eli\u2022s Coming\u2022 by Three Dog Night<\/span><\/p>\n

12\/14\/73 \u2022Blue Tail Fly\u2022 by Burl Ives<\/span>
\n CAPCOM: Richard Truly<\/span><\/p>\n

12\/23\/73 Christmas music \u201cThe Little Drummer Boy\u201d<\/span><\/p>\n

12\/24\/73 \u2022The Twelve Days of Christmas\u2022, \u201cThe Little Drummer Boy\u201d<\/span><\/p>\n

12\/25\/73 \u201cRing Christmas Bells\u201d<\/span><\/p>\n

12\/28\/73 No wakeup call sent. Crew awakened by their alarm.<\/span>
\n CAPCOM: Bob Crippen<\/span><\/p>\n

12\/29\/73 \u2022Joy to the World\u2022 by Three Dog Night<\/span>
\n CAPCOM: Bob Crippen<\/span><\/p>\n

12\/30\/73 \u2022On Top of the World\u2022 by \u2022The Carpenters\u2022<\/span>
\n CAPCOM: Bob Crippen<\/span><\/p>\n

12\/31\/73 \u2022Come Back My Love\u2022 by Brigitte Bardot<\/span><\/p>\n

1\/1\/74 \u2022Auld Lang Syne\u2022 Guy Lombardo<\/span>
\n \u2022Paralyzed\u2022 by Legendary Stardust Cowboy<\/span><\/p>\n

1\/2\/74 UNIDENTIFIED <\/span>
\n CAPCOM: Bruce McCandless<\/span><\/p>\n

1\/3\/74 Peter, Paul, and Mary medley<\/span>
\n CAPCOM: Henry Hartsfield<\/span><\/p>\n

1\/4\/74 Chet Atkins medley<\/span><\/p>\n

1\/5\/74 \u2022Strawberry Roan\u2022 and \u2022El Paso\u2022 by Marty Robbins<\/span>
\n Commander Gerald P. Carr commented: \u201cGene Autry, eat your heart out.\u201d<\/span>
\n CAPCOM: Henry Hartsfield<\/span><\/p>\n

1\/6\/74 Herb Alpert & Tijuana Brass medley<\/span>
\n CAPCOM: Henry Hartsfield<\/span><\/p>\n

1\/12\/74 \u2022Come Saturday Morning\u2022<\/span>
\n CAPCOM: Bruce McCandless<\/span><\/p>\n

1\/13\/74 \u2022Light My Fire\u2022 by The Lettermen (sic)<\/span>
\n CAPCOM: Bruce McCandless<\/span><\/p>\n

1\/14\/74 Neil Diamond vocal<\/span>
\n CAPCOM: Bruce McCandless<\/span><\/p>\n

1\/15\/74 \u2022The First Time Ever I Saw Your Face\u2022<\/span>
\n CAPCOM: Bruce McCandless<\/span><\/p>\n

1\/16\/74 \u2022Spiders and Snakes\u2022<\/span>
\n CAPCOM: Bruce McCandless<\/span><\/p>\n

1\/17\/74 \u2022O What a Beautiful Morning\u2022<\/span>
\n CAPCOM: Bob Crippen<\/span><\/p>\n

1\/19\/74 The Air Force Song (\u201cOff We Go Into the Wild Blue Yonder\u201d),\u201cAnchors Aweigh\u2022 & \u2022Ear<\/span>
\n Splitting Louder Boomer\u2022 by Steppenwolf. The last for lone civilian of crew, pilot Ed Gibson<\/span>
\n CAPCOM: Bob Crippen<\/span><\/p>\n

1\/20\/74 \u2022Marines Hymn\u2022, \u201cQuiet Village\u201d, \u201cHawaiian War Chant\u201d <\/span>
\n CAPCOM: Bob Crippen<\/span><\/p>\n

1\/21\/74 \u2022The Party\u2022s Over\u2022 by Julie London<\/span>
\n \u2022Misty\u2022 by Julie London <\/span>
\n CAPCOM: William Thornton<\/span><\/p>\n

1\/22\/74 \u2022Spiders and Snakes\u2022<\/span>
\n CAPCOM: Richard Truly<\/span><\/p>\n

1\/23\/74 \u2022Happy Birthday\u2022 \u201cFor He’s a Jolly Good Fellow\u201d by Pogue family<\/span>
\n In honor of Bill Pogue <\/span>
\n CAPCOM: Richard Truly<\/span><\/p>\n

1\/24\/74 \u2022Misty\u2022<\/span>
\n CAPCOM: Richard Truly<\/span><\/p>\n

1\/25\/74 \u201cOn Top of the World\u201d by The Carpenters<\/span>
\n CAPCOM: Richard Truly<\/span><\/p>\n

1\/26\/74 \u2022In the Wee Small Hours of the Morning\u2022 by Julie London <\/span>
\n CAPCOM: Richard Truly<\/span><\/p>\n

1\/27\/74 \u201cEl Manicero\u201d Herb Alpert & Tijuana Brass?<\/span><\/p>\n

1\/28\/74 \u2022A medley of soft music…\u201d<\/span>
\n CAPCOM: Henry Hartsfield<\/span><\/p>\n

1\/29\/74 \u2022If\u2022 by Bread;<\/span>
\n \u2022Gypsies, Tramps, and Thieves\u2022 by Cher; and<\/span>
\n \u2022Sensuous Woman\u2022 by Mystic Moods<\/span>
\n CAPCOM: Henry Hartsfield<\/span><\/p>\n

1\/30\/74 \u2022Ghost Riders in the Sky\u2022<\/span>
\n CAPCOM: Henry Hartsfield<\/span><\/p>\n

1\/31\/74 \u2022Burning Love\u2022 by Elvis Presley<\/span>
\n CAPCOM: Henry Hartsfield<\/span><\/p>\n

2\/3\/74 \u201cWalk Through the Black Forest\u201d by Herb Alpert & Tijuana Brass<\/span><\/p>\n

2\/4\/74 “Rachmaninoff Concerto No. 3” played by Van Cliburn<\/span><\/p>\n

2\/5\/74 \u2022Out in the Country” by Three Dog Night\u2022 and \u2022I Feel the Earth Move\u2022 by Carole King<\/span>
\n CAPCOM: Henry Hartsfield<\/span><\/p>\n

2\/6\/74 \u201cSoul of Spain\u201d by 101 Strings<\/span><\/p>\n

2\/7\/74 \u201cCarmen\u201d by Bizet and \u201cShaft\u201d by Isaac Hayes<\/span><\/p>\n

CAPCOM: Bruce McCandless<\/span><\/p>\n

2\/8\/74 \u2022Goin\u2022Back to Houston\u2022 by Dean Martin<\/span><\/p>\n

APOLLO-SOYUZ TEST PROJECT (ASTP)<\/span>
\n July 15-24, 1975<\/span><\/p>\n

7\/16\/75 \u2022Good Morning Sunshine\u2022 Chicago – (Apollo crew)<\/span><\/p>\n

7\/18\/75 \u2022Midnight in Moscow\u2022 – (Apollo crew)<\/span><\/p>\n

7\/19\/75 \u2022Tenderness\u2022 Maya Kristalinskaya. Crew did not wake until later in morning – (Apollo crew)<\/span><\/p>\n

7\/20\/75 \u2022Tenderness\u2022 Maya Kristalinskaya . This time the crew heard it. (Apollo crew)<\/span><\/p>\n

7\/24\/75 \u2022Redneck Mother\u2022 Jerry Jeff Walker (Apollo crew)<\/span>
\n SPACE SHUTTLE<\/span><\/p>\n

… the wakeup music is selected by the astronauts working as CAPsule COM municators (CAPCOM) for the<\/span>
\n mission. Traditionally, the music relates to mission objectives or to specific crew members. The speaker<\/span>
\n units onboard the Shuttle were designed to annunciate alarm tones, so they do not reproduce music very<\/span>
\n well. Therefore, songs chosen for wakeup must be very recognizable to the crew. Special greetings, or<\/span>
\n songs which provide commercial gain or profit cannot be used. Selected from recordings widely available<\/span>
\n to the public, the wakeup song list is reviewed and approved preflight. Within the highly structured<\/span>
\n environment of a Shuttle flight the morning wakeup presents an opportunity for levity and a bit of shared<\/span>
\n camaraderie. It tends to stand out as a human element in an otherwise complex technical enterprise.<\/span><\/p>\n

Kay Hire, spacecraft communicator on STS-79 in answer to a Mission Control Web question<\/span><\/p>\n

On shuttle, at the appropriate time, mission controllers in Houston send wake-up music to the crew.<\/span>
\n Mission control picks the songs, with suggestions from astronauts’ loved ones. Sometimes a family member will request a favorite song for a loved one. The station crew wakes up the “old-fashioned” way: the buzz of an alarm clock.<\/span><\/p>\n

\u2022How do astronauts sleep in space?\u2022 – FLORIDA TODAY By Chris Kridler 12\/17\/02<\/span><\/p>\n

“Some missions have two shifts, so there is someone awake 24 hours a day,” he [NASA spokeman Kelly Humphries] said. “On those missions, we don’t do wake-up calls. On missions when the crew is on the same shift, we send up one when they’re supposed to get out of bed.” The wake-up calls are orchestrated before the mission, Humphries said. “A [crew-member’s] family will say, ‘I’d like to send this song up to my dad, because he’s on orbit and he likes this song.’ ” Some songs fostered team spirit, Humphries said.<\/span><\/p>\n

\u2022Astronauts Get Baha Men, AC\/DC Wake-Up Calls\u2022 \u2013 MTV News 2\/20\/2001<\/span><\/p>\n

(Please note: On-line audio links to Space Shuttle wakeup calls exists for missions STS-81 to present with the exceptions of STS-82, STS-83, STS-84, STS-94, STS-86, and STS-89. See hyperlinks provided below the text list for each applicable mission. However, there are no links for mission STS-80 and earlier missions)<\/span><\/p>\n

STS-1 April 12-14, 1981<\/span><\/p>\n

4\/13\/81 \u2022Blast-Off Columbia\u2022 Roy McCall<\/span><\/p>\n

4\/14\/81 Short excerpt from an old Spike Jones record followed by a comic tape with<\/span>
\n voices of Houston DJs Hudson and Harrigan kidding Young and Crippen,<\/span>
\n then \u2022Reveille\u2022. “It’s splashdown, and Crip, you could both use a shower,”<\/span>
\n said one member of the radio team. “You’ve waited for this for 12 years and<\/span>
\n if you don’t wake up you’re going to miss the whole darn thing.” “Crip,”<\/span>
\n said one voice, “get out of the rack.” “No, no, no,” said the other. “If he<\/span>
\n wakes up he’ll spill coffee all over the controls.\u2022 \u2022Get to work, you guys.<\/span>
\n You\u2018ve got 300 government agencies out there to support.\u2022 Then Mission<\/span>
\n Control came back on the line. \u2022Now hear this, now hear this, reveille,<\/span>
\n reveille, up all idlers. And that last wakeup call, we\u2018d like you to scratch out<\/span>
\n \u2022\u2022splashdown\u2018 and insert \u2022\u2022touchdown,\u2018\u2022 said Mission Control.<\/span><\/p>\n

STS-2 November 12-14, 1981<\/span><\/p>\n

11\/13\/81 \u2022Pigs in Space\u2022 comedy routine #1 by The Muppets (arranged by Sally Ride).<\/span><\/p>\n

11\/14\/81 \u2022Pigs in Space\u2022 comedy routine #2 by The Muppets (arranged by Sally Ride), preceded by<\/span>
\n rendition of \u2022Columbia, Gem of the Ocean\u2022 by the Flight Operations Directorate<\/span>
\n group\u2022Contraband.\u2022<\/span><\/p>\n

STS-3 March 22-30, 1982<\/span><\/p>\n

3\/23\/82 \u2022On the Road Again\u2022 by Willie Nelson<\/span><\/p>\n

3\/24\/82 \u2022Marine Corps Hymn\u2022<\/span><\/p>\n

3\/25\/82 The Air Force Song (\u2022Off We Go Into the Wild Blue Yonder\u2022) for the benefit of pilot C.<\/span>
\n Gordon Fullerton, an Air Force colonel, who commented: \u2022That will get us off to a fast start.\u2022<\/span><\/p>\n

3\/26\/82 \u2022Sail Away\u2022 by Christopher Cross while over Madrid.<\/span><\/p>\n

3\/27\/82 Exchange of music between the ground and the Columbia, the Columbia playing for the flight<\/span>
\n control team, \u2022I’m Sitting On Top of the World\u2022 and the flight team transmitting up \u2022Those<\/span>
\n Magnificent Men and Their Flying Machines.\u2022<\/span><\/p>\n

3\/28\/82 \u2022Six Days on the Road and I\u2018m Gonna Make It Home Tonight\u2022 by Dave Dudley<\/span><\/p>\n

NASA stretched the lyrics to make it eight days instead of six…\u201dOK, that\u2022s good music,<\/span>
\n Houston,\u201d Lousma told capsule communicator Brewster Shaw, who had a radio station make<\/span>
\n a change in the tape.<\/span><\/p>\n

3\/29\/82 CAPCOM Steve Nagel uplinked “This is My Country” to the crew and the crew responded<\/span>
\n with downlink medley of the \u2022The Air Force Song (\u2022Off We Go Into the Wild Blue<\/span>
\n Yonder\u2022)\u2022 and the \u2022Marine Corps Hymn.\u2022<\/span><\/p>\n

STS-4 June 27-July 4, 1982<\/span><\/p>\n

6\/28\/82 \u2022Up, Up and Away\u2022<\/span><\/p>\n

6\/29\/82 \u2022Hold That Tiger\u2022 by Auburn University Band.<\/span><\/p>\n

Mattingly responded: \u2022Good afternoon, we love that tune.\u2018\u2018 He added,<\/span>
\n \u2022Found out something up here though, you can\u2018t stomp your feet to it.\u2022<\/span>
\n Both astronauts are graduates of Auburn University.<\/span><\/p>\n

6\/30\/82 Pilot Henry (Hank) Hartsfield’s 25th wedding anniversary and on this first air\/ground pass of<\/span>
\n the day, he received taped messages from his two daughters and his wife.<\/span><\/p>\n

7\/1\/82 The astronauts got a wake-up call at 1:10 a.m. today from Houston control<\/span>
\n as the ship was passing over the Dakar, Senegal, tracking station. Columbia<\/span>
\n was making its 59th orbit at the time. There was no response at first from<\/span>
\n the crewmen, but mission control reported that engineering data showed the<\/span>
\n pilots were operating their food warmer for breakfast. Mattingly finally<\/span>
\n responded with a cheerful, \u2022Good morning.\u2022<\/span><\/p>\n

7\/2\/82 Theme from \u2022Chariots of Fire\u2022<\/span><\/p>\n

7\/3\/82 College fraternity songs, the Delta Tau Delta Fraternity for TK Mattingly, and Delta Chi for<\/span>
\n Hank Hartsfield.<\/span><\/p>\n

7\/4\/82 \u2022This is My Country\u2022<\/span><\/p>\n

STS-5 November 11-16, 1982<\/span><\/p>\n

11\/12\/82 “76 Trombones” from the “Music Man”<\/span><\/p>\n

11\/13\/82 “Cotton-eyed Joe”<\/span><\/p>\n

11\/14\/82 Marine\u2018s Hymn “Halls of Montezuma” in honor of two Marines onboard: Columbia pilot Bob<\/span><\/p>\n

Overmyer, active duty Marine Corps colonel, and Vance Brand who began his career as a<\/span>
\n Marine aviator<\/span><\/p>\n

11\/15\/82 “The Stroll”<\/span><\/p>\n

11\/16\/82 “Take Me Home, Country Roads” by John Denver<\/span><\/p>\n

STS-6 April 4-9, 1983<\/span><\/p>\n

4\/5\/83 “Cadets on Parade” and The Air Force Song (\u2022Off We Go Into the Wild Blue Yonder\u2022) by<\/span>
\n the United States Air Force Academy Band<\/span><\/p>\n

4\/6\/83 “Teach Me Tiger” by April Stevens<\/span><\/p>\n

4\/7\/83 \u2022Theme from F-Troop\u2022<\/span><\/p>\n

The significance of that being referring to this crew as the F-crew for the purposes of training<\/span>
\n documents the crews have been listed alphabetically. A-crew was the STS-I crew \u2013John Young,Bob<\/span>
\n Crippen. B-crew was the STS-2 crew – Dick Truly and Joe Engle. Of course, now up to STS-6. This is the<\/span>
\n F-crew and in a jocular vein they refer to themselves not as the F-crew but the F-Troop and accordingly<\/span>
\n the significance of this mornings wake up call.<\/span>
\n From STS-6 AIR\/GROUND TRANSCRIPT<\/span><\/p>\n

4\/8\/83 \u2022The Poor Co-pilot,\u2022 a tune from Korean War flying days sung by Oscar Brand and the Roger<\/span>
\n Wilco 4\u2018<\/span><\/p>\n

4\/9\/83 \u2022Ode to the Lions\u2022 as rendered by Rusty Gordon. This is a Penn State song referring to the Nittany<\/span>
\n Lions, of Penn State University which is Paul Weitz alma mater. He earned his Bachelor in Aeronautical<\/span>
\n Engineering at Penn State in 1954.<\/span><\/p>\n

From STS-6 AIR\/GROUND TRANSCRIPT<\/span><\/p>\n

STS-7 June 18-24, 1983<\/span><\/p>\n

6\/19\/83 The University of Texas Fight Song, of course, a tribute to the Mission Commander, Bob<\/span>
\n Crippen who is a UT graduate. It was preceded by the Texas A&M, Texas “Aggie”, Fight<\/span>
\n Song which was a greeting card to Crip from Jerry Griffin, the Center Director at JSC, who<\/span>
\n is a Texas A&M graduate.<\/span><\/p>\n

From STS-7 AIR\/GROUND TRANSCRIPT<\/span><\/p>\n

6\/20\/83 \u2022A&M, Texas A&M Aggie War Hymn\u2022 followed by “Tufts Tonia’s Day” as rendered by the<\/span>
\n Tufts University Beelzebubs, which is a student acappella group at Tufts University, Rick<\/span>
\n Hauck\u2018s alma mater.<\/span><\/p>\n

6\/21\/83 \u2022Texas Aggie War Hymn\u2022 followed by \u2022Reveille\u2022 followed by “When You’re Smiling”, as<\/span>
\n rendered by Mary Cleave’s father, Mary Cleave, the CAPCOM for this crew, and in response,<\/span>
\n Challenger down linked some music of its own, some version of “Tequila Sunrise.”<\/span><\/p>\n

6\/22\/83 \u2022Texas A&M Aggie War Hymn\u2022 and the \u2022Washington State University Cougar Fight Song\u2022,<\/span>
\n from which John Fabian is a graduate.<\/span><\/p>\n

6\/23\/83 The uplink music was the \u2022Texas A&M, Texas Aggie War Hymn,\u2022 followed by the<\/span>
\n incomparable Leeland Stanford Junior University Marching Band, playing the \u2022Stanford<\/span>
\n Hymn,\u2022 which of course is the alma mater of Dr. Sally Ride and it sounded like the crew<\/span>
\n down linked a Beatles’ song, “A Hard Day’s Night”.<\/span><\/p>\n

From STS-7 AIR\/GROUND TRANSCRIPT<\/span><\/p>\n

6\/24\/83 The usual few opening bars of the \u2022Texas Aggie War Hymn;\u2022 that was followed by the<\/span>
\n \u2022Florida State University Fight Song\u2022 played by the Florida State University Marching<\/span>
\n Chiefs. Norm Thagard is an alumnus of FSU.<\/span><\/p>\n

From STS-7 AIR\/GROUND TRANSCRIPT<\/span><\/p>\n

STS-8 August 30-September 5, 1983<\/span><\/p>\n

Mission events reversed with night launch and night-day activities.<\/span><\/p>\n

8\/31\/83 \u2022Georgia Tech Fight Song\u2022 for the alma mater of Commander Richard Truly.<\/span><\/p>\n

9\/1\/83 \u2022Illinois Fight Song\u2022 for Mission Specialist Dale Gardner\u2018s alma mater.<\/span><\/p>\n

9\/2\/83 \u2022Penn State Fight Song\u2022 for Guy Bluford’s Alma Mater<\/span><\/p>\n

9\/3\/83 \u2022University of North Carolina Fight Song\u2022 for alumnus Bill Thornton.<\/span><\/p>\n

9\/4\/83 \u2022Tala Sawari\u2022 performed by sitar player Ravi Shankar in honor of release of Indian INSAT<\/span>
\n satellite.<\/span><\/p>\n

9\/5\/83 \u2022Semper Fidelis\u2022 by John Philip Sousa. CAPCOM Brian O\u2018Connor was a Marine Corps<\/span>
\n officer.<\/span><\/p>\n

STS-9 November 28-December 8, 1983<\/span><\/p>\n

The crew worked two shifts around the clock. Therefore, no wakeup calls were sent.<\/span>
\n STS-41-B February 3-11, 1984<\/span><\/p>\n

2\/4\/84 Wake-up music had been planned to be a selection from the \u201cContraband,\u201d that group of NASA<\/span>
\n employees and would have featured Ron McNair, astronaut Ron McNair on the tenor sax, but that<\/span>
\n somehow got garbled in the translation going up.<\/span><\/p>\n

From STS-41-B AIR\/GROUND TRANSCRIPT<\/span><\/p>\n

2\/5\/84 \u2022A Train\u2022 by \u2022Contraband\u201d which features as its tenor sax player, Dr. Ron McNair<\/span><\/p>\n

2\/6\/84 “Glory, Glory, Colorado” by the University of Colorado Band. That’s the fight song of that<\/span>
\n institution which is Vance Brand’s alma mater followed by “Ride High You Mustangs” the<\/span>
\n Cal Poly State University fight song which is Pilot Robert Gibson\u2018s alma mater.<\/span><\/p>\n

2\/7\/84 Wake up music was an armed forces medley which covered three of the services.<\/span><\/p>\n

The Marine Corp., of course is Vance Brand’s alma mater. He’s now a civilian but was originally<\/span>
\n trained as a Marine Corps pilot. The Navy hymn in honor of Mission Specialist, Bruce McCandless and<\/span>
\n Challenger Pilot, Hoot Gibson, both Naval Officers. And the Army song honoring the nation’s first<\/span>
\n United States Army Astronaut, Bob Stewart. And the music was performed by guess who, the U.S. Air<\/span>
\n Force Academy Chorale.<\/span><\/p>\n

From STS-41-B AIR\/GROUND TRANSCRIPT<\/span><\/p>\n

2\/8\/84 North Carolina A&T University alma mater of which Mission Specialist Ron McNair is an alumnus and<\/span><\/p>\n

“Southern to the Top”, the fight song from the University of Southern Mississippi, the alma mater of<\/span>
\n Mission Specialist Bob Stewart.<\/span><\/p>\n

From STS-41-B AIR\/GROUND TRANSCRIPT<\/span><\/p>\n

2\/9\/84 \u2022Theme from \u2022\u2022The Greatest American Hero\u2018\u2022 in honor of that day\u2018s EVA. With some changed<\/span>
\n verses<\/span><\/p>\n

2\/10\/84 A live rendition of The Air Force Song (\u2022Off We Go Into the Wild Blue Yonder\u2022) from all<\/span>
\n the Air Force CAPCOMs.<\/span><\/p>\n

2\/11\/84 \u2022In the Mood\u2022 by \u2022Contraband\u2022, a musical group composed of JSC employees.<\/span><\/p>\n

STS-41-C April 6-13, 1984<\/span><\/p>\n

4\/7\/84 \u2022A Boy Named Sue\u2022 by Johnny Cash.<\/span><\/p>\n

4\/8\/84 Fight song of the University of California at Berkeley\u2022 followed by the<\/span><\/p>\n

Lehigh University Fight Song. The first in honor of Ox van Hoften, the<\/span>
\n second in honor of T. J. Hart.<\/span><\/p>\n

4\/9\/84 Unidentified<\/span><\/p>\n

SPACECRAFT Morning, John, and that’s exactly the way we feel, like we’re walking on air. (Response to<\/span>
\n unidentified wakeup call) From STS-41-C AIR\/GROUND TRANSCRIPT<\/span><\/p>\n

4\/10\/84 Theme from \u2022Rocky\u2022<\/span><\/p>\n

4\/11\/84 No wakeup music sent<\/span><\/p>\n

4\/12\/84 Unidentified<\/span><\/p>\n

Mission Control Houston, that harmonious wake up music performed by CAPCOM’s Guy<\/span>
\n Gardner, and John Blaha with the aid of planning team Payload Officer Rob Kelso.<\/span><\/p>\n

From STS-41-C AIR\/GROUND TRANSCRIPT<\/span><\/p>\n

4\/13\/84 Fight songs from the University of Texas, for mission commander, Bob Crippen, and the<\/span>
\n University of Arizona for Pilot, Dick Scobee.<\/span><\/p>\n

STS-41-D August 30-September 5, 1984<\/span><\/p>\n

8\/31\/84 \u2022Anchors Aweigh\u2022<\/span><\/p>\n

9\/1\/84 \u2022Telstar\u2022 by The Ventures<\/span><\/p>\n

9\/2\/84 \u2022Top of the World\u2022<\/span><\/p>\n

9\/3\/84 Unidentified<\/span><\/p>\n

9\/4\/84 Unidentified<\/span><\/p>\n

9\/5\/84 No wakeup call sent because crew woke early to handle a cryo leak.<\/span><\/p>\n

STS-41-G October 5-13, 1984<\/span><\/p>\n

10\/6\/84 \u2022Flashdance – What A Feeling\u2022 Irene Cara<\/span><\/p>\n

10\/7\/84 Unidentified<\/span><\/p>\n

10\/8\/84 Unidentified<\/span><\/p>\n

10\/9\/84 Theme from the film \u2022Rocky\u2022<\/span><\/p>\n

10\/10\/84 \u2022Navy Wings are Made of Gold\u2022<\/span><\/p>\n

10\/11\/84 \u2022Take Me Home, Country Roads\u2022 John Denver<\/span><\/p>\n

10\/12\/84 Theme from film \u2022Star Wars\u2022<\/span><\/p>\n

10\/13\/84 \u2022Boomer Sooner\u2022 the Oklahoma Fight Song<\/span><\/p>\n

STS-51-A November 8-16, 1984<\/span><\/p>\n

11\/9\/84 \u2022Good Morning Starshine\u2022<\/span><\/p>\n

11\/10\/84 \u2022Marine Corps Hymn\u2022 for the 209th birthday of the U.S. Marine Corps<\/span><\/p>\n

CAPCOM: Dave Hilmers<\/span><\/p>\n

11\/11\/84 Theme from film \u2022Victory at Sea\u2022 Followed by crew playing \u2022Who Will<\/span>
\n Buy?\u2022 by Barbra Streisand<\/span><\/p>\n

11\/12\/84 \u2022The Eagle and the Hawk\u2022 by John Denver. Crew responds with \u2022Entry of<\/span>
\n the Gladiators\u2022 by composer Julius Fucik<\/span><\/p>\n

11\/13\/84 Crew did not get wakeup call. They play \u2022Listen to the Music\u2022 for Houston<\/span>
\n Mission Control<\/span><\/p>\n

11\/14\/84 Theme from the movie, \u2022For a Few Dollars More\u2022 followed by \u2022Stars and<\/span>
\n Stripes Forever\u2022<\/span><\/p>\n

Bob Springer told the crew, \u201cIt\u2022s a tribute to the day\u2022s activities.\u201d Springer referred to the<\/span>
\n fact that originally one group of insurance companies had agreed to pay NASA $4.8 million<\/span>
\n to retrieve only the Palapa payload. But two months ago, another group of underwriters<\/span>
\n signed up for the Westar salvage and NASA said it would do both jobs for a total of $5.5<\/span>
\n million.<\/span><\/p>\n

Chicago Tribune 11\/15\/84<\/span><\/p>\n

CAPCOM: Bob Springer<\/span><\/p>\n

11\/15\/84 Composite tape of one line from several songs put together by Kevin<\/span><\/p>\n

Mathews, LAV FM97 in Grand Rapids, Michigan. Crew responded<\/span>
\n with\u2022Rocket Man\u2022 and \u2022Chariots of Fire\u2022<\/span><\/p>\n

11\/16\/84 Theme from TV show \u2022Peter Gunn\u2022<\/span><\/p>\n

STS-51-C January 24-27, 1985<\/span><\/p>\n

DoD Classified Mission with news blackout – NOTHING FOUND<\/span><\/p>\n

STS-51-D April 12-19, 1985<\/span><\/p>\n

4\/13\/85 \u2022Top of the World\u2022 by The Carpenters<\/span><\/p>\n

4\/14\/85 \u2022Stargazer\u2022 by Neil Diamond<\/span><\/p>\n

4\/15\/85 \u2022Skybird\u2022 by Neil Diamond<\/span><\/p>\n

4\/16\/85 \u2022Rescue Aid Society\u2022 from the Disney film, \u2022The Rescuers\u2022<\/span><\/p>\n

4\/17\/85 \u2022Ride of the Valkyries\u2022 by Richard Wagner<\/span><\/p>\n

4\/18\/85 \u2022Rocket Man\u2022 by Elton John<\/span><\/p>\n

4\/19\/85 \u2022America\u2022 by Neil Diamond<\/span><\/p>\n

STS-51-B April 29-May 6, 1985<\/span><\/p>\n

The crew worked two shifts around the clock. Therefore, no wakeup calls were sent.<\/span>
\n STS-51-G June 17-24, 1985<\/span><\/p>\n

6\/18\/85 \u2022Eye in the Sky\u2022 by Alan Parsons Project<\/span><\/p>\n

6\/19\/85 \u2022I Feel the Earth Move\u2022 by Carole King<\/span>
\n CAPCOM: Bob Springer<\/span><\/p>\n

6\/20\/85 \u2022Oklahoma\u2022<\/span><\/p>\n

6\/21\/85 \u2022Proud Mary\u2022 by Creedence Clearwater Revival<\/span>
\n CAPCOM: David Leestma<\/span><\/p>\n

6\/22\/85 \u2022Sailing\u2022 by Christopher Cross<\/span>
\n CAPCOM: David Leestma<\/span><\/p>\n

6\/23\/85 First Wakeup: Untitled Saudi Arabian music; Theme from movie,<\/span>
\n \u2022Jonathan Livingston Seagull\u2022 by Neil Diamond.<\/span>
\n CAPCOM: David Leestma<\/span><\/p>\n

Second Wakeup: \u2022Happy Talk\u2022 from movie \u2022South Pacific\u2022<\/span>
\n CAPCOM: Bob Springer<\/span><\/p>\n

6\/24\/85 1. \u2022William Tell Overture\u2022 by Rossini<\/span><\/p>\n

2. \u2022Wedding March\u2022 by Felix Mendelssohn<\/span><\/p>\n

3. \u2022Get Me to the Church on Time\u2022 from \u2022My Fair Lady\u2022 by Lerner and<\/span>
\n Loewe in honor of pilot John Creighton\u2018s upcoming marriage <\/span>
\n CAPCOM: David Leestma<\/span><\/p>\n

STS-51-F July 29-August 6, 1985<\/span><\/p>\n

The flight crew was divided into a red and blue team. Each team worked 12-hour shifts for 24-<\/span>
\n hour-a-day operation. Therefore, no wakeup calls were sent.<\/span><\/p>\n

STS-51-I August 27-September 3, 1985<\/span><\/p>\n

8\/28\/85 \u2022Waltzing Matilda\u2022 awakened the crew as they passed over Australia.<\/span>
\n CAPCOM: David Leestma<\/span><\/p>\n

8\/29\/85 \u2022Over the Rainbow\u2022 from \u2022The Wizard of Oz\u2022by Judy Garland. When<\/span><\/p>\n

a high-pitched voice from mission control said, “Joe Henry, I don’t think<\/span>
\n we’re in Kansas anymore,” Engle laughed and replied: “I think you’re right.”<\/span>
\n CAPCOM: David Leestma<\/span><\/p>\n

8\/30\/85 \u2022I Saw the Light\u2022 by Willie Nelson<\/span>
\n CAPCOM: David Leestma<\/span><\/p>\n

8\/31\/85 \u2022I Get Around\u2022 by Beach Boys<\/span>
\n CAPCOM: James D. Wetherbee<\/span><\/p>\n

9\/1\/\/85 \u2022Lucky Old Sun\u2022 by Willie Nelson<\/span><\/p>\n

9\/2\/85 \u2022Stormy Weather\u2022 by Willie Nelson. It was chosen due to the powerful Gulf Coast hurricane<\/span>
\n Elena observed from the Discovery.<\/span>
\n CAPCOMS: James D. Wetherbee\/Joe Engle<\/span><\/p>\n

9\/3\/85 \u2022Living in the USA\u2022 by Linda Ronstadt<\/span>
\n CAPCOMS: James D. Wetherbee\/Joe Engle<\/span><\/p>\n

STS-51-J October 3-7, 1985<\/span><\/p>\n

DoD Classified Mission with news blackout – NOTHING FOUND<\/span><\/p>\n

STS-61A October 30-November 6, 1985<\/span><\/p>\n

The crew worked two shifts around the clock. Therefore, no wakeup calls were sent.<\/span><\/p>\n

STS-61-B November 26-December 3, 1985<\/span><\/p>\n

11\/26\/85 The Air Force Hymn for first Air Force space shuttle commander, Brewster H. Shaw, Jr.<\/span><\/p>\n

11\/27\/85 Unidentified<\/span><\/p>\n

11\/28\/85 Unidentified<\/span><\/p>\n

11\/29\/85 \u2022America the Beautiful\u2022<\/span><\/p>\n

11\/30\/85 Unidentified<\/span>
\n 12\/2\/85 \u2022Notre Dame Fight Song\u2022 or \u2022Notre Dame Victory March\u2022, a joke played on Jerry Ross, a<\/span>
\n graduate of Purdue, one of Notre Dame\u2018s rivals by Jim Wetherbee.<\/span>
\n CAPCOM: James Wetherbee<\/span><\/p>\n

12\/3\/85 \u2022Born in the U.S.A.\u2022 Bruce Springsteen<\/span><\/p>\n

STS-61-C January 12-18, 1986<\/span><\/p>\n

1\/12\/86 Opening theme from \u2022Monty Python\u2018s Flying Circus\u2022 TV show (\u2022Liberty<\/span>
\n Bell March\u2022 by John Philip Sousa).<\/span>
\n CAPCOM: Shannon Lucid<\/span><\/p>\n

1\/13\/86 Unidentified<\/span><\/p>\n

1\/14\/86 \u2022Heart of Gold\u2022 by Neil Young<\/span><\/p>\n

1\/15\/86 Unidentified<\/span><\/p>\n

1\/16\/86 Unidentified<\/span><\/p>\n

1\/17\/86 Unidentified<\/span><\/p>\n

1\/18\/86 \u2022Stars and Stripes Forever\u2022<\/span><\/p>\n

STS-51-L January 28, 1986<\/span>
\n DID NOT ACHIEVE ORBIT<\/span><\/p>\n

STS-26 September 29-October 3, 1988<\/span><\/p>\n

9\/30\/88 Robin Williams opened with \u2022Gooooooood Morning Discovery!!!\u2022 in \u2022Good Morning<\/span>
\n Vietnam\u2022 style. The original recording produced by Houston area DJ from KKBQ, Mike<\/span>
\n Cahill, also included original lyrics recorded to the theme music of the TV show \u2022Green<\/span>
\n Acres\u2022. Robin Williams was approached by Cahill about doing the tape. NASA knew nothing<\/span>
\n of the tape until it was offered as a gift by Cahill.<\/span><\/p>\n

Mike Cahill, writer, producer for KKBQ Radio, Houston and a part-time on-call tour guide at JSC, said he had listened to some wake-up calls a year and a half ago and some of them were, “You know, kind of awful. So what I did was thought gee it would be nice to write, produce and custom design songs for the astronauts. I picked three tunes that were pretty catchy, that were very short and upbeat. Green Acres was the first one. I thought gosh that would be the last thing they’ll expect to hear.\u201d<\/span><\/p>\n

Pat Mattingly, who works in Mission Control, found out Cahill was doing them and said they were looking for new stuff. She gave a tape to CAPCOM Kathy Sullivan. Mike wrote the lyrics in early 1987. Threw in Discovery because knew it would be next Orbiter to fly. He collaborated with Mark <\/span>
\n Richardson, the leader of a band named “Eclipse.” Mike and Mark worked on putting the music together. Richardson played keyboard, guitars, drum machine. Mike called on Patrick Brennan who used to be with now-defunct group “Popkorn” that played in clubs around Clear Lake to do the vocals. Mike and Mark helped out on the chorus for Green Acres.<\/span><\/p>\n

Green Acres was Mike’s favorite. “It was as dopey and stupid and corny as I had hoped it would be.” He said he wanted to show that NASA people have a sense of humor.<\/span><\/p>\n

“It’s the closest I’ll ever get to going to space.”<\/span>
\n From JSC Query Book<\/span><\/p>\n

10\/1\/88 Parody of Beach Boys \u2022I Get Around\u2022 with lyrics \u2022We orbit \u2022\u2022round\u2022 was provided by radio<\/span>
\n disc jockey Mike Cahill.<\/span><\/p>\n

10\/2\/88 Harvey Mudd College (Claremont, CA)\u2022Fight Song\u2022, sung to tune of \u2022Mickey Mouse Club\u2022<\/span>
\n by eight HMC students with intro by Robin Williams. Harvey Mudd is the alma mater of mission specialist Pinky Nelson. He commented afterwards: \u2022There isn\u2018t a dry eye in the house.\u2022<\/span><\/p>\n

10\/3\/88 \u2022Fun, Fun, Fun…\u2022 Beach Boys parody with original lyrics.<\/span><\/p>\n

STS-27 December 2-6, 1988<\/span><\/p>\n

12\/3\/88 Army \u2022Fight Song\u2022 and Navy \u2022Fight Song\u2022 because \u2022Hoot\u2022 Gibson and<\/span>
\n Bill Shepherd were Navy grads and Mike Mullane graduated from West<\/span>
\n Point.<\/span><\/p>\n

12\/4\/88 Theme from TV show \u2022Rawhide\u2022 with satirical lyrics based on an inside<\/span>
\n joke between the Atlantis crew and CAPCOM members of the astronaut<\/span>
\n class of 1984.<\/span><\/p>\n

12\/5\/88 Using \u2022Star Wars\u2022 theme music as background, Darth Vader\u2018s voice awoke<\/span>
\n the crew with a message followed by satirical lyrics sung to The Beatles<\/span>
\n tune, \u2022Do You Want to Know a Secret?\u2022 The recording was produced by<\/span>
\n Houston radio station KKBQ\u2018s Mike Cahill, Pat Brennan, and Mark<\/span>
\n Richardson.<\/span><\/p>\n

STS-29 March 13-18, 1989<\/span><\/p>\n

Discovery\u2022s astronauts generally toed the line on a new NASA edict to cut the comedy, at least for<\/span>
\n public viewing, but they showed some flashes of fun in space, mainly in the battle of wakeup songs.<\/span>
\n When Discovery made the first post-Challenger flight last September, the five astronauts awoke to<\/span>
\n Beach Boys music parodies and clowned for television cameras in bright Hawaiian shirts. And even<\/span>
\n though the December flight of Atlantis was a classified military mission, word leaked of special wakeup<\/span>
\n music not particularly flattering to the Pentagon. And both crews videotaped themselves playing in the<\/span>
\n weightlessness of orbit, turning somersaults, throwing a football and feeding each other candy. The<\/span>
\n tapes were shown at public gatherings. The astronauts\u2022 wacky wakeup calls and zany acrobatics got<\/span>
\n attention, which upset NASA because it felt the reports made the flights look like all play and no work.<\/span><\/p>\n

\u201cWe\u2022ve learned that if you crack a joke or show somebody doing something funny, that\u2022s the 10<\/span>
\n seconds that gets on the evening news, and not the two hours of work you just showed,\u201d Discovery<\/span>
\n commander Michael Coats said in a pre-launch interview.<\/span><\/p>\n

So space agency officials told Discovery\u2022s crew to cool it when the cameras or microphones were<\/span>
\n on.<\/span><\/p>\n

\u201cNASA has no official sense of humor anymore,\u201d said Bob Springer, one of Coats\u2022 crewmates. \u201cSo<\/span>
\n we\u2022re somewhat restricted now on what we can do.\u201d<\/span><\/p>\n

Discovery\u2022s flight started out strictly following the policy, with wakeup calls played by Mission<\/span>
\n Control limited to presentations like the Marine Hymn, for the two crewmen who are Marines. But on<\/span>
\n Day 3, things loosened up.<\/span><\/p>\n

From AP-NY-03-19-89<\/span><\/p>\n

3\/14\/89 \u2022I Got You (I Feel Good)\u2022 James Brown<\/span>
\n CAPCOM: David Low<\/span><\/p>\n

3\/15\/89 Brass band rendition of the \u2022Marine Corps Hymn\u2022 – tribute to mission<\/span>
\n specialists Bob Springer and Jim Buchli. \u2022We got two Marines standing at<\/span>
\n attention up here,\u2022 said Captain Coats.<\/span>
\n CAPCOM: Ken Cameron<\/span><\/p>\n

3\/16\/89 Discovery crew woke Mission Control with theme from \u2022Star Trek\u2022 followed by<\/span>
\n congratulatory comments from William Shatner. Mission Control responded with a medley<\/span>
\n of school songs from crew members\u2018 alma maters: \u2022Anchors Aweigh\u2022, The Air Force Song<\/span>
\n (\u2022Off We Go Into the Wild Blue Yonder\u2022), and Drexel University \u2022Fight Song\u2022<\/span>
\n CAPCOM: G. David Low. He responded with ad lib: \u2022Discovery, Houston \u2013 Beam Me Up,<\/span>
\n Scotty.\u2022<\/span><\/p>\n

3\/17\/89 Discovery crew woke up Mission Control with \u2022Heigh-Ho, Heigh-Ho, It\u2018s Off To Work We<\/span>
\n Go\u2022 from movie \u2022Snow White.\u2022 Mission Control replied with \u2022Stars and Stripes Forever\u2022.<\/span>
\n CAPCOM: G. David Low<\/span><\/p>\n

3\/18\/89 Mission Control sent recordings of astronauts\u2018 children shouting such things as<\/span><\/p>\n

\u2022Get up, Dad, get out of bed and get to work\u2022 and \u2022Hi, daddy, this is your darling daughter<\/span>
\n telling you to wake up.\u2022 This was followed by \u2022What a Wonderful World\u2022 by Louis<\/span>
\n Armstrong. The crew responded with \u2022Homeward Bound\u2022 by Simon and Garfunkel.<\/span><\/p>\n

STS-30 May 4-8, 1989<\/span><\/p>\n

5\/5\/89 Theme music from the film, \u2022Superman\u2022<\/span><\/p>\n

5\/6\/89 Crew members awakened with medley from their respective alma maters: \u2022Anchors Aweigh\u2022,<\/span>
\n played for STS-30 commander Dave Walker \u2013 Navy \u2022The Wild Blue Yonder\u2022 for pilot Ron<\/span>
\n Grabe and Mark Lee – Air Force Colorado State University fight song for Mission Specialist<\/span>
\n Mary Cleave; and Florida State University fight song for Mission Specialist Norm Thagard<\/span><\/p>\n

5\/7\/89 Theme music from the film, \u2022Rocky\u2022<\/span><\/p>\n

5\/8\/89 \u2022A Hard Day\u2018s Night\u2022 The Beatles<\/span><\/p>\n

STS-28 August 8-13, 1989<\/span><\/p>\n

DoD Classified Mission – NOTHING FOUND<\/span><\/p>\n

STS-34 October 18-23, 1989<\/span><\/p>\n

10\/19\/89 Medley: 1. \u2022Hail Purdue\u2022, 2. \u2022Reveille\u2022, 3. \u2022Anchors Aweigh\u2022 as tribute to<\/span>
\n commander Don Williams and pilot Mike McCulley who were both Purdue<\/span>
\n and Naval Academy graduates.<\/span>
\n CAPCOM: Tammy Jernigan<\/span><\/p>\n

10\/20\/89 University fight songs medley sent as a tribute to the Mission Specialists and their<\/span>
\n undergraduate schools: 1. University of Oklahoma for Shannon Lucid, 2. University of<\/span>
\n Connecticut for Franklin Chang-Diaz, 3. State University of New York at Buffalo for Ellen<\/span>
\n Baker.<\/span>
\n CAPCOM: Tammy Jernigan<\/span><\/p>\n

10\/21\/89 \u2022Bohemian Rhapsody\u2022 by Queen. Words \u2022Galileo, Galileo\u2022 referring to primary payload<\/span>
\n \u2022Galileo\u2022 were substituted for original words \u2022Mama Mia, Mama Mia\u2022 by voice of Don<\/span>
\n McMonagle.<\/span>
\n CAPCOM: Tammy Jernigan<\/span><\/p>\n

10\/22\/89 \u2022Centerfield\u2022 John Fogerty for sports fans onboard.<\/span>
\n CAPCOM: Tammy Jernigan<\/span><\/p>\n

10\/23\/89 \u2022Fly Like An Eagle\u2022 Steve Miller Band<\/span>
\n CAPCOM: Ken Cameron<\/span><\/p>\n

STS-33 November 22-27, 1989<\/span><\/p>\n

DoD Classified Mission – NOTHING FOUND<\/span><\/p>\n

STS-32 January 9-20, 1990<\/span><\/p>\n

1\/9\/90 \u2022What\u2018s More American?\u2022 – Words and music by Kadish Millet. Sung by Bing Crosby<\/span><\/p>\n

1\/10\/90 Parody kidding G. David Low based on tune of \u2022The Banana Boat Song\u2022 originally sung by<\/span>
\n Harry Belafonte.<\/span><\/p>\n

1\/11\/90 Parody set to the tune of \u2022Let It Snow\u2022 – with a message to the crew in the<\/span>
\n lyrics of \u2022Bring her home\u2022 meaning the Long Duration Exposure Facility<\/span>
\n (LDEF). It was a reminder that Columbia originally was to have been in<\/span>
\n orbit at Christmastime and that the astronauts had promised to bring the<\/span>
\n satellite back as a holiday gift to all those with experiments on board.<\/span><\/p>\n

Written and recorded by \u2022The Prox Ops Boys\u2022, Dave Thompson, Mark Schrock, Brian<\/span>
\n Bertrand, Steve Walker, Ted Rickerl, and Greg Schrage.<\/span><\/p>\n

From the Mission Operations Directorate\u2018s Orbit Dynamics (aka Prox Ops) Office<\/span><\/p>\n

1\/12\/90 Parody \u2022Hello LDEF\u2022, sung to the tune of \u2022Hello Dolly\u2022 intended as a tribute to the cargo<\/span>
\n which was retrieved on 1\/12\/90. Written and sung by James C. Martin and his friend Terry<\/span>
\n Radomski. (Martin is the son of Mrs. F. C. Martin, secretary to LDEF Chief Scientist Bill<\/span>
\n Kinard)<\/span><\/p>\n

1\/13\/90 The astronauts took time out for a little fun Saturday afternoon, playing the song \u2022Attack of the Killer Tomatoes\u2022 from the movie of the same name as they showed Mission Control a drawing of LDEF wildly entwined in tomato vines. It referred to the student (SEEDS) experiment, sending 12.5 million tomato seeds into orbit aboard LDEF.<\/span><\/p>\n

1\/13\/90 \u2022Notre Dame Victory March\u2022 for pilot Jim Wetherbee, graduate of Notre<\/span>
\n Dame. Sung by quartet of JSC Mission Operations Directorate personnel,<\/span>
\n all Notre Dame graduates (Lead: Mark Ferring, class of \u201880. Tenor: Chris<\/span>
\n McKenna, class of \u201884. Baritone: Pete Hasbrook, class of \u201885. Bass: Fisher<\/span>
\n Reynolds, class of \u201882) “That was provided by local alumni of a school you<\/span>
\n know pretty well,\u2022 said Mission Control’s Ken Bowersox.<\/span><\/p>\n

\u2022Yeah, there’s a lot of Damers down there,” said Wetherbee, a 1974<\/span>
\n graduate of the school in aerospace engineering.<\/span><\/p>\n

CAPCOM: Ken Bowersox<\/span><\/p>\n

1\/14\/90 \u2022Bow Down to Washington\u2022, University of Washington\u2018s fight song for Mission Specialist<\/span>
\n Bonnie Dunbar. (from tape with a bunch of fight songs performed by USC band)<\/span><\/p>\n

1\/15\/90 \u2022Glory, Glory, Colorado\u2022, the University of Colorado fight song, in honor of Mission<\/span>
\n Specialist Marsha Ivins.<\/span><\/p>\n

1\/16\/90 Three-part wakeup call in honor of Shuttle Commander Dan Brandenstein\u2018s 47th birthday<\/span>
\n including: a trombone and piano ensemble playing \u2022Danny Boy\u2022 performed by Martin and<\/span>
\n Radomski; Boston Celtics basketball forward Larry Bird offering congratulations to the crew<\/span>
\n and birthday wishes to Brandenstein; and Astronaut Office personnel singing \u2022Happy<\/span>
\n Birthday\u2022. “Hi Dan. This is Larry Bird. Congratulations to you and the crew on the slam dunk<\/span>
\n with LDEF,” referring to its rescue last week. He ended with, “Happy birthday and have a<\/span>
\n safe landing.” Astronaut Kenneth Bowersox in mission control then said: “Good morning,<\/span>
\n Columbia, and a happy birthday to Danny boy.”<\/span><\/p>\n

1\/17\/90 \u2022Washington and Lee\u2022 the fight song of Washington and Lee University for David Low.<\/span><\/p>\n

1\/18\/90 \u2022Born to Be Wild\u2022 Steppenwolf. “We’re ready to rock and roll!” Wetherbee radioed referring<\/span>
\n to the return to Earth.<\/span><\/p>\n

1\/19\/90 \u2022Anchor\u2018s Aweigh\u2022 for Lt. Commander U.S. Navy Wetherbee; and University of Wisconsin-<\/span>
\n River Falls\u2018 fight song performed by the school\u2018s pep band in honor of graduate Brandenstein.<\/span><\/p>\n

STS-36 February 28-March 4, 1990<\/span><\/p>\n

DoD Classified Mission – NOTHING FOUND<\/span><\/p>\n

STS-31 April 24-29, 1990<\/span><\/p>\n

4\/25\/90 \u2022Crew members began their day at 2:43 a.m. when Capcom Kathy Thornton woke the crew<\/span>
\n with \u2022\u2022Space is Our World,\u2018 an original song written by the Houston band \u2022\u2022Private Numbers\u2018<\/span>
\n with the help of the STS-31 flight training team.\u2022<\/span><\/p>\n

4\/26\/90 \u2022Shout\u2022 by Otis Day and the Knights from the soundtrack of the movie \u2022Animal House\u2022<\/span><\/p>\n

4\/27\/90 “Kokomo” by Beach Boys<\/span><\/p>\n

CAPCOM: Kathryn Thornton<\/span><\/p>\n

4\/28\/90 “Cosmos” by Frank Hays on album “Don’t Ask” in honor of Hubble Telescope<\/span><\/p>\n

CAPCOM: Kathryn Thornton<\/span><\/p>\n

4\/29\/90 “Rise and Shine” by Raffi with Ken Whiteley<\/span><\/p>\n

CAPCOM: Kathryn Thornton<\/span><\/p>\n

STS-41 October 6-10, 1990<\/span><\/p>\n

10\/7\/90 \u2022Rise and Shine, Discovery!\u2022 written and performed by Boeing Aerospace & Electronics Co.<\/span>
\n Employees as a tribute to the successful deployment of the Ulysses probe, using a Boeing<\/span>
\n built booster. Sung by the Boeing Employees Choir. Michael Kysar, Boeing Choir Director,<\/span>
\n and Gloria Ball, choir member, collaborated on words and music. It includes the refrain:<\/span><\/p>\n

Sailing along, sailing along, flying to explore the galaxy<\/span><\/p>\n

10\/8\/90 The Coast Guard Hymn \u2022Semper Paratus\u2022 (Always Ready) by The Coast Guard Band in<\/span>
\n honor of Bruce Melnick, the first Coast Guard member to fly in space.<\/span><\/p>\n

10\/9\/90 \u2022Fanfare for the Common Man\u2022 written by Aaron Copland ,one of copilot Robert Cabana\u2018s<\/span>
\n favorites, followed by:<\/span>
\n The University of Missouri Fight Song, to pay homage to commander Richard Searfoss\u2018 alma<\/span>
\n mater.<\/span>
\n CAPCOM: Story Musgrave<\/span><\/p>\n

10\/10\/90 \u2022The Highwayman\u2022 by The Highwaymen (Kris Kristofferson, Willie Nelson, Waylon<\/span>
\n Jennings, and Johnny Cash). For Thomas Akers, a fan of country music.<\/span><\/p>\n

STS-38 November 15-20, 1990<\/span><\/p>\n

DoD Classified Mission – NOTHING FOUND<\/span><\/p>\n

STS-35 December 2-10, 1990<\/span><\/p>\n

The crew worked two shifts around the clock. Therefore, no wakeup calls were sent.<\/span><\/p>\n

STS-37 April 5-11, 1991<\/span><\/p>\n

4\/6\/91 Music by Marching Illini Band from the University of Illinois. Band members had a special<\/span>
\n message for one of their alumni STS-37 commander Steve Nagel. An Illinois native, Nagel<\/span>
\n graduated from the University of Illinois in 1969.<\/span><\/p>\n

4\/7\/91 \u2022The Marine Corp Hymn\u2022 performed by the U. S. Naval Academy band. The music was in<\/span>
\n honor of STS 37 pilot Ken Cameron who is a lieutenant colonel in the U.S.M.C.<\/span><\/p>\n

4\/8\/91 \u2022Hail Purdue\u2022 by Purdue University Band for alumni Jerry Ross.<\/span><\/p>\n

4\/9\/91 \u202210,000 Men of Harvard Want Victory Today\u2022 sung by Harvard Glee Club, in honor of Jay<\/span>
\n Apt, a Harvard graduate. About five minutes after the wake up call, Apt played a recorded<\/span>
\n Scottish tune from Atlantis in honor of the highest and fastest Highlanders, Ross and<\/span>
\n Cameron.<\/span><\/p>\n

4\/10\/91 \u2022La Bamba\u2022 by the Brass Rhythm and Reeds for Linda Godwin who played saxophone in the<\/span>
\n band. Flight director Milt Heflin played Trombone in the same band.<\/span><\/p>\n

4\/11\/91 \u2022Magnum PI\u2022 Theme with a greeting by Tom Selleck for Mission Specialist<\/span>
\n Linda Godwin. She is a big Selleck fan. “Good morning, and a special<\/span>
\n wakeup to Linda,” the message said. “This is Tom Selleck and I hope you<\/span>
\n had a nice night’s sleep, but it’s time to get up and go to work.”<\/span><\/p>\n

STS-39 April 28-May 6, 1991<\/span><\/p>\n

The crew worked two shifts around the clock. Therefore, no wakeup calls were sent.<\/span><\/p>\n

STS-40 June 5-14, 1991<\/span><\/p>\n

6\/6\/91 \u2022Great Balls of Fire\u2022 Jerry Lee Lewis<\/span><\/p>\n

6\/7\/91 A \u2022Military Medally\u2022 Marine Corps and Air Force music for O\u2018Connor, a Colonel in USMC<\/span>
\n and Gutierrez, a Lt. Colonel in the Air Force.<\/span><\/p>\n

6\/8\/91 \u2022Yakety Yak\u2022 by The Coasters<\/span><\/p>\n

6\/9\/91 Greetings from crew\u2018s children followed by \u2022Somewhere Out There\u2022 from movie \u2022An<\/span>
\n American Tail\u2022<\/span><\/p>\n

6\/10\/91 \u2022Cow Patty\u2022, a humorous western ballad that is a favorite of mission specialist Tammy<\/span>
\n Jernigan.<\/span><\/p>\n

6\/11\/91 \u2022Shout – The Faber College Theme\u2022 by Otis Day and the Knights from the movie \u2022Animal<\/span>
\n House\u2022<\/span><\/p>\n

6\/12\/91 \u2022Twistin\u2018 the Night Away\u2022 by Sam Cooke, from the movie, \u2022Animal House\u2022<\/span><\/p>\n

6\/13\/91 \u2022Chain Gang\u2022 by Nylons.<\/span><\/p>\n

6\/14\/91 \u2022What a Wonderful World\u2022 Louis Armstrong.<\/span><\/p>\n

STS-43 August 2-11, 1991<\/span><\/p>\n

8\/3\/91 \u2022Back in the High Life\u2022 by Steve Winwood<\/span><\/p>\n

8\/4\/91 Excerpt from \u2022Dances With Wolves\u2022 soundtrack for James Adamson who<\/span>
\n is from Montana<\/span><\/p>\n

8\/5\/91 Custom music medley sung by friends of the STS-43 crew from Rockwell-Downey, in<\/span>
\n California.<\/span>
\n 8\/6\/91 Music of the Clear Lake High School Orchestra playing selections from \u2022Phantom of the<\/span>
\n Opera.\u2022 Commander John Blaha\u2018s daughter, Caroline, plays in the orchestra.<\/span><\/p>\n

8\/7\/91 \u2022What a Wonderful World\u2022 Louis Armstrong<\/span><\/p>\n

8\/8\/91 \u2022Cowboy in the Continental Suit\u2022 by Chris LeDoux for country and western fan James<\/span>
\n Adamson<\/span><\/p>\n

8\/9\/91 Washington and Lee University fight song for graduate G. David Low<\/span><\/p>\n

8\/10\/91 Sounds from Shannon Lucid\u2018s backyard (frogs, crickets, etc.)<\/span><\/p>\n

STS-48 September 12-18, 1991<\/span><\/p>\n

9\/13\/91 \u2022Hound Dog\u2022 by Elvis Presley<\/span><\/p>\n

9\/14\/91 \u2022Release Me\u2022 by Elvis Presley. In anticipation of deployment of Upper Atmosphere Research<\/span>
\n Satellite (UARS).<\/span><\/p>\n

9\/15\/91 \u2022Bare Necessities\u2022 from film \u2022Jungle Book\u2022. Played for Ken Reightler\u2018s daughters who<\/span>
\n were in Mission Control Center viewing room.<\/span><\/p>\n

9\/16\/91 \u2022Are You Lonesome Tonight?\u2022 by Elvis Presley. Chosen for its line \u2022Are you sorry we<\/span>
\n drifted apart?\u2022 referring to Discovery\u2018s separation from its payload (UARS)<\/span><\/p>\n

9\/17\/91 \u2022Return to Sender\u2022 by Elvis Presley. In honor of expected landing.<\/span><\/p>\n

STS-44 November 24-December 1, 1991<\/span><\/p>\n

11\/25\/91 “Space – the final frontier.<\/span><\/p>\n

This is the voyage of the Space Shuttle Atlantis –<\/span><\/p>\n

Its ten-day mission: To explore new methods of remote sensing and observation of the planet Earth – To seek out new data on radiation in space, and a new understanding of the effects of microgravity on the human body – To boldly go where two hundred and fifty-five men and women have gone before. <\/span>
\n Hello – Fred, Tom, Story, Jim, Tom, and especially Mario – This is Patrick Stewart, choosing not to outrank you as Captain Jean-Luc Picard, saying that we are confident of a productive and successful mission. Make it so.”<\/span><\/p>\n

All this to the theme music of “Star Trek – the Next Generation” Capcom Marsha Ivins contacted actor Patrick Stewart to request the special wakeup call for Mario Runco, a big “Star Trek” fan. PC<\/span><\/p>\n

11\/26\/91 Reveille (bugle call) followed by gunfire preceding \u2022This is the Army, Mr.<\/span>
\n Jones\u2022 by Irving Berlin from the movie, \u2022This is the Army.\u2022<\/span><\/p>\n

11\/27\/91 \u2022It\u2018s Time to Love (Put a Little Love in Your Heart)\u2022 by James Brown<\/span><\/p>\n

11\/28\/91 Recorded turkey gobbles followed by \u2022Cheeseburger in Paradise\u2022 Jimmy<\/span>
\n Buffett<\/span><\/p>\n

11\/29\/91 \u2022Twist and Shout\u2022 from the movie \u2022Ferris Bueller\u2018s Day Off\u2022<\/span><\/p>\n

11\/30\/91 University of Alabama and Auburn University fight songs. For football game that day<\/span>
\n between the schools and Auburn graduates Jim Voss and Jan Davis. Voss was on Atlantis for<\/span>
\n his first spaceflight, Davis was the Capcom. PC<\/span><\/p>\n

12\/1\/91 \u2022In the Mood\u2022<\/span><\/p>\n

STS-42 January 22-30, 1992<\/span><\/p>\n

The crew worked two shifts around the clock. Therefore, no wakeup calls were sent.<\/span><\/p>\n

STS-45 March 24-April 2, 1992<\/span><\/p>\n

The crew worked two shifts around the clock. Therefore, no wakeup calls were sent.<\/span><\/p>\n

STS-49 May 7-16, 1992<\/span><\/p>\n

5\/8\/92 \u2022God Bless the U.S.A.\u2022 by Lee Greenwood.<\/span><\/p>\n

5\/9\/92 \u2022Rescue Me\u2018 by Fontella Bass.<\/span>
\n 5\/10\/92 Theme song from the Disney animated feature “Winnie the Pooh” with<\/span>
\n taped messages from Kathy Thornton\u2018s children for Mother\u2018s Day.<\/span><\/p>\n

5\/11\/92 Theme from the film, \u2022Rocky.\u2022<\/span><\/p>\n

5\/12\/92 \u2022Kokomo\u2022 by The Beach Boys.<\/span><\/p>\n

5\/13\/92 No wakeup call.<\/span><\/p>\n

5\/14\/92 \u2022I Wake Up Every Morning With a Smile on My Face\u2022 by Boxcar Willie.<\/span><\/p>\n

5\/15\/92 \u2022Son of a Son of a Sailor\u2022 by Jimmy Buffett<\/span><\/p>\n

STS-50 June 25-July 9, 1992<\/span><\/p>\n

The crew worked two shifts around the clock. Therefore, no wakeup calls were sent.<\/span><\/p>\n

STS-46 July 31-August 8, 1992<\/span><\/p>\n

The crew worked two shifts around the clock. Therefore, no wakeup calls were sent.<\/span><\/p>\n

STS-47 September 12-20, 1992<\/span><\/p>\n

The crew worked two shifts around the clock. Therefore, no wakeup calls were sent.<\/span><\/p>\n

STS-52 October 22-November 1, 1992<\/span><\/p>\n

10\/23\/92 \u2022Wake Up Columbia\u2022 an original composition by Crow Carroll<\/span><\/p>\n

10\/24\/92 \u2022Shake, Rattle, and Roll\u2022 by Big Joe Turner, in honor of deployment of Laser Geodynamics<\/span>
\n Satellite-II which will help measure the shake, rattle, and roll of the Earth\u2018s crust<\/span><\/p>\n

10\/25\/92 Unidentified<\/span><\/p>\n

10\/26\/92 \u2022The World is Waiting for the Sunrise\u2022 written by Gene Lockhart and<\/span>
\n performed by Les Paul and Mary Ford. “His daughter June — who needs no<\/span>
\n introduction, I’m sure — is in the (Mission Control) viewing room this<\/span>
\n morning and sends her best wishes,” Mission Control said. “Well, great.<\/span>
\n Thanks a lot. We’ll have to see if we can learn that song” shuttle<\/span>
\n commander James Wetherbee replied. June Lockhart was one of the stars of<\/span>
\n the TV show, \u2022Lost in Space.\u2022<\/span><\/p>\n

CAPCOM: Don Thomas<\/span><\/p>\n

10\/27\/92 \u2022Birthday\u2022 by The Beatles in honor of Pilot Mike Baker\u2018s 39th birthday<\/span><\/p>\n

10\/28\/92 Hawaiian music set the tone for today’s planned discussion between the STS-52 crew,<\/span>
\n students at the University of Hawaii and the Polynesian sailing canoe “Hokulea” located<\/span>
\n somewhere in the South Pacific.<\/span><\/p>\n

10\/29\/92 \u2022Mack the Knife\u2022 Bobby Darin<\/span><\/p>\n

10\/30\/92 \u2022Bang the Drum\u2022 Todd Rundgren, in honor of Max-Q drummer and Mission Commander<\/span>
\n Jim Wetherbee.<\/span><\/p>\n

10\/31\/92 \u2022Monster Mash\u2022 Bobby \u2022Boris\u2022 Pickett. In honor of Halloween Mission<\/span>
\n Control included a pattern for a cutout mask in flight plans radioed to the<\/span>
\n shuttle. The mask was of Moe of the Three Stooges.<\/span><\/p>\n

11\/1\/92 \u2022Notre Dame Victory March\u2022 sung by JSC employees and Notre Dame grads, Chris<\/span>
\n McKenna, Mark Ferring, Pete Hasbrook, and Fisher Reynolds. Notre Dame is also the alma<\/span>
\n mater of Wetherbee.<\/span><\/p>\n

STS-53 December 2-9, 1992 (Dog Crew I)<\/span><\/p>\n

12\/3\/92 \u2022Jingle Bells\u2022 by the Singing Dogs. The astronauts, who nicknamed<\/span>
\n themselves “the dogs of war” because their flight supposedly is the last<\/span>
\n shuttle mission devoted to Defense Department work, were roused by a<\/span>
\n canine rendition of “Jingle Bells.”<\/span><\/p>\n

“Crew dogs, wake up. We got work to do,” Mission Control’s Carl Meade<\/span>
\n said. “Good morning, Carl. Dogs of war are wide awake,” commander<\/span>
\n David Walker replied.<\/span><\/p>\n

12\/4\/92 \u2022I Want to Be a Dog\u2022, a children\u2018s song by Nancy Cassidy<\/span><\/p>\n

12\/5\/92 Bagpipe medley by Houston Highlanders Pipe Band. (Medley: Bonnie Dundee, Gary Green,<\/span>
\n and The Eyes of Texas).<\/span><\/p>\n

12\/6\/92 The Air Force Song (\u2022Off We Go Into the Wild Blue Yonder\u2022)<\/span>
\n 12\/7\/92 \u2022Anchor\u2018s Aweigh\u2022 played for crew members Dave Walker and Bob Cabana<\/span><\/p>\n

12\/8\/92 \u2022Caissons Go Rolling Along\u2022 by Bob Sharples and His Military Band in honor of Army<\/span>
\n Lieutenant Colonels Jim Voss and Rich Clifford.<\/span><\/p>\n

12\/9\/92 \u2022From the Halls of Montezuma\u2022.<\/span><\/p>\n

STS-54 January 13-19, 1993<\/span><\/p>\n

1\/14\/93 The Air Force Song (\u2022Off We Go Into the Wild Blue Yonder\u2022)<\/span><\/p>\n

1\/15\/93 \u2022Hail Purdue\u2022 by Purdue Band and Glee Club. For Greg Harbaugh, a Purdue<\/span>
\n alumnus.<\/span><\/p>\n

1\/16\/93 No wakeup call sent.<\/span><\/p>\n

1\/17\/93 \u2022Centerfield\u2022 by John Fogerty.<\/span><\/p>\n

1\/18\/93 \u2022Stardust\u2022 by Willie Nelson<\/span><\/p>\n

1\/19\/93 \u2022Ain\u2018t Misbehavin\u2022 by Eddie Higgins and Rebecca Parris<\/span><\/p>\n

STS-56 April 8-17, 1993<\/span><\/p>\n

The crew worked two shifts around the clock. Therefore, no wakeup calls were sent.<\/span><\/p>\n

STS-55 April 26-May 6, 1993<\/span><\/p>\n

The crew worked two shifts around the clock. Therefore, no wakeup calls were sent.<\/span><\/p>\n

STS-57 June 21-July 1, 1993<\/span><\/p>\n

6\/22\/93 \u2022Sitting on Top of the World\u2022 by Les Paul and Mary Ford<\/span><\/p>\n

6\/23\/93 \u2022The Smurfs\u2022 in honor of Mission Specialist Nancy Sherlock, nicknamed \u2022Smurf\u2022.<\/span><\/p>\n

6\/24\/93 \u2022Rendezvous\u2022 by The Hudson Brothers<\/span><\/p>\n

6\/25\/93 \u2022The Walk of Life\u2022 by Dire Straits in honor of upcoming space walk<\/span><\/p>\n

6\/26\/93 \u2022Holiday\u2022 by Madonna \u2026\u2022to suggest the crew take some time to celebrate the success of their<\/span>
\n mission.\u2022<\/span><\/p>\n

6\/27\/93 \u2022I Got You (I Feel Good)\u2022 by James Brown, \u2022\u2026a favorite tune of Payload Commander David<\/span>
\n Low.<\/span><\/p>\n

6\/28\/93 \u2022Catch a Falling Star\u2022 by Perry Como.<\/span><\/p>\n

6\/29\/93 No wakeup call sent.<\/span><\/p>\n

6\/30\/93 No wakeup call sent.<\/span><\/p>\n

7\/1\/93 \u2022I\u2018ll Be Home For Christmas\u2022<\/span><\/p>\n

The mission was extended twice to wait for acceptable landing weather in<\/span>
\n Florida. On July 1st if the weather was acceptable it would land in Florida,<\/span>
\n otherwise it would be sent to California. So it wasn’t a question of whether<\/span>
\n they would land that day but where. Of course after that many delays the<\/span>
\n crew may have wondered when they would finally make it home… Capcom<\/span>
\n Susan Helms played “I’ll Be Home For Christmas”. Given that it was July<\/span>
\n 1st they presumably did make it home in time. PC<\/span><\/p>\n

STS-51 September 12-22, 1993<\/span><\/p>\n

9\/13\/93 \u2022Please Release Me\u2022 by Elvis Presley. In preparation for deployment of<\/span>
\n ORFEUS-SPAS payload. The singer was actually well known Elvis<\/span><\/p>\n

impersonator Carl Walz on his maiden spaceflight. He had the unusual<\/span><\/p>\n

distinction of hearing his own voice singing for his first wakeup in space.<\/span><\/p>\n

PC<\/span><\/p>\n

9\/14\/93 \u2022Changes in Attitudes, Changes in Latitudes\u2022 by Jimmy Buffett<\/span><\/p>\n

9\/15\/93 \u2022Don\u2018t Let the Stars Get in Your Eyes\u2022 by Perry Como<\/span><\/p>\n

9\/16\/93 \u2022Walk, Don\u2018t Run\u2022<\/span><\/p>\n

9\/17\/93 Videotape views of Earth with \u2022Theme for the Common Man\u2022 by crew beat<\/span>
\n Mission Control\u2018s wakeup call by five minutes. “We didn’t mean to preempt<\/span>
\n your music, just precede it,” Discovery commander Frank Culbertson Jr.<\/span>
\n told Mission Control’s Susan Helms. Of course the videotape views of the<\/span>
\n Earth are just on the flight day highlights. On the shuttle they just hear the<\/span>
\n music. PC<\/span>
\n 9\/18\/93 Crew played \u2022A Whole New World\u2022 for Mission Control followed by \u2022Star Wars Theme\u2022<\/span>
\n sent to Discovery.<\/span><\/p>\n

9\/19\/93 \u2022Rendezvous\u2022 by Hudson Brothers<\/span><\/p>\n

9\/20\/93 \u2022Heartbreak Hotel\u2022 by astronaut band Max-Q. Carl Walz, nicknamed Elvis,<\/span>
\n is lead singer in the band.<\/span><\/p>\n

9\/21\/93 \u2022Surfin\u2018 Safari\u2022 by The Beach Boys<\/span><\/p>\n

9\/22\/93 No wakeup call sent<\/span><\/p>\n

STS-58 October 18-November 1, 1993<\/span><\/p>\n

10\/19\/93 No music, just greeting, \u2022Good morning, how are you?\u2022 from Linda Ham,<\/span>
\n Flight Director.<\/span><\/p>\n

10\/20\/93 \u2022Theme From the Movie 2001, a Space Odyssey\u2022<\/span><\/p>\n

10\/21\/93 No wakeup call sent.<\/span><\/p>\n

10\/22\/93 \u2022Jump In the Line\u2022 by Harry Belafonte; and \u2022Doctor! Doctor!\u2022 by<\/span>
\n Thompson Twins.<\/span><\/p>\n

10\/23\/93 \u2022I Know You\u2018re Out There, Somewhere\u2022 by The Moody Blues<\/span><\/p>\n

10\/24\/93 \u2022Back Home in Indiana\u2022 by Jim Nabors for Mission Specialist David Wolf,<\/span>
\n who hails from Indianapolis.<\/span><\/p>\n

10\/25\/93 \u2022Shiny Happy People\u2022 by R.E.M.<\/span><\/p>\n

10\/26\/93 Happy Trails\u2022 by Roy Rogers<\/span><\/p>\n

10\/27\/93 \u2022Look At Us Now\u2022 by Joe Walsh<\/span><\/p>\n

10\/28\/93 No wakeup call sent.<\/span><\/p>\n

10\/29\/93 \u2022From A Distance\u2022 by Bette Midler<\/span><\/p>\n

10\/30\/93 Theme from \u2022St.Elsewhere\u2022 by Mike Post<\/span><\/p>\n

10\/31\/93 \u2022Monster Mash\u2022 by Bobby \u2022Boris\u2022 Pickett<\/span><\/p>\n

11\/1\/93 No wakeup call sent.<\/span><\/p>\n

STS-61 December 2-13, 1993<\/span><\/p>\n

12\/2\/93 \u2022Cosmos\u2022 by Frank Hayes (6:57 p.m.) outside,” \u2022Hey, good morning,<\/span>
\n Houston. It can\u2018t be morning — It\u2018s still dark outside,\u2022 shuttle pilot Ken<\/span>
\n Bowersox told misslon control. \u2022No. You’re confused again, Sox. Good<\/span>
\n morning,\u2022 a Houston fllght controller prodded him.<\/span><\/p>\n

12\/3\/93 \u2022Get Ready\u2022 by Rare Earth<\/span><\/p>\n

12\/4\/93 \u2022Fanfare for the Common Man\u2022 by Aaron Copland<\/span><\/p>\n

12\/5\/93 \u2022With a Little Help From My Friends\u2022 by The Beatles<\/span><\/p>\n

12\/6\/93 \u2022Doctor My Eyes\u2022 by Jackson Browne<\/span><\/p>\n

12\/7\/93 \u2022I Can See Clearly Now\u2022 by Johnny Nash<\/span><\/p>\n

12\/8\/93 A traditional Swiss Alpine song chosen by Mission Specialist Claude<\/span>
\n Nicollier<\/span><\/p>\n

12\/9\/93 \u2022A Hard Day\u2018s Night\u2022 by The Beatles<\/span><\/p>\n

12\/10\/93 \u2022Mamas Don\u2018t Let Your Babies Grow Up to Be Cowboys\u2022 by Willie<\/span>
\n Nelson<\/span><\/p>\n

12\/11\/93 \u2022My Heroes Have Always Been Cowboys\u2022 by Willie Nelson<\/span><\/p>\n

12\/12\/93 \u2022I Can See For Miles\u2022 by The Who<\/span><\/p>\n

STS-60 February 3-11, 1994<\/span><\/p>\n

2\/4\/94 \u2022Early Morning Riser\u2022 by Pure Prairie League<\/span><\/p>\n

2\/5\/94 \u2022Rawhide\u2022 sung by the STS-60 simulation and training team<\/span><\/p>\n

2\/6\/94 \u2022The Bug\u2022 by Mary Chapin Carpenter<\/span><\/p>\n

2\/7\/94 \u2022Let There Be Peace on Earth\u2022 sung by the fourth graders of the Armand Bayou Elementary<\/span>
\n School in Clear Lake. One of the singers was Emily Reightler, the daughter of shuttle pilot<\/span>
\n Ken Reightler. She was celebrating her tenth birthday.<\/span><\/p>\n

2\/8\/94 \u2022Sweet Home Alabama\u2022 by Lynyrd Skynyrd in honor of astronaut Jan Davis of Huntsville.<\/span><\/p>\n

2\/9\/94 Russian folk tunes in honor of Mission Specialist Sergei Krikalev, the first Russian cosmonaut<\/span>
\n to fly aboard a U.S. spacecraft.<\/span>
\n 2\/10\/94 \u2022I Get Around\u2022 by The Beach Boys.<\/span><\/p>\n

2\/11\/94 \u2022Homeward Bound\u2022 by Simon and Garfunkel.<\/span><\/p>\n

STS-62 March 4-18, 1994<\/span><\/p>\n

3\/5\/94 \u2022I Got You (I Feel Good)\u2022 by James Brown<\/span><\/p>\n

3\/6\/94 \u2022Picky, Picky Head\u2022 by Wailing Souls from movie, \u2022Cool Runnings\u2022.<\/span><\/p>\n

A favorite movie of John Casper’s children. PC<\/span><\/p>\n

3\/7\/94 Medley of Armed Forces anthems sung by the U.S. Military Glee Club: The<\/span>
\n Air Force Song (\u2022Off We Go Into the Wild Blue Yonder\u2022), \u2022Anchors<\/span>
\n Aweigh\u2022, U.S. Army Anthem, \u2022The Caissons Go Rolling Along\u2022 and The<\/span>
\n Marine Corps Hymn \u2022Halls of Montezuma\u201d. The five person crew included<\/span>
\n Air Force — Casper, Marine — Allen, Army — Gemar, Navy — Thuot, and<\/span>
\n civilian Ivins. This is the first time all of the major Armed Forces were<\/span>
\n represented on once space mission, hence the medley. PC<\/span><\/p>\n

3\/8\/94 \u2022Space Shuttle Boogie\u2022 written by Cindy and Michael Rosenbaum<\/span><\/p>\n

3\/9\/94 \u2022Wake the World\u2022 by The Beach Boys<\/span><\/p>\n

3\/10\/94 Marine Corps Hymn \u2022Halls of Montezuma\u2022<\/span><\/p>\n

3\/11\/94 \u2022Takin’ Care of Business\u2022 by Bachman-Turner Overdrive.<\/span><\/p>\n

3\/12\/94 \u2022Be Our Guest\u2022 from movie \u2022Beauty and the Beast\u2022 soundtrack in honor of<\/span>
\n the commander’s two children<\/span><\/p>\n

3\/13\/94 Crew with \u2022\u2022\u2022 day off beat MCC to wakeup call. They sent down \u2022Surfin\u2018 USA\u2022 by The<\/span>
\n Beach Boys. MCC responded with \u2022I Get Around\u2022 by The Beach Boys.<\/span><\/p>\n

3\/14\/94 \u2022Starship Trooper\u2022 by Yes.<\/span><\/p>\n

3\/15\/94 \u2022View From Above\u2022 written and performed by Allison Brown, who was inspired to write the<\/span>
\n song by Mission Specialist Marsha Ivins.<\/span><\/p>\n

3\/16\/94 \u2022Travelin\u2018 Prayer\u2022 by Billy Joel.<\/span><\/p>\n

3\/17\/94 \u2022Living in Paradise\u2022 by Brothers Cazimero<\/span><\/p>\n

3\/18\/94 \u2022The Mermaid\u2022 by The Clancy Brothers.<\/span><\/p>\n

STS-59 April 9-20, 1994<\/span><\/p>\n

The crew worked two shifts around the clock. Due to the 24 hour coverage, only one wakeup call<\/span>
\n was sent.<\/span><\/p>\n

4\/18\/94 Blue Team: \u2022Freedom\u2022 performed by the White Elementary School 5th<\/span>
\n grade choir. Mission Specialist Rich Clifford\u2018s son, Brandon, was a student<\/span>
\n at White.<\/span><\/p>\n

STS-65 July 8-23, 1994<\/span><\/p>\n

The crew worked two shifts around the clock. Therefore, no wakeup calls were sent.<\/span><\/p>\n

STS-64 September 9-20, 1994<\/span><\/p>\n

The high number of Max Q songs was in honor of mission specialist Susan Helms, a keyboardist<\/span>
\n for the all-astronaut band. PC<\/span><\/p>\n

9\/10\/94 Parody of The Beach Boys song \u2022Fun, Fun, Fun\u2022 called \u2022We\u2018ll Have Fun, Fun, Fun on the<\/span>
\n Shuttle,\u2022 sung by Max Q (from Mach 25 tape).<\/span><\/p>\n

9\/11\/94 Parody of the song \u2022My Girl\u2022 called \u2022My World\u2022 by Max Q (from Mach 25 tape).<\/span><\/p>\n

9\/12\/94 \u2022Ace in the Hole\u2022 by George Strait.<\/span><\/p>\n

9\/13\/94 Parody of The Beach Boys song \u2022I Get Around\u2022 called \u2022We Orbit Around\u2022 by Max Q (from<\/span>
\n Mach 25 tape).<\/span><\/p>\n

9\/14\/94 Parody of the \u2022Green Acres\u2022 TV theme by Max Q (from Mach 25 tape) called \u2022On Orbit\u2022.<\/span><\/p>\n

9\/15\/94 \u2022Hound Dog\u2022 by Elvis Presley<\/span><\/p>\n

9\/16\/94 \u2022EVA\u2022 Surfing\u2022 by Max Q (from Mach 25 tape).<\/span><\/p>\n

9\/17\/94 \u2022Another Saturday Night\u2022 by Max Q (from Mach 25 tape).<\/span><\/p>\n

9\/18\/94 \u2022This Is the Time\u2022 by Billy Joel.<\/span><\/p>\n

9\/19\/94 \u2022Yakety Yak\u2022 by The Coasters.<\/span><\/p>\n

9\/20\/94 Sounds of chirping birds and a crowing rooster and a medley of cartoon theme songs<\/span>
\n including Woody Woodpecker.<\/span><\/p>\n

STS-68 September 30-October 11, 1994<\/span><\/p>\n

The crew worked two shifts around the clock but Mission Control did include one wakeup call.<\/span><\/p>\n

10\/11\/94 “Tiny Bubbles” There was a problem with the galley water system<\/span><\/p>\n

putting bubbles into the crew’s drinking water. So Capcom Bill<\/span><\/p>\n

McArthur sent the song to the Blue shift. PC<\/span><\/p>\n

STS-66 November 3-14, 1994<\/span><\/p>\n

The crew worked two shifts around the clock. Therefore, no wakeup calls were sent. (JSC Query<\/span>
\n Book).<\/span><\/p>\n

STS-63 February 3-11, 1995<\/span><\/p>\n

The high number of Max Q songs was in honor of commander Jim Wetherbee, the<\/span>
\n drummer for the band. PC<\/span><\/p>\n

2\/4\/95 \u2022On Orbit is the Place to Be\u2022 by Max Q (from Mach 25 tape).<\/span><\/p>\n

2\/5\/95 \u2022Another Saturday Night\u2022 by Max Q (from Mach 25 tape).<\/span><\/p>\n

2\/6\/95 \u2022Make New Friends\u2022 From a Girl Scout Brownie troop (the daughter of the<\/span>
\n people who send flowers to MCC each mission is in the troop)<\/span><\/p>\n

2\/7\/95 \u2022Blue Danube Waltz\u2022 from soundtrack of \u20222001, A Space Odyssey\u2022<\/span><\/p>\n

2\/8\/95 Opening sequence of \u2022Time\u2022 from Pink Floyd’s album, \u2022Dark Side of the<\/span>
\n Moon\u2022<\/span><\/p>\n

2\/9\/95 \u2022Surfing EVA\u2022 by Max Q (from Mach 25 tape).<\/span><\/p>\n

2\/10\/95 \u2022Liberty Bell March\u2022 better known as the theme from the TV show, \u2022Monty<\/span>
\n Python’s Flying Circus.\u2022<\/span><\/p>\n

2\/11\/95 \u2022The End\u2022 by The Doors.<\/span><\/p>\n

STS-67 March 2-18, 1995<\/span><\/p>\n

The crew worked two shifts around the clock. Therefore, no wakeup calls were sent. (JSC Query<\/span>
\n Book).<\/span><\/p>\n

STS-71 June 27-July 7, 1995<\/span><\/p>\n

6\/28\/95 \u2022I Got You Babe\u2022 by Sonny and Cher.<\/span><\/p>\n

6\/29\/95 \u2022From a Distance\u2022 by Nancy Griffith. It was preceded by special birthday greetings to Pilot<\/span>
\n Charlie Precourt from his wife and daughters.<\/span><\/p>\n

6\/30\/95 \u2022Your Wildest Dreams\u2022 by The Moody Blues.<\/span><\/p>\n

7\/1\/95 Russian pop song \u2022Kuca, Kuca, Kuca\u2022 (pronounced Keesa Keesa Keesa)<\/span><\/p>\n

7\/2\/95 \u2022Changes in Latitudes, Changes in Attitudes\u2022 by Jimmy Buffett<\/span><\/p>\n

7\/3\/95 The Florida State Seminole Fight Song \u2022\u2026in honor of former Seminole Norm<\/span>
\n Thagard\u2026celebrating his 52nd birthday today\u2022.<\/span><\/p>\n

7\/4\/95 \u2022America the Beautiful\u2022 by Whitney Houston was sent to wakeup Atlantis\u2018 crew just before<\/span>
\n the undocking with the Mir space station.<\/span><\/p>\n

7\/5\/95 \u2022Flying solo and ahead of the Mir space station by about 120 nautical miles, the crew on<\/span>
\n board Atlantis awoke to a children\u2018s song, \u2022\u2022I Love My Moon,\u2018 a special dedication to<\/span>
\n Commander Hoot Gibson from his 26-day old daughter Emilee Louise.\u2022 Query Book has<\/span>
\n singer as Tonja Weimer.<\/span><\/p>\n

7\/6\/95 Parodies of the Beatles\u2018 \u2022Hello, Goodbye\u2022 and Paul Anka\u2018s \u2022Lay Your Head on My<\/span>
\n Shoulder\u2022.<\/span><\/p>\n

7\/7\/95 \u2022Take the Long Way Home\u2022 by Supertramp.<\/span><\/p>\n

STS-70 July 13-22, 1995<\/span><\/p>\n

7\/14\/95 \u2022The crew of STS-70 was awakened shortly after three this morning Central time to the theme<\/span>
\n from \u2022\u2022Woody Woodpecker,\u2018 a cartoon character adopted as the mascot for the mission when<\/span>
\n real woodpeckers plucked holes in protective insulation on Discovery\u2018s external fuel tank last<\/span>
\n month causing a delay in the mission.\u2022 MCC Status Report<\/span><\/p>\n

7\/15\/95 \u2022The workday began shortly after two o\u2018clock this morning with a wakeup call from Kate<\/span>
\n Smith singing \u2022\u2022Beautiful Ohio\u2018 in honor of four of the five crewmembers being from that<\/span>
\n state.\u2022 MCC Status Report<\/span><\/p>\n

7\/16\/95 \u2022The crew was awakened at 1:11 a.m. CDT to the sounds of Mission Specialist Nancy<\/span>
\n Currie\u2018s 8-year-old daughter, Stephanie, and her Ferguson Elementary School second-grade<\/span>
\n classmates singing \u2022\u2022God Bless the USA.\u2018 \u2022 MCC Status Report. JSC Query Book has song as<\/span>
\n \u2022God Bless America.\u2022<\/span><\/p>\n

7\/17\/95 Fight song for the Cleveland Indians, \u2022Talkin\u2018 Tribe.\u2022 \u2022Mission Specialist Mary Ellen<\/span>
\n Weber responded with \u2022\u2022Good mornin\u2018 Houston, how \u2022\u2022bout then Indians?\u2018\u2022 MCC Status<\/span>
\n Report<\/span><\/p>\n

7\/18\/95 \u2022Beer Barrel Polka\u2022 by Gene Hackemack \u2013 because Cleveland is the polka capital of the<\/span>
\n world. Mission Control sent the theme from the movie \u2022Starman\u2022 as a good night call.<\/span><\/p>\n

7\/19\/95 Unknown.<\/span><\/p>\n

7\/20\/95 \u2022Eyes of Texas\u2022, a UT song. Randy Stone switched from an Aggie song to a UT song.<\/span><\/p>\n

STS-69 September 7-18, 1995 (Dog Crew II)<\/span><\/p>\n

9\/8\/95 \u2022Hound Dog\u2022 by Elvis Presley.<\/span><\/p>\n

9\/9\/95 Theme from \u2022Scooby Doo.\u2022<\/span><\/p>\n

9\/10\/95 \u2022Bingo\u2022 sung by Madeline Cockrell\u2018s (Pilot Kenneth Cockrell\u2018s five-year-<\/span>
\n old daughter) kindergarten class.<\/span><\/p>\n

9\/11\/95 Theme from \u2022Rin Tin Tin\u2022.<\/span><\/p>\n

9\/12\/95 \u2022A Hard Day\u2018s Night\u2022 by The Beatles.<\/span><\/p>\n

9\/13\/95 Theme from the film \u2022Patton\u2022, a tribute to Jim Voss who was promoted to<\/span>
\n the rank of Colonel in the U.S. Army.<\/span><\/p>\n

9\/14\/95 Theme from cartoon TV show, \u2022Underdog\u2022, attribute to Mike Gernhardt<\/span>
\n who has the same nickname.<\/span><\/p>\n

9\/15\/95 \u2022He\u2018s A Tramp\u2022 from the cartoon movie \u2022Lady and the Tramp\u2022.<\/span><\/p>\n

9\/16\/95 \u2022Walk Like a Man\u2022 by Frankie Valli and The Four Seasons.<\/span><\/p>\n

9\/17\/95 \u2022Snoopy\u2018s Theme\u2022 from animated cartoon TV show, \u2022Peanuts.\u2022<\/span><\/p>\n

STS-73 October 20-November 5, 1995<\/span><\/p>\n

The crew worked two shifts around the clock. Therefore, no wakeup calls were sent.<\/span><\/p>\n

STS-74 November 12-20, 1995<\/span><\/p>\n

11\/13\/95 \u2022Dance of the Flowers\u2022 by Tchaikovsky. Referring to orbital ballet Atlantis will perform to<\/span>
\n dock with Mir.<\/span><\/p>\n

11\/14\/95 \u2022Yeager\u2018s Triumph\u2022 from \u2022The Right Stuff\u2022 by Bill Conti.<\/span><\/p>\n

11\/15\/95 \u2022Somewhere Over the Rainbow\u2022 by Arlen, Harburg, and Stothart from the film, \u2022The Wizard<\/span>
\n of Oz\u2022. Sung by Judy Garland.<\/span><\/p>\n

11\/16\/95 \u2022Blue Danube\u2022 by Johann Strauss.<\/span><\/p>\n

11\/17\/95 \u2022Northwest Passage\u2022 by Stan Rogers.<\/span><\/p>\n

11\/18\/95 \u2022Do Wah Diddy Diddy\u2022 performed as as a drill team chant cadence.<\/span><\/p>\n

11\/19\/95 Theme from the IMAX film, \u2022The Dream is Alive.\u2022<\/span>
\n STS-72 January 11-20, 1996<\/span><\/p>\n

1\/12\/96 Theme from \u2022Star Wars\u2022 by John Williams.<\/span><\/p>\n

1\/13\/96 \u2022Sea in Springtime\u2022 (traditional Japanese song) for Koichi Wakata and SFU<\/span>
\n retrieval.<\/span><\/p>\n

1\/14\/96 Theme from the original \u2022Godzilla\u2022 film.<\/span><\/p>\n

1\/15\/96 \u2022Star Trek Next Generation\u2022 theme by James Horner.<\/span><\/p>\n

1\/16\/96 \u2022Smallest Astronaut\u2022 by The Royal Guardsmen.<\/span><\/p>\n

1\/17\/96 \u2022Heigh-Ho, Heigh-Ho, It\u2018s Off To Work We Go\u2022 from movie \u2022Snow<\/span>
\n White.\u2022<\/span><\/p>\n

1\/18\/96 \u2022All I Wanna Do\u2022 by Sheryl Crow.<\/span><\/p>\n

1\/19\/96 \u2022Darth Vader\u2018s Theme\u2022 from \u2022Star Wars\u2022 film.<\/span><\/p>\n

1\/20\/96 Theme from the IMAX film, \u2022The Dream is Alive.\u2022<\/span><\/p>\n

STS-75 February 22-March 9, 1996<\/span><\/p>\n

The crew worked two shifts around the clock. Therefore, no wakeup calls were sent.<\/span><\/p>\n

STS-76 March 22-31, 1996<\/span><\/p>\n

3\/23\/96 \u2022Anywhere is\u2026\u2022 by Enya for Rick Searfoss.<\/span><\/p>\n

3\/24\/96 \u2022When the Roll is Called Up Yonder\u2022 referring to Shannon Lucid\u2018s arrival the next day.<\/span><\/p>\n

3\/25\/96 \u2022Awake, the Harp\u2022 by Haydn, recorded by the Houston Choral Society for Mission Specialist<\/span>
\n Ron Sega.<\/span><\/p>\n

3\/26\/96 \u2022Another Saturday Night\u2022 by Max Q<\/span><\/p>\n

3\/27\/96 \u2022Free Flying\u2022 written by Brandon and Richard Clifford for father Michael Clifford\u2018s<\/span>
\n spacewalk that day.<\/span><\/p>\n

3\/28\/96 \u2022Jumpin\u2018 at the Woodside\u2022 by Brass, Rhythm and Reed.<\/span><\/p>\n

3\/29\/96 \u2022Stars and Stripes Forever\u2022 by John Philip Sousa.<\/span><\/p>\n

STS-77 May 19-29, 1996<\/span><\/p>\n

5\/20\/96 The Air Force Song (\u2022Off We Go Into the Wild Blue Yonder\u2022) in honor of<\/span>
\n Commander John H. Casper, an Air Force Colonel, and pilot Curtis L.<\/span>
\n Brown, an Air Force Lieutenant Colonel.<\/span><\/p>\n

5\/21\/96 \u2022Up, Up and Away\u2022 by The Fifth Dimension in honor of the Inflatable Antenna Experiment<\/span>
\n conducted yesterday as part of the Spartan mission.<\/span><\/p>\n

5\/22\/96 \u2022Anchors Aweigh\u2022<\/span><\/p>\n

5\/23\/96 \u2022Milky Way\u2022, a children\u2018s song provided by Casper\u2018s wife, Chris.<\/span><\/p>\n

5\/24\/96 \u2022Hold Me, Thrill Me, Kiss Me\u2022 by Gloria Estefan requested by Curt Brown\u2018s fiancee.<\/span><\/p>\n

5\/25\/96 \u2022Down Under\u2022 by Men At Work, in honor of Australian-born Mission Specialist Andy<\/span>
\n Thomas<\/span><\/p>\n

5\/26\/96 \u2022Up Down, and Touch the Ground\u2022 Tigger and his friends from \u2022Winnie the Pooh\u2022 sing-a-<\/span>
\n long<\/span><\/p>\n

5\/27\/96 \u2022Light My Fire\u2022 by The Doors. (Pre-sleep music: \u2022Good Night Sweetheart\u2022 by The Spaniels.<\/span><\/p>\n

5\/28\/96 \u2022Start Me Up\u2022 by The Rolling Stones<\/span><\/p>\n

5\/29\/96 \u2022I Can See Clearly Now\u2022 by Jimmy Cliff<\/span><\/p>\n

STS-78 June 20-July 7, 1996<\/span><\/p>\n

6\/21\/96 \u2022Free Fallin\u2018\u2022 by Tom Petty.<\/span><\/p>\n

CAPCOM: Kay Hire<\/span><\/p>\n

6\/22\/96 \u2022Bad to the Bone\u2022 by George Thorogood & the Destroyers referring to musculoskeletal<\/span>
\n science experiments.<\/span><\/p>\n

CAPCOM: Kay Hire<\/span><\/p>\n

6\/23\/96 \u2022Flight of the Bumblebee\u2022 performed by the 1980 U.S. Air Force Academy Drum and Bugle<\/span>
\n Corps. Payload commander Susan Helms played xylophone on the recording.<\/span><\/p>\n

CAPCOM: Kay Hire<\/span><\/p>\n

6\/24\/96 \u2022Space Oddity\u2022 by David Bowie. The \u2022Major Tom\u2022 reference is to Tom Henricks.<\/span><\/p>\n

CAPCOM: Kay Hire<\/span><\/p>\n

6\/25\/96 \u2022She Blinded Me With Science\u2022 by Thomas Dolby<\/span><\/p>\n

CAPCOM: Kay Hire<\/span><\/p>\n

6\/26\/96 \u2022Back on the Chain Gang\u2022 by The Pretenders. The crew went back to work after a day off.<\/span><\/p>\n

CAPCOM: Bill McArthur<\/span><\/p>\n

6\/27\/96 \u2022Every Breath You Take\u2022 by The Police. Refers to lung function experiment.<\/span><\/p>\n

CAPCOM: Bill McArthur<\/span><\/p>\n

6\/28\/96 \u2022Carolina in My Mind\u2022 by James Taylor. Charles Brady considers Robbins, NC his home.<\/span><\/p>\n

CAPCOM: Bill McArthur<\/span><\/p>\n

6\/29\/96 \u2022Another Saturday Night\u2022 by Max Q, the all-astronaut band, with Susan Helms on keyboards<\/span><\/p>\n

CAPCOM: Bill McArthur<\/span><\/p>\n

6\/30\/96 \u2022Les Murs De Poussiere (Dusty Walls)\u2022 by Francis Cabrel for Favier.<\/span><\/p>\n

CAPCOM: Bill McArthur<\/span><\/p>\n

7\/1\/96 \u2022Oh, Canada\u2022 the Canadian National Anthem by Vienna State Opera Orchestra for Brent<\/span>
\n Thirsk<\/span><\/p>\n

CAPCOM: Bill McArthur<\/span><\/p>\n

7\/2\/96 \u2022Closer to Free\u2022 by The BoDeans for Linnehan.<\/span><\/p>\n

CAPCOM: Bill Gregory<\/span><\/p>\n

7\/3\/96 \u2022Wake Up Little Susie\u2022 by The Everly Brothers for Helms.<\/span><\/p>\n

CAPCOM: Bill Gregory<\/span><\/p>\n

7\/4\/96 \u2022God Bless the U.S.A.\u201d by Lee Greenwood; \u2022Born in the USA\u201d by Bruce<\/span>
\n Springsteen for the 4th of July.<\/span><\/p>\n

CAPCOM: Blaine Hammond<\/span><\/p>\n

7\/5\/96 \u2022Birthday\u2022 by The Beatles for Henricks 44th birthday.<\/span><\/p>\n

CAPCOM: Blaine Hammond<\/span><\/p>\n

7\/6\/96 \u2022Don\u2018t Bring Me Down\u2022 by The Electric Light Orchestra<\/span><\/p>\n

CAPCOM: Blaine Hammond<\/span><\/p>\n

7\/7\/96 \u2022Time For Me to Fly\u2022 by REO Speedwagon.<\/span>
\n STS-79 September 16-26, 1996<\/span><\/p>\n

9\/16\/96 \u2022Duke of Earl\u2022 by Gene Chandler.<\/span><\/p>\n

\u201cSong was up linked in honor of Carl Walz\u2022s 20th anniversary. The song is one he<\/span>
\n performed for his wife, Pam, before they were married while he was a member of an Ohio<\/span>
\n band called \u201cThe Blue Moons\u201d. This is the second time Walz has spent his anniversary in<\/span>
\n orbit.\u201d CAPCOM: Kay Hire<\/span><\/p>\n

9\/17\/96 \u2022Rescue Me\u2022 by Fontella Bass.<\/span><\/p>\n

\u201cCapcom Kay Hire called the wakeup music \u201ca message from Shannon,\u201d referring to U.S.<\/span>
\n astronaut Dr. Shannon Lucid who has spent approximately six months aboard Mir.\u201d CAPCOM: Kay Hire<\/span><\/p>\n

9\/18\/96 “Hold On (I’m Coming)” performed by Sam and Dave referring to the return of Shannon<\/span>
\n Lucid.<\/span><\/p>\n

9\/19\/96 \u2022Whole Lotta Shakin\u2018 Goin\u2018 On\u2022 by Jerry Lee Lewis referring to the ARIS<\/span>
\n experiment. ARIS = Active Rack Isolation System, a set of<\/span><\/p>\n

sensors and actuators which dampen out vibrations for ultra-sensitive<\/span><\/p>\n

microgravity experiments. PC<\/span><\/p>\n

9\/20\/96 \u2022Cheeseburger in Paradise\u2022 by Jimmy Buffett referring to Shannon Lucid\u2018s thoughts of her<\/span>
\n diet after returning to Earth.<\/span><\/p>\n

9\/21\/96 \u2022Another Saturday Night\u2022 By Max Q. Carl Walz is a member.<\/span><\/p>\n

9\/22\/96 \u2022Got Me Under Pressure\u2022 by ZZ Top referring to the raising of cabin pressure to 15.5 psi to<\/span>
\n transfer oxygen and nitrogen to Mir.<\/span><\/p>\n

9\/23\/96 “Please Don’t Leave Me” by Fats Domino. Some music for undocking day<\/span><\/p>\n

9\/24\/96 \u2022Only Wanna Be With You\u2022 by Hootie and the Blowfish referring to the impending return of<\/span>
\n Lucid to her family.<\/span><\/p>\n

9\/25\/96 \u2022Danger Zone\u2022 by Kenny Loggins. Played in honor of the two Navy<\/span>
\n crewmen on board, Bill Readdy and Terrence Wilcutt. Wilcutt’s a Marine,<\/span>
\n not Navy. (The Navy trains the Marine pilots so it’s still a valid connection.)<\/span>
\n PC<\/span><\/p>\n

STS-80 November 19-December 7, 1996<\/span><\/p>\n

11\/20\/96 \u2022I Can See For Miles\u2022 by The Who<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

11\/21\/96 \u2022Theme From Fireball XL5\u2022<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

11\/22\/96 \u2022Roll With the Changes\u2022 by REO Speedwagon; Some Phil Collins\/Genesis<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

11\/23\/96 \u2022Reelin\u2018 and Rockin\u2018\u2022 by Chuck Berry<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

11\/24\/96 \u2022Roll With It\u2022 by Steve Winwood<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

11\/25\/96 \u2022Good Times Roll\u2022 by The Cars<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

11\/26\/96 \u2022Red Rubber Ball\u2022 by Cyrkle<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

11\/27\/96 \u2022Alice\u2018s Restaurant\u2022 by Arlo Guthrie<\/span>
\n CAPCOM: Dom Gorie<\/span><\/p>\n

11\/28\/96 \u2022Some Guys Have All the Luck\u2022 by Robert Palmer<\/span>
\n CAPCOM: Dom Gorie<\/span><\/p>\n

11\/29\/96 \u2022Changes\u2022 by David Bowie<\/span>
\n CAPCOM: Dom Gorie<\/span><\/p>\n

11\/30\/96 \u2022Break On Through\u2022 by The Doors<\/span>
\n CAPCOM: Dom Gorie<\/span><\/p>\n

12\/1\/96 \u2022Shooting Star\u2022 by Bad Company<\/span>
\n CAPCOM: Dom Gorie<\/span><\/p>\n

12\/2\/96 \u2022Stay\u2022 by Jackson Browne<\/span>
\n CAPCOM: Marc Garneau<\/span><\/p>\n

12\/3\/96 \u2022Return to Sender\u2022 by Elvis Presley<\/span>
\n CAPCOM: Marc Garneau<\/span><\/p>\n

12\/4\/96 \u2022Should I Stay or Should I Go\u2022 by The Clash<\/span>
\n CAPCOM: Marc Garneau<\/span><\/p>\n

12\/5\/96 \u2022Nobody Does It Better\u2022 by Carly Simon<\/span>
\n CAPCOM: Marc Garneau<\/span><\/p>\n

12\/6\/96 \u2022Please Come Home For Christmas\u2022 by Sawyer Brown<\/span>
\n CAPCOM: Marc Garneau<\/span><\/p>\n

STS-81 January 12-22, 1997<\/span><\/p>\n

1\/13\/97 \u2022Free Ride\u2022 by The Edgar Winter Group<\/span>
\n CAPCOM: Kay Hire<\/span><\/p>\n

1\/14\/97 \u2022It Keeps You Runnin\u2018 \u2022 by The Doobie Brothers<\/span>
\n CAPCOM: Kay Hire<\/span><\/p>\n

1\/15\/97 \u2022Hitchin\u2018 a Ride\u2022 by Vanity Fare<\/span>
\n CAPCOM: Kay Hire<\/span><\/p>\n

1\/16\/97 \u2022Celebration\u2022 by Kool and the Gang<\/span>
\n CAPCOM: Kay Hire<\/span><\/p>\n

1\/17\/97 \u2022I Got You (I Feel Good)\u2022 by James Brown<\/span>
\n CAPCOM: Kay Hire<\/span><\/p>\n

1\/18\/97 \u2022Mack the Knife\u2022 by Bobby Darin<\/span><\/p>\n

1\/19\/97 \u2022Ticket to Ride\u2022 by The Beatles (1:27 GMT)<\/span><\/p>\n

1\/19\/97 \u2022So Long, Farewell\u2022 from \u2022The Sound of Music\u2022 (23:27 GMT)<\/span><\/p>\n

1\/21\/97 \u2022My Favorite Marcia\u2022 by The Allison Brown Quartet<\/span><\/p>\n

1\/22\/97 “Day-O, The Banana Boat Song” – Harry Belafonte<\/span>
\n http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-81\/wakeup.html<\/span><\/p>\n

STS-82 February 11-21, 1997<\/span><\/p>\n

2\/12\/97 \u2022Magic Carpet Ride\u2022 by Steppenwolf<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

2\/13\/97 \u2022These Are Days\u2022 by 10,000 Maniacs<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

2\/14\/97 \u2022Two Princes\u2022 by Spin Doctors<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

2\/15\/97 \u2022Higher Love\u2022 by Steve Winwood<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

2\/16\/97 \u2022The Packerena\u2022 For Mark Lee<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

2\/17\/97 \u2022Shiny Happy People\u2022 by R.E.M.<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

2\/18\/97 \u2022Dreams\u2022 by The Cranberries<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

2\/19\/97 \u2022That Thing You Do!\u2022 Theme from the motion picture<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

2\/20\/97 \u2022Five Hundred Miles Away From Home\u2022 by Reba McEntire<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

2\/21\/97 \u2022Sloop John B.\u2022 by The Beach Boys (down linked by crew)<\/span><\/p>\n

\u2022Born to Be Wild\u2022 by Steppenwolf<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

STS-83 April 4-8, 1997<\/span>
\n The crew worked two shifts around the clock. Therefore, no wakeup calls were sent.<\/span><\/p>\n

STS-84 May 15-24, 1997 <\/span>
\n This particular mission set a record for the number of different countries where people were born, <\/span>
\n Precourt, Collins, and Lu in the United States, Kondakova in Russia, Clervoy in France<\/span>
\n (representing ESA), and Foale in England and Noreiga in Peru. Of course, Foale and Noriega are<\/span>
\n both naturalized U.S. citizens and didn’t represent their birth countries. Hence the large number<\/span>
\n of national anthems. PC<\/span><\/p>\n

5\/16\/97 \u2022Those Magnificent Men in Their Flying Machines\u2022 by The American Military Band.<\/span><\/p>\n

“Good morning, and thanks for the magnificent music from the magnificent crew at Houston,”<\/span>
\n Atlantis pilot Eileen Collins said after Houston mission control congratulated the crew again<\/span>
\n for the near flawless start to their 10-day trip.<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

5\/17\/97 \u2022Hold On, I\u2018m Coming\u2022 by Sam and Dave<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

5\/18\/97 \u2022British National Anthem \u2013 God Save the Queen \u2022<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

5\/19\/97 \u2022French National Anthem – La Marseillaise\u2022<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

5\/20\/97 \u2022Peruvian National Anthem\u2022<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

5\/21\/97 \u2022Russian National Anthem\u2022<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

5\/22\/97 \u2022Triste et Bleu (Sad and Blue)\u2022 – Michel Jonasz<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

5\/23\/97 \u2022Anchors Aweigh\/ The Air Force Song (\u2022Off We Go Into the Wild Blue Yonder\u2022) USAF<\/span>
\n Theme\/Marine Hymn\u2022 by The West Point Cadet Glee Club<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

5\/24\/97 \u2022U.S. National Anthem\u2022<\/span>
\n CAPCOM: Bill McArthur<\/span>
\n STS-94 July 1-17, 1997<\/span>
\n The crew worked two shifts around the clock. Therefore, no wakeup calls were sent.<\/span><\/p>\n

STS-85 August 7-19, 1997<\/span><\/p>\n

8\/8\/97 \u2022To the Moon and Back\u2022 by Savage Garden<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

8\/9\/97 \u2022Don\u2018t Look Down\u2022 by Lindsay Buckingham<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

8\/10\/97 \u2022My Home\u2018s In Alabama\u2022 by Alabama<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

8\/11\/97 \u2022Chances Are\u2022 by Johnny Mathis<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

8\/12\/97 \u2022The House is Rockin\u2018\u2022 by Stevie Ray Vaughn<\/span>
\n CAPCOM: Marc Garneau<\/span><\/p>\n

8\/13\/97 \u2022Good Vibrations\u2022 by The Beach Boys<\/span>
\n CAPCOM: Marc Garneau<\/span><\/p>\n

8\/14\/97 \u2022You Will Go to the Moon\u2022 by Moxy Fruvous<\/span>
\n CAPCOM: Marc Garneau<\/span><\/p>\n

8\/15\/97 \u2022Stay\u2022 by Jackson Browne<\/span>
\n CAPCOM: Marc Garneau<\/span><\/p>\n

8\/16\/97 \u2022Mighty Iron Arm Atom\u2022 or \u2022Atom Boy\u2022 Theme song to Japanese cartoon.<\/span>
\n There was no Japanese crewmember on this mission, but one of the<\/span>
\n experiments was a Japanese robot arm, a prototype for the ISS’s Japanese<\/span>
\n Experiment Module, hence this very appropriate music. PC<\/span>
\n CAPCOM: Marc Garneau<\/span><\/p>\n

8\/17\/97 \u2022You\u2018re Not From Texas\u2022 by Lyle Lovett<\/span>
\n CAPCOM: Marc Garneau<\/span><\/p>\n

8\/18\/97 \u2022So Far Away\u2022 by Dire Straits<\/span>
\n CAPCOM: Marc Garneau<\/span><\/p>\n

8\/19\/97 \u2022Running On Empty\u2022 by Jackson Browne<\/span>
\n CAPCOM: Marc Garneau<\/span>
\n http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-85\/wakeup.html<\/span>
\n STS-86 September 25-October 6, 1997<\/span>
\n 9\/26\/97 \u2022Roll on Down the Highway\u2022 by Bachman-Turner Overdrive<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

9\/27\/97 \u2022Dancing in the Dark\u2022 by Bruce Springsteen<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

9\/28\/97 \u2022Takin\u2018 Care of Business\u2022 by Bachman-Turner Overdrive<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

9\/29\/97 \u2022What I Like About You\u2022 by The Romantics<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

9\/30\/97 \u2022Grand Ol’ Flag\u2022 as played on the piano by Wetherbee’s daughter Jenny<\/span>
\n Wetherbee<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

10\/1\/97 \u2022What a Wonderful World\u2022 by Louis Armstrong<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

10\/2\/97 \u2022Impression That I Get\u2022 by The Mighty Mighty Bosstones<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

10\/3\/97 \u2022Fanfare For the Common Man\u2022 by The Orlando Pops<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

10\/4\/97 \u2022Let It Ride\u2022 by Bachman-Turner Overdrive<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

10\/5\/97 \u2022Shake, Rattle and Roll\u2022 by Huey Lewis and the News<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

10\/6\/97 \u2022Homeward Bound\u2022 by Simon and Garfunkel<\/span><\/p>\n

STS-87 November 19-December 5, 1997<\/span><\/p>\n

11\/20\/97 \u2022Hitchin\u2018 a Ride\u2022 by Vanity Fare<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

11\/21\/97 \u2022Theme from New York, New York\u2022 by Frank Sinatra<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

11\/22\/97 \u2022Ginga Shounen Tai\u2022 (Galaxy Boys) Theme from a Japanese science fiction puppet show<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

11\/23\/97 The Air Force Song (\u2022Off We Go Into the Wild Blue Yonder\u2022) by Air Force Academy Cadet<\/span>
\n Chorus<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

11\/24\/97 \u2022Walk of Life\u2022 by Dire Straits<\/span>
\n CAPCOM: Ellen Ochoa<\/span><\/p>\n

11\/25\/97 \u2022Mishra Piloo\u2022 by Ravi Shankar<\/span>
\n CAPCOM: Ellen Ochoa<\/span><\/p>\n

11\/26\/97 \u2022Ukrainian National Anthem\u2022<\/span>
\n CAPCOM: Ellen Ochoa<\/span><\/p>\n

11\/27\/97 \u2022America the Beautiful\u2022 by the U.S. Air Force Academy Cadet Chorale<\/span>
\n CAPCOM: Ellen Ochoa<\/span><\/p>\n

11\/28\/97 \u2022Florida State University Seminoles Fight Song\u2022<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

11\/29\/97 \u2022California Dreamin\u2018 \u2022 by The Mamas and the Papas<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

11\/30\/97 \u2022This Island Earth\u2022 by The Nylons<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

12\/1\/97 \u2022Ultraman\u2022 Theme from Japanese TV science fiction cartoon show<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

12\/2\/97 \u2022Centerfield\u2022 by John Fogerty<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

12\/3\/97 \u2022Flight of the Bumble Bee\u2022 Rimsky-Korsakov<\/span>
\n CAPCOM: Marc Garneau<\/span><\/p>\n

12\/4\/97 \u2022Should I Stay or Should I Go\u2022 by The Clash<\/span>
\n CAPCOM: Marc Garneau<\/span>
\n http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-87\/wakeup.html<\/span>
\n STS-89 January 22-31, 1998<\/span><\/p>\n

1\/23\/98 \u2022It\u2018s Not Unusual\u2022 by Tom Jones<\/span>
\n CAPCOM: Marc Garneau<\/span><\/p>\n

1\/24\/98 \u2022Calypso\u2022 by John Denver<\/span>
\n CAPCOM: Marc Garneau<\/span><\/p>\n

1\/25\/98 \u2022Friends, We Are Migrant Birds\u2022 An old Russian pilots\u2018 song<\/span>
\n CAPCOM: Marc Garneau<\/span><\/p>\n

1\/26\/98 \u2022Singer From Down Under\u2022 by Slim Dusty chosen by NASA to<\/span>
\n honor Australia Day and astronaut Andy Thomas, a naturalized U.S. citizen<\/span>
\n born in Adelaide, Australia.<\/span>
\n CAPCOM: Marc Garneau<\/span><\/p>\n

1\/27\/98 \u2022Clap For the Wolfman\u2022 by Burton Cummings in honor of astronaut David Wolf who joined<\/span>
\n the crew after 120 days aboard Mir.<\/span>
\n CAPCOM: Marc Garneau<\/span><\/p>\n

1\/28\/98 \u2022Hide Away\u2022 by Stanley Clarke. For Mike Anderson PC<\/span>
\n CAPCOM: Marc Garneau<\/span><\/p>\n

1\/29\/98 \u2022Here We Go Loopty-Loo\u2022 (\u2022Lupe de Lue\u2022) by Little Richard and The Disney Kids<\/span>
\n CAPCOM: Marc Garneau<\/span><\/p>\n

1\/30\/98 \u2022Bad To the Bone\u2022 by George Thorogood and the Destroyers<\/span>
\n CAPCOM: Marc Garneau<\/span><\/p>\n

1\/31\/98 \u2022Breakfast Blues\u2022 by Trout Fishing in America<\/span>
\n CAPCOM: Marc Garneau<\/span>
\n STS-90 April 17-May 3, 1998<\/span><\/p>\n

4\/18\/98 \u2022Think\u2022 by Aretha Franklin<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

4\/19\/98 \u2022Take Me Out to the Ball Game\u2022 sung by Harry Carey<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

4\/20\/98 \u2022Doctor My Eyes\u2022 by Jackson Browne<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

4\/21\/98 \u2022Bad To the Bone\u2022 by George Thorogood and the Destroyers<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

4\/22\/98 \u2022Bad Case of Loving You\u2022 by Robert Palmer<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

4\/23\/98 \u2022I Got You (I Feel Good)\u2022 by James Brown<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

4\/23\/98 \u2022This Land Is Your Land\u2022 by Rod Taylor<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

4\/24\/98 \u2022She Drives Me Crazy\u2022 by The Fine Young Cannibals<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

4\/25\/98 \u2022Every Breath You Take\u2022 by The Police<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

4\/26\/98 \u2022Fight On, State\u2022 Fight Song for Penn State University<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

4\/27\/98 \u2022Turn, Turn, Turn\u2022 by The Byrds<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

4\/28\/98 \u2022Take a Chance on Me\u2022 by Abba<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

4\/29\/98 \u2022Round and Round\u2022 by Ratt<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

4\/30\/98 \u2022Cruise Control\u2022 by Bruce Hornsby<\/span>
\n CAPCOM: Bill McArthur<\/span><\/p>\n

5\/1\/98 \u2022If I Only Had a Brain\u2022 from \u2022The Wizard of Oz\u2022<\/span>
\n CAPCOM: Bob Curbeam<\/span><\/p>\n

5\/2\/98 \u2022Stir It Up\u2022 by Bob Marley and the Wailers<\/span>
\n CAPCOM: Bob Curbeam<\/span>
\n http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-90\/wakeup.html<\/span><\/p>\n

STS-91 June 2-12, 1998<\/span><\/p>\n

6\/3\/98 \u2022Shake, Rattle, and Roll\u2022 by Huey Lewis and the News in honor of the flawless liftoff<\/span>
\n CAPCOM: Marc Garneau<\/span><\/p>\n

6\/4\/98 \u2022Come Go With Me\u2022 by the Del Vikings in honor of Andrew Thomas\u2018 return from Mir<\/span>
\n CAPCOM: Marc Garneau<\/span><\/p>\n

6\/5\/98 \u2022South Australia\u2022 by The Sundowners<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

6\/6\/98 \u2022You Really Got Me\u2022 by The Kinks<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

6\/7\/98 \u2022Travelin\u2018 Band\u2022 by Creedence Clearwater Revival<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

6\/8\/98 \u2022Manic Monday\u2022 by The Bangles in honor of an historic Monday for the U.S. and Russian<\/span>
\n space programs ending the three year Shuttle\/Mir program<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

6\/9\/98 \u2022How Bizarre\u2022 by O.M.C<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

6\/10\/98 \u2022Superman\u2022 – TV Theme Song played in honor of Franklin Chang-Diaz\u2018s record-breaking<\/span>
\n time in orbit aboard a Space Shuttle, a total of more than 51 days spent in orbit during six<\/span>
\n shuttle flights.<\/span><\/p>\n

CAPCOM: Chris Hadfield<\/span><\/p>\n

6\/11\/98 \u2022Interplanet Janet\u2022 Song from the \u2022Schoolhouse Rock\u2022 educational videotape series played in<\/span>
\n honor of Janet Kavandi<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

6\/12\/98 \u2022Homeward Bound\u2022 by Simon and Garfunkel<\/span>
\n CAPCOM: Chris Hadfield<\/span>
\n http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-91\/wakeup.html<\/span><\/p>\n

STS-95 October 29-November 7, 1998<\/span>
\n 10\/30\/98 \u2022What a Wonderful World\u2022 Louis Armstrong. Played for Mission Specialist<\/span>
\n Scott Parazynski from his wife, Gail.<\/span>
\n CAPCOM: Mike Gernhardt<\/span><\/p>\n

10\/31\/98 \u2022Cachito\u2022 Nat King Cole. This song about parenthood was directed to<\/span>
\n Pedro Duque and his wife, Consuelo, who recently has a baby.<\/span>
\n CAPCOM: Mike Gernhardt<\/span><\/p>\n

11\/1\/98 \u2022This Pretty Planet\u2022 Tom Chapin requested by pilot Steve Lindsay\u2018s wife<\/span>
\n Diane And\/or \u2022Hallelujahs\u2022 by Chris Rice.<\/span>
\n CAPCOM: Mike Gernhardt<\/span><\/p>\n

11\/2\/98 \u2022Moon River\u2022 Andy Williams. Annie Glenn requested it as a tribute to the<\/span>
\n friendship between Williams and her husband. “I was sleeping very, very<\/span>
\n soundly this morning when the wake up call came in,\u2022 Glenn said.<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

11\/3\/98 \u2022The House is Rockin\u2018\u2022 Stevie Ray Vaughn. In honor of Mission Specialist<\/span>
\n Steve Robinson known as \u2022Stevie Ray Robinson\u2022 by other members of his<\/span>
\n astronaut band, \u2022Max Q\u2022. “That’s what I call wake-up music. Good day to<\/span>
\n go get a satellite,” he told Mission Control.<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

11\/4\/98 \u2022Wakaki Chi,\u2022 (\u2022Young Spirit\u2022) a cheering song from Keio University<\/span>
\n where Payload Specialist Chiaki Mukai received her medical degree.<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

11\/5\/98 \u2022I Know You\u2018re Out There Somewhere\u2022 The Moody Blues. Chosen by<\/span>
\n Commander Curt Brown\u2018s family.<\/span>
\n CAPCOM: Scott Horowitz<\/span><\/p>\n

11\/6\/98 \u2022Voyage Into Space\u2022, an original composition written for John Glenn by<\/span>
\n composer and pianist Peter Nero, a long-time friend of the Glenns.<\/span>
\n CAPCOM: Scott Horowitz<\/span><\/p>\n

11\/7\/98 \u2022La Cucaracha\u2022. Played for Pedro Duque at request of his wife, Consuelo.<\/span>
\n CAPCOM: Scott Horowitz<\/span>
\n http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-95\/html\/ndexpage.html<\/span><\/p>\n

\u00a0<\/span><\/p>\n

STS-88 December 4-15, 1998<\/span><\/p>\n

12\/4\/98 “Get Ready” by the Temptations, an appropriate description of the full slate of activities the<\/span>
\n crew will be involved with as they get ready for the important events of the flight by checking<\/span>
\n out the equipment and tools that will be utilized during rendezvous, docking and space<\/span>
\n walking activities.<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

12\/5\/98 \u2022Anchors Aweigh\u2022<\/span>
\n CAPCOM: Chris Hadfield<\/span><\/p>\n

12\/6\/98 \u2022Somewhere Over the Rainbow\u2022 – Judy Garland. Requested by Bob Cabana\u2018s daughter, Judy<\/span>
\n CAPCOM: Bob Curbeam<\/span><\/p>\n

12\/7\/98 \u2022Jerry the Rigger,” an old Celtic song. In honor of Mission Specialist Jerry Ross, who with<\/span>
\n fellow Mission Specialist Jim Newman, will conduct more than 18 hours of space walks<\/span>
\n during this flight.<\/span>
\n CAPCOM: Bob Curbeam<\/span><\/p>\n

12\/8\/98 \u2022Streets of Bakersfield\u2022 – Dwight Yoakum. Requested by the wife of Pilot Rick Sturckow, a<\/span>
\n California native.<\/span>
\n CAPCOM: Janet Kavandi<\/span><\/p>\n

12\/9\/98 \u2022Floating in the Bathtub\u2022 selected for Mission Specialist Jim Newman by his wife, Mary Lee.<\/span>
\n CAPCOM: Jim Newman<\/span><\/p>\n

12\/10\/98 \u2022God Bless the USA\u2022- Lee Greenwood. Played for Mission Specialist -2, Nancy Currie at the request of her husband, David. <\/span>
\n CAPCOM: Bob Curbeam<\/span><\/p>\n

12\/11\/98 \u2022Trepak\u2022 a Russian dance from Tchaikovsky\u2018s \u2022The Nutcracker\u2022 in honor of cosmonaut and<\/span>
\n Mission Specialist Sergei Krikalev.<\/span>
\n CAPCOM: Bob Curbeam<\/span><\/p>\n

12\/12\/98 \u2022Hound Dog\u2022 – Elvis Presley<\/span>
\n CAPCOM: Bob Curbeam<\/span><\/p>\n

12\/13\/98 \u2022Goodnight Sweetheart, Goodnight\u2022 – The Spaniels. As the crew prepare to say “goodnight”<\/span>
\n to the space station.<\/span>
\n CAPCOM: Bob Curbeam<\/span><\/p>\n

12\/14\/98 \u2022I Got You (I Feel Good)\u2022 – James Brown. In honor of the good feelings evoked by this<\/span>
\n successful first International Space Station Assembly mission. \u2022We really feel terrific,\u2022<\/span>
\n Nancy Currie said in replying to ground controllers in Houston, who broadcast the song into<\/span>
\n space. “We’re ready to start packing and come home to see our families just in time for<\/span>
\n Christmas.”<\/span>
\n CAPCOM: Bob Curbeam<\/span><\/p>\n

12\/15\/98 \u2022Ride of the Valkyries\u2022 – Richard Wagner<\/span>
\n CAPCOM: Bob Curbeam<\/span>
\n http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-88\/html\/ndexpage.html<\/span>
\n STS-96 May 27-June 6, 1999<\/span><\/p>\n

5\/27\/99 \u2022California Dreamin\u2022\u2022\u2022 \u2013 Mamas and the Papas — played for Mission<\/span>
\n Specialist Tammy Jernigan<\/span><\/p>\n

5\/28\/99 \u2022Danger Zone\u2022 \u2013 Kenny Loggins played in honor of Commander Kent<\/span>
\n Rominger, an alumnus of the Naval Fighter Weapons School of \u2022Top Gun\u2022<\/span>
\n fame.<\/span><\/p>\n

5\/29\/99 Themes from \u2022Star Wars\u2022 by the Space Center Intermediate Band. Mission Specialist Dan<\/span>
\n Barry\u2018s daughter Jenny plays flute in that band.<\/span><\/p>\n

5\/30\/99 \u2022Morning Colors\u2022 \u2013 U.S. Coast Guard Band or \u2022Morning Call\u2022 by USMC Band.<\/span><\/p>\n

5\/31\/99 \u2022Amarillo by Morning\u2022 by George Strait. Played in honor of Pilot Rick Husband, who is from<\/span>
\n Amarillo, Texas.<\/span><\/p>\n

6\/1\/99 \u2022Exultate Jubilate\u2022 by Mozart. This is a favorite of Canadian Space Agency astronaut Julie<\/span>
\n Payette.<\/span><\/p>\n

6\/2\/99 \u2022Vasha Blagarodye\u2022, a Russian song, followed by \u2022The Charleston\u2022. Played for cosmonaut<\/span>
\n Valery Tokarev and Mission Specialist Ellen Ochoa.<\/span><\/p>\n

6\/3\/99 \u2022Free Bird\u2022 by Lynyrd Skynyrd in anticipation of the Discovery\u2018s departure from the ISS.<\/span><\/p>\n

6\/4\/99 \u2022Good Morning Starshine\u2022 in recognition of the deployment of the Starshine satellite.<\/span><\/p>\n

6\/5\/99 \u2022The Longest Day\u2022 \u2013 Theme from the movie to commemorate what spacecraft communicator<\/span>
\n in Mission Control Mario Runco called a \u2022landing of a different kind\u2022 referring to D-Day on<\/span>
\n June 6, 1944.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-96\/html\/ndexpage.html<\/span><\/p>\n

STS-93 July 22-July 27, 1999<\/span><\/p>\n

7\/23\/99 \u2022Beep Beep\u2022 \u2013 Louis Prima; music for Eileen Collins provided by her family.<\/span><\/p>\n

7\/24\/99 \u2022Brave New Girls\u2022 \u2013 Teresa<\/span><\/p>\n

7\/25\/99 \u2022Someday Soon\u2022 written by Judy Collins and performed by Suzy Boguss chosen in honor of<\/span>
\n Pilot Jeff Ashby<\/span><\/p>\n

7\/26\/99 \u2022The Sounds of Silence\u2022 \u2013 Simon and Garfunkel<\/span><\/p>\n

7\/27\/99 \u2022A Little Traveling Music\u2022 \u2013 Barry Manilow requested by Hawley\u2018s wife Eileen, and The Air<\/span>
\n Force Song (\u2022Off We Go Into the Wild Blue Yonder\u2022) played for Collins and Coleman.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-93\/html\/ndexpage.html<\/span><\/p>\n

STS-103 December 19 – 27, 1999<\/span><\/p>\n

12\/20\/99 Bachman-Turner Overdrive’s “Taking Care of Business”<\/span><\/p>\n

12\/21\/99 “Rendezvous” by Bruce Springsteen<\/span><\/p>\n

12\/22\/99 “Hucklebuck” performed by Beau Jocque and the Zydeco Hi-Rollers, a tune that the<\/span>
\n spacewalkers heard many times while training hundreds of hours for the mission in the 6.5-<\/span>
\n million gallon water tank at the Johnson Space Center in Houston.<\/span><\/p>\n

12\/23\/99 Traditional Swiss music was played for Nicollier and the song “Only When I Sleep” by The<\/span>
\n Corrs was played for Foale.<\/span><\/p>\n

12\/24\/99 Steppenwolf\u2018s \u2022Magic Carpet Ride” was played for Smith and the children’s song<\/span>
\n “Skinnamarink” by Kimbo for Grunsfeld.<\/span><\/p>\n

12\/25\/99 Bing Crosby’s “I’ll Be Home for Christmas.”<\/span><\/p>\n

12\/26\/99 “We’re So Good Together” by Reba McEntyre, played for Pilot Scott Kelly at the request of<\/span>
\n his wife.<\/span><\/p>\n

12\/27\/99 “The Cup of Life,” sung by Ricky Martin. The music was the official song of France ’98<\/span>
\n World Cup Soccer and was played for Mission Specialist #2, Jean-Francois Clervoy of the<\/span>
\n European Space Agency at the request of his son.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-103\/html\/ndexpage.html<\/span>
\n STS-99 February 11 – 22, 2000<\/span><\/p>\n

The crew worked two shifts around the clock but Mission Control sent wakeup calls anyway.<\/span><\/p>\n

2\/11\/2000 “Time for Me to Fly” – REO Speedwagon (Blue Team wakeup call)<\/span><\/p>\n

2\/12\/2000 “Some Guys Have All The Luck” – Robert Palmer (Red Team wakeup call)<\/span><\/p>\n

2\/12\/2000 “Eye in the Sky” – Alan Parsons Project (Blue Team wakeup call)<\/span><\/p>\n

2\/13\/2000 “Jumpin’ Jive” – Cab Calloway as performed by Joe Jackson (Red Team wakeup call)<\/span><\/p>\n

2\/13\/2000 “Linus and Lucy” by Vince Guaraldi (Blue Team wakeup call)<\/span><\/p>\n

2\/14\/2000 “Journey to the Stars” theme song to the popular Japanese anime Galaxy Express – performed<\/span>
\n by Godiego (Blue Team wakeup call)<\/span><\/p>\n

2\/14\/2000 “Radar Love” – performed by Golden Earring (Red Team wakeup call)<\/span><\/p>\n

2\/15\/2000 “New York, New York” – performed by Frank Sinatra (Red Team wakeup call)<\/span><\/p>\n

2\/15\/2000 “Canon in D” by Johann Pachebel – as performed by George Winston (Blue Team wakeup<\/span>
\n call)<\/span><\/p>\n

2\/16\/2000 “We Saw the Sea” – performed by The Naval Academy Glee Club (Blue Team wakeup call)<\/span><\/p>\n

2\/16\/2000 “Smack Dab in the Middle” – performed by Ray Charles (Red Team wakeup call)<\/span><\/p>\n

2\/17\/2000 \u2022Die Moldau\u2022 – performed by The Boston Symphony Orchestra (Red Team wakeup call)<\/span><\/p>\n

2\/17\/2000 “Take a Little Less” – performed by Barton and Sweeney (Blue Team wakeup call)<\/span><\/p>\n

2\/18\/2000 “Magic Carpet Ride” – performed by Steppenwolf (Red Team wakeup call)<\/span><\/p>\n

2\/18\/2000 “Rawhide” – performed by Frankie Laine (Blue Team wakeup call)<\/span><\/p>\n

2\/19\/2000 “One after 909” – performed by The Beatles (Blue Team wakeup call)<\/span><\/p>\n

2\/19\/2000 “Catch the Moments As They Fly By” – Traditional Celtic Music \u2013 Shannon River Dance<\/span>
\n (Red Team wakeup call)<\/span><\/p>\n

2\/20\/2000 “Walk Don’t Run” – California Guitar Trio (Red Team wakeup call)<\/span><\/p>\n

2\/21\/2000 \u2022Stay\u2022 Frankie Valli & Four Seasons (Blue Team wakeup call)<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-99\/html\/ndexpage.html<\/span><\/p>\n

STS-101 May 19 – 29, 2000<\/span><\/p>\n

2\/19\/2000 “Free Fallin'” – Tom Petty, played for Mission Specialist Susan Helms<\/span><\/p>\n

2\/20\/2000 “Shining Brightly” by Bob Seger in honor of the upcoming evening<\/span>
\n rendezvous with the International Space Station.<\/span><\/p>\n

2\/21\/2000 \u2022Lookin\u2018 Out the Window\u2022 by Stevie Ray Vaughan<\/span><\/p>\n

2\/22\/2000 “Haunted House” by Roy Buchanan since the opening lyrics say “I just<\/span>
\n moved into a new house today\u2026.” in honor of the STS-101 crew entering<\/span>
\n what will be a new home for astronauts and cosmonauts later this year.<\/span><\/p>\n

2\/23\/2000 “I Only Have Eyes for You” by Flamingos — a long distance dedication<\/span>
\n from Kathy Halsell to her husband, Mission Commander Jim Halsell<\/span><\/p>\n

2\/24\/2000 “I’m Gonna Fly” by Amy Grant which was requested by Pilot Scott<\/span>
\n Horowitz’s wife<\/span><\/p>\n

2\/25\/2000 “Don’t It Make You Wanna Dance” by Jerry Jeff Walker — was played at<\/span>
\n the request of Williams’ son and family.<\/span><\/p>\n

2\/26\/2000 Untitled Russian song, author unknown<\/span><\/p>\n

2\/27\/2000 “25 or 6 to 4” – Chicago<\/span><\/p>\n

2\/28\/2000 “El Capitan” – John Philip Sousa<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-101\/html\/ndexpage.html<\/span><\/p>\n

STS-106 September 8 – 20, 2000<\/span><\/p>\n

9\/8\/2000 “I’ll Be” – Edwin McCain<\/span><\/p>\n

9\/9\/2000 “I Say a Little Prayer” by Diana King, which was played for Wilcutt<\/span><\/p>\n

9\/10\/2000 \u2022All Star\u2022 by the band Smash Mouth. The song was played for the two space walkers at the<\/span>
\n request of the EVA training and flight control teams to celebrate what will be the sixth space<\/span>
\n walk in support of station assembly and the 50th space walk in Space Shuttle history.<\/span><\/p>\n

9\/11\/2000 “The Hukilau Song”by Big Kahuna and the Copa Cat Pack, was played for Lu at the request<\/span>
\n of his sister.<\/span><\/p>\n

9\/12\/2000 “Brown-Eyed Girl” by Van Morrison – was played for Mastracchio at the request of his wife.<\/span><\/p>\n

9\/13\/2000 “Kombaht” by the group called Loobeh, played for Mission Specialist Boris Morukov of the<\/span>
\n Russian Aviation and Space Agency.<\/span><\/p>\n

9\/14\/2000 “Haze Has Melted Away” – Konstantin Nikolsky’s Group<\/span><\/p>\n

9\/15\/2000 “University of Connecticut Fight Song” – University of<\/span>
\n Connecticut Band<\/span><\/p>\n

9\/16\/2000 U.S. Coast Guard Hymn \u2022Semper Paratus\u2022 (Always Ready), played for Burbank, a Lieutenant<\/span>
\n Commander in the Coast Guard.<\/span><\/p>\n

9\/17\/2000 \u2022YMCA\u2022 was played for Scott Altman at the request of his wife.<\/span><\/p>\n

9\/18\/2000 \u2022Home in the Islands\u2022 by The Brothers Cazimero, played for Lu who considers Honolulu a<\/span>
\n hometown.<\/span><\/p>\n

9\/19\/2000 “Houston” performed by Dean Martin (played by crew as well as ground).<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-106\/html\/ndexpage.html<\/span><\/p>\n

STS-92 October 11-24, 2000<\/span><\/p>\n

10\/12\/2000 “Incense and Peppermints” \u2013 Strawberry Alarm Clock. The tune is part of the “Austin Powers:<\/span>
\n International Man of Mystery” movie soundtrack and was played for the crew members, who<\/span>
\n are fans of the film.<\/span><\/p>\n

10\/13\/2000 “Girls Just Want to Have Fun” \u2013 Cyndi Lauper<\/span><\/p>\n

10\/14\/2000 “Eikan wa kimi mi Kagayku” or “You’re the Winner” or literally “The Glory is Coming to<\/span>
\n you”, a Japanese High School Baseball Association Inspirational Marching Song performed<\/span>
\n by Daisuke Kaga.<\/span><\/p>\n

10\/15\/2000 “Camelot” from the movie “Monty Python and the Holy Grail”<\/span><\/p>\n

10\/16\/2000 “Je t’aimais, Je t’aime, J’taimerai” – A French love song by Francis Cabrel.<\/span><\/p>\n

10\/17\/2000 “The Army Goes Rolling Along”, performed by the United States Military Academy Band<\/span>
\n and its field musical group The Hellcats.<\/span><\/p>\n

10\/18\/2000 The theme from the movie “Mission Impossible.”<\/span><\/p>\n

10\/19\/2000 “Anchors Away \u2013 Fanfare Version” as performed by the United States Naval Academy Band.<\/span><\/p>\n

10\/20\/2000 “The River” – Garth Brooks<\/span><\/p>\n

10\/21\/2000 “Saturday Night” – Bay City Rollers<\/span><\/p>\n

10\/22\/2000 The Air Force Song (\u2022Off We Go Into the Wild Blue Yonder\u2022).<\/span><\/p>\n

10\/23\/2000 “Bad Bad Leroy Brown” by Jim Croce<\/span><\/p>\n

10\/24\/2000 “Deja Vu” by Crosby, Stills, Nash, and Young<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-92\/html\/ndexpage.html<\/span><\/p>\n

STS-97 November 30-December 11, 2000<\/span><\/p>\n

12\/1\/2000 \u2022Stardust\u2022 by Willie Nelson, played for Canadian Space Agency astronaut Garneau<\/span><\/p>\n

12\/2\/2000 “I Believe I Can Fly,” by R. Kelly<\/span><\/p>\n

12\/3\/2000 “Sunshine of Your Love” – Cream<\/span><\/p>\n

12\/4\/2000 \u2022Lovin\u2018 You Lots & Lots\u2022 from the movie \u2022That Thing You Do\u2022 by Norm Wooster Singers<\/span>
\n sent up to Bloomfield from his wife<\/span><\/p>\n

12\/5\/2000 “Fight On” (Trojan Fight Song) – University of Southern California fight song for Noriega by<\/span>
\n USC Marching Band<\/span><\/p>\n

12\/6\/2000 \u2022O Mio Babbino Caro\u2022 – Puccini opera aria for Garneau<\/span><\/p>\n

12\/7\/2000 \u2022Here Comes the Sun\u2022 \u2013 The Beatles. For Joe Tanner<\/span><\/p>\n

12\/8\/2000 \u2022Rattled\u2022 \u2013 The Traveling Wilburys<\/span><\/p>\n

12\/9\/2000 \u2022Back in the Saddle Again\u2022 \u2013 Gene Autry. In honor of Bloomfield, who is making his second<\/span>
\n space flight and his second fly-around of a space station.<\/span><\/p>\n

12\/10\/2000 \u2022Beyond the Sea\u2022 – Bobby Darin. A reference to the traditions observed on the station by<\/span>
\n Navy Commander Jett and Navy Captain Shepherd, including the ringing of the station\u2018s<\/span>
\n ship\u2018s bell when the shuttle crew departed Saturday.<\/span><\/p>\n

12\/11\/2000 \u2022I’ll be Home for Christmas\u2022 \u2013 Bing Crosby<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-97\/html\/ndxpage1.html<\/span><\/p>\n

STS-98 February 7-20, 2001<\/span><\/p>\n

2\/8\/2001 “Where You At”, a jazz selection by Pilot Mark Polansky’s late uncle, Zoot Sims<\/span><\/p>\n

2\/9\/2001 “Who Let the Dogs Out” – Baha Men, played in honor of Commander Ken Cockrell, who<\/span>
\n previously flew on a Shuttle mission with astronauts dubbed the “Dog Crew”<\/span><\/p>\n

2\/10\/2001 “Girl’s Breakdown” – Alison Brown. Alison wrote the tune especially for mission<\/span><\/p>\n

specialist Marsha Ivins. Mission Control played the tune in honor of Ivins who had the<\/span>
\n critical task on Saturday of attaching the space lab Destiny to the International Space Station.<\/span><\/p>\n

2\/11\/2001 “Blue Danube Waltz” – Johann Strauss, Jr. from the film \u20222001 \u2013 a Space Odyssey\u2022<\/span><\/p>\n

2\/12\/2001 “Fly Me to the Moon” – Frank Sinatra<\/span><\/p>\n

2\/13\/2001 “For Those About to Rock” – AC\/DC<\/span><\/p>\n

2\/14\/2001 “To the Moon and Back” \u2013 Savage Garden<\/span><\/p>\n

2\/15\/2001 “Sally Ann” – New Grange<\/span><\/p>\n

2\/16\/2001 “The Trail We Blaze” – Elton John<\/span><\/p>\n

2\/17\/2001 “Blue” – Eiffel 65<\/span><\/p>\n

2\/18\/2001 “Fly Away” – Lenny Kravitz<\/span><\/p>\n

2\/19\/2001 “Bad To the Bone” – George Thorogood and the Destroyers<\/span><\/p>\n

2\/20\/2001 \u2022Should I Stay or Should I Go” by the Clash, as the crew prepared for their return trip to Earth<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-98\/html\/ndxpage1.html<\/span><\/p>\n

STS-102 March 8-21, 2001<\/span><\/p>\n

3\/8\/2001 “Living the Life” performed by Rockit Scientists a group of training division instructors with<\/span>
\n whom shuttle Commander Jim Wetherbee plays drums from time to time.<\/span><\/p>\n

3\/9\/2001 “Vashe Blagorodiye” a song from a movie entitled \u2022White Sun of the Desert\u2022 that is<\/span>
\n traditionally watched by cosmonauts the night before a launch from the Baikonur<\/span>
\n Cosmodrome in Kazakhstan. The song was played for Expedition Two Commander Yury<\/span>
\n Usachev, who is spending his last day aboard Discovery before beginning a handover of<\/span>
\n station command with Expedition One crewmember Yuri Gidzenko.<\/span><\/p>\n

3\/10\/2001 “Nothing’s Gonna Stop Us Now” by Starship and played in anticipation of the planned<\/span>
\n Extravehicular Activity (EVA).<\/span><\/p>\n

3\/11\/2001 “Blast Off” from the animated feature Scooby Doo and the Alien Invaders, played for<\/span>
\n astronaut Paul Richards as a selection from his children.<\/span>
\n 3\/12\/2001 “From A Distance” performed by Nanci Griffith awakened Discovery\u2018s crew, and astronauts<\/span>
\n Paul Richards and Andy Thomas quickly began preparing for a planned six and a half hour<\/span>
\n space walk.<\/span><\/p>\n

3\/13\/2001 “Free Fallin'” by Tom Petty — a favorite of astronaut Susan Helms who today will take up<\/span>
\n official residence on the station as a member of the outpost\u2018s second crew.<\/span><\/p>\n

3\/14\/2001 “Should I Stay or Should I Go” by The Clash played for returning International Space Station<\/span>
\n Expedition One Commander Bill Shepherd from his wife, Beth.<\/span><\/p>\n

3\/15\/2001 “She Blinded Me With Science” by Thomas Dolby played in recognition of the laboratory<\/span>
\n outfitting and initial station scientific work enabled by Discovery\u2018s flight.<\/span><\/p>\n

3\/16\/2001 “The Rising of the Moon” by The Clancy Brothers with Tommy Makem selected for<\/span>
\n Discovery\u2018s Pilot Jim Kelly by his family in honor of St. Patrick\u2018s Day tomorrow.<\/span><\/p>\n

3\/17\/2001 “Notre Dame Victory March” by \u2022Flight Room Singers\u2022 Four Flight Controllers – Chris<\/span>
\n McKenna, Mark Ferring, Pete Hasbrook and Fisher Reynolds<\/span><\/p>\n

3\/18\/2001 “Moscow Windows” \u2013 Folk song<\/span><\/p>\n

3\/19\/2001 “Just What I Needed,” performed by The Cars and played for returning International Space<\/span>
\n Station Commander Bill Shepherd, who, along with crew mates Yuri Gidzenko and Sergei<\/span>
\n Krikalev, is riding home aboard Discovery after four and a half months in orbit.<\/span><\/p>\n

3\/20\/2001 “Wipe Out” \u2013 Surfaris<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-102\/html\/ndxpage1.html<\/span><\/p>\n

STS-100 April 19-May 1, 2001<\/span><\/p>\n

4\/20\/2001 \u2022Then the Morning Comes\u2022 by the musical group Smash Mouth. It was chosen for Phillips,<\/span>
\n making his first spaceflight.<\/span><\/p>\n

4\/21\/2001 \u2022Danger Zone\u2022 – Kenny Loggins from the soundtrack to Top Gun.<\/span><\/p>\n

4\/22\/2001 \u2022Take It From Day to Day\u2022 by Canadian Stan Rogers — played for Hadfield in honor of the<\/span>
\n space walk \u2013 the first ever by a Canadian.<\/span><\/p>\n

4\/23\/2001 “Both Sides Now” – Judy Collins<\/span><\/p>\n

4\/24\/2001 \u2022What A Wonderful World\u2022 by Louis Armstrong. The song was played for Parazynski in<\/span>
\n honor of today\u2018s spacewalk.<\/span><\/p>\n

4\/25\/2001 \u2022Con te Partiro\u2022 (\u2022With You I Will Go\u2022), sung by Italian opera singer Andrea Bocelli. It was<\/span>
\n played for Guidoni who is from Italy.<\/span><\/p>\n

4\/26\/2001 Russian folk song, “Behind the Fog.” That song was played for Endeavour crewmember<\/span>
\n Russian cosmonaut Yuri Lonchakov.<\/span><\/p>\n

4\/27\/2001 “Buckaroo,” sung by Don Cain of Dubuque, Iowa, father of STS-100 Ascent and Entry Flight<\/span>
\n Director Leroy Cain.<\/span><\/p>\n

4\/28\/2001 “Dangerous,” sung by C’est Cheese, played for Canadian Astronaut Chris Hadfield at the<\/span>
\n request of his wife.<\/span><\/p>\n

4\/29\/2001 “Miles from Nowhere,” performed by Cat Stevens and played for Ashby in anticipation of<\/span>
\n today’s undocking.<\/span><\/p>\n

4\/30\/2001 Soundtrack to the movie \u2022Gladiator\u2022 (5:41 GMT)<\/span><\/p>\n

4\/30\/2001 “Big Arm on His Ship” – Robinson, etc.<\/span><\/p>\n

5\/1\/2001 “True” performed by Spandau Ballet. The wakeup music was for Rominger, requested by his<\/span>
\n family.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-100\/html\/ndxpage1.html<\/span><\/p>\n

STS-104 July 12 \u2013 July 24, 2001<\/span><\/p>\n

7\/12\/2001 “Wallace Courts Murron” – from the soundtrack to the movie \u2022Braveheart.\u2022 The song, by<\/span>
\n James Horner, was played for Atlantis Pilot Charlie Hobaugh.<\/span><\/p>\n

7\/13\/2001 “God of Wonders” by Caedmon’s Call<\/span><\/p>\n

7\/14\/2001 “Space Cowboy” by N’Sync for Mission Specialist Janet Kavandi.<\/span><\/p>\n

7\/15\/2001 “No Woman, No Cry” by Bob Marley for Mission Specialist Mike Gernhardt.<\/span><\/p>\n

7\/16\/2001 “Nobody Does it Better” by Carly Simon, from the soundtrack to the movie “The Spy Who<\/span>
\n Loved Me” for Mission Specialist Jim Reilly.<\/span><\/p>\n

7\/17\/2001 “Happy Birthday, Darlin\u2018” by Conway Twitty for Atlantis Mission Specialist Janet Kavandi<\/span>
\n who was celebrating a birthday.<\/span>
\n 7\/18\/2001 “All I Wanna Do” by Sheryl Crow for the entire crew from their training team.<\/span><\/p>\n

7\/19\/2001 “A Time to Dance” by Janet Giroux played by the Space Center Intermediate School<\/span>
\n Symphonic Band. The band was directed by Giroux and the song was played for Reilly.<\/span><\/p>\n

7\/20\/2001 “I Could Write a Book” by Harry Connick Jr., from the soundtrack to the movie “When Harry<\/span>
\n Met Sally” for Lindsey.<\/span><\/p>\n

7\/21\/2001 “Who Let the Dogs Out?” by the Baha Men for Hobaugh.<\/span><\/p>\n

7\/22\/2001 “Orinoco Flow” by Enya for Mike Gernhardt.<\/span><\/p>\n

7\/23\/2001 “Honey, I’m Home” by Shania Twain for Kavandi.<\/span><\/p>\n

7\/24\/2001 \u2022Hold Back the Rain\u2022 by Duran Duran<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-104\/html\/ndxpage1.html<\/span><\/p>\n

STS-105 August 10 \u2013 22, 2001<\/span><\/p>\n

8\/11\/2001 “Back in the Saddle Again” by Gene Autry. It was played for Culbertson, making his third<\/span>
\n flight into space, eight years after he last flew.<\/span><\/p>\n

8\/12\/2001 “The White Eagle,” a traditional Russian folk song played for Expedition Three Pilot<\/span>
\n Vladimir Dezhurov.<\/span><\/p>\n

8\/13\/2001 Overture from “The Barber of Seville” by Rossini, a tribute to Expedition Three Flight<\/span>
\n Engineer Mikhail Tyurin.<\/span><\/p>\n

8\/14\/2001 Theme from the movie, “Arthur” or “Arthur’s Theme (Best That You Can Do)” by<\/span>
\n Christopher Cross.<\/span><\/p>\n

8\/15\/2001 “Big Boy Toys”, a country and western tune by Aaron Tippin, selected for Pilot Rick<\/span>
\n Sturckow by his wife.<\/span><\/p>\n

8\/16\/2001 “The Marvelous Toy” by Tom Paxton for Mission Specialist Dan Barry from his wife.<\/span><\/p>\n

8\/17\/2001 “Time Bomb”, a song performed for Forrester by his sons, Patrick and Andrew.<\/span><\/p>\n

8\/18\/2001 “Hotel California,” performed by the Eagles. It was requested for Expedition Two<\/span>
\n Commander Yury Usachev by his wife.<\/span><\/p>\n

8\/19\/2001 “Under the Boardwalk” by the Drifters, played for Jim Voss by his wife Suzan.<\/span><\/p>\n

8\/20\/2001 “Brand New Day,” played by Sting. The song was for Helms, requested by her family and<\/span>
\n friends.<\/span><\/p>\n

8\/21\/2001 \u2022East Bound and Down\u2022 by Jerry Reed, at the request of their Houston-based training team.<\/span><\/p>\n

8\/22\/2001 “Again” by Lenny Kravitz<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-105\/html\/ndxpage1.html<\/span>
\n STS-108 December 5 – 17, 2001<\/span><\/p>\n

12\/6\/2001 \u2022Soul Spirit\u2022 and \u2022Put a Little Love in Your Life,\u2022 sung by Bursch\u2018s daughter and her second-<\/span>
\n grade classmates.<\/span><\/p>\n

12\/7\/2001 “God of Wonders” performed by 95:1, a worship band from St. Thomas Episcopal Church.<\/span>
\n Commander Dom Gorie’s daughter Kim sings.<\/span><\/p>\n

12\/8\/2001 “Wade Into the Water” performed by Clear Creek Mighty Wildcat Marching Band. Mission<\/span>
\n Specialist Carl Walz’s son Aaron plays percussion.<\/span><\/p>\n

12\/9\/2001 “It’s A Grand Ol’ Flag” performed by the Fire Department of New York Emerald Society<\/span>
\n Pipes & Drums. A New York firefighter presented Pilot Mark Kelly with today\u2018s wakeup<\/span>
\n music when Kelly visited the World Trade Center site with former NASA Administrator Dan<\/span>
\n Goldin shortly after the September 11 attacks.<\/span><\/p>\n

12\/10\/2001 \u2022Jumpin\u2018 at the Woodside,\u2022 performed by Mission Specialist Linda Godwin\u2018s own band,<\/span>
\n Brass, Rhythm and Reeds composed mostly of NASA and NASA contractor personnel.<\/span>
\n Godwin plays tenor sax in this 18-piece big band recording.<\/span><\/p>\n

12\/11\/2001 \u2022Let There Be Peace on Earth,\u2022 performed by Vince and Jenny Gill from the Vince Gill<\/span>
\n album “Let There be Peace on Earth” awakened Endeavour\u2018s crew this morning at 6:19 a.m.<\/span>
\n CST. The song was played for Expedition Three Commander Frank Culbertson from his wife<\/span>
\n for his years of dedicated pursuit of peace on Earth through service to his country, and in<\/span>
\n tribute to a special anniversary today.<\/span><\/p>\n

12\/12\/2001 \u2022Fly Me to the Moon\u2022, sung by Oliver \u2022Ollie\u2022 O\u2018Regin for Dan Tani.<\/span><\/p>\n

12\/13\/2001 \u2022Here Comes the Sun\u2022, in memory of former Beatle George Harrison, who recently died of<\/span>
\n cancer. The instrumental was from the IMAX movie, \u2022Everest\u2022. The song was played for the<\/span>
\n Expedition Three Crewmembers, Commander Frank Culbertson, Pilot Vladimir Dezhurov<\/span>
\n and Flight Engineer Mikhail Tyurin.<\/span><\/p>\n

12\/14\/2001 Traditional Russian song, \u2022My Sweetheart,\u2022 played for Onufrienko, Dezhurov and Tyurin.The<\/span>
\n Expedition Four crew was awakened about a half-hour later with a wakeup tone on board the<\/span>
\n station.<\/span><\/p>\n

12\/15\/2001 \u2022Where I Come From,\u2022 by Alan Jackson, for Pilot Mark Kelly from his family.<\/span><\/p>\n

12\/16\/2001 \u2022I\u2018ll Be Home For Christmas,\u2022 sung by Bing Crosby.<\/span><\/p>\n

12\/17\/2001 \u2022Please Come Home For Christmas\u2022 sung by Jon Bon Jovi.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-108\/html\/ndxpage1.html<\/span><\/p>\n

STS-109 March 1-12, 2001<\/span><\/p>\n

3\/1\/2002 \u2022Blue Telescope\u2022 – John Hiatt<\/span><\/p>\n

3\/2\/2002 \u2022Theme from Mission: Impossible\u2022<\/span><\/p>\n

3\/3\/2002 Mozart’s \u2022Five Variations on Twinkle, Twinkle Little Star\u2022 performed by Jeno Jando<\/span><\/p>\n

3\/4\/2002 The children’s song \u2022Floating in the Bathtub,\u2022 by Tonya Evetts Weimer. It was played for<\/span>
\n Jim Newman.<\/span><\/p>\n

3\/5\/2002 \u2022Carmen Ohio,\u2022 performed by the Ohio State University marching band and played for Ohio<\/span>
\n State alumni Nancy Currie and Rick Linnehan aboard Columbia.<\/span><\/p>\n

3\/6\/2002 The original song \u2022Sittin on Top of the World,\u2022 Les Paul and Mary Ford. Dedication<\/span>
\n following was recorded the week before for the STS-109 crew by Les Paul, a music pioneer<\/span>
\n and space enthusiast.<\/span><\/p>\n

3\/7\/2002 The Mission Impossible: II theme song, performed by Limp Bizkit.<\/span><\/p>\n

3\/8\/2002 \u2022Who Made Who\u2022 by AC DC. The song was played for pilot Duane Carey.<\/span><\/p>\n

3\/9\/2002 \u2022Fly Me to the Moon\u2022 by Frank Sinatra. The song was played for Commander Scott “Scooter”<\/span>
\n Altman.<\/span><\/p>\n

3\/10\/2002 “Floating” by the Moody Blues dedicated to first-time fliers, pilot “Digger” and spacewalker<\/span>
\n Massimino.<\/span><\/p>\n

3\/11\/2002 \u2022Countdown\u2022 — Rush<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-109\/html\/ndxpage1.html<\/span><\/p>\n

STS-110 April 8-22, 2002<\/span><\/p>\n

4\/9\/2002 \u2022The Best Years of Our Lives\u2022 by the Baha Men.<\/span><\/p>\n

4\/10\/2002 \u2022Rapunzel Got a Mohawk,\u2022 performed by Joe Scruggs. The song was played for Ochoa, at the<\/span>
\n request of her family.<\/span><\/p>\n

4\/11\/2002 University of California-Berkeley fight song performed by the school band<\/span>
\n and \u2022All Right Now,\u2022 performed by the Stanford University band. Ochoa<\/span>
\n requested the songs be played for crewmates Walheim and Smith who<\/span>
\n attended the rival schools. Ochoa’s also a Stanford graduate. PC<\/span><\/p>\n

4\/12\/2002 \u2022Testify to Love,\u2022 by Wynonna Judd played for Bloomfield from his family.<\/span><\/p>\n

4\/13\/2002 \u2022Voodoo Chile,\u2022 by Jimi Hendrix. It was played for Morin, who will be making his first<\/span>
\n spacewalk, at the request of his wife.<\/span><\/p>\n

4\/14\/2002 \u2022All Star,\u2022 performed by Smash Mouth from the Shrek movie soundtrack. The song was<\/span>
\n played for Walheim by his family.<\/span><\/p>\n

4\/15\/2002 \u2022Magic Carpet Ride\u2022 by Steppenwolf, dedicated to Smith.<\/span><\/p>\n

4\/16\/2002 \u2022I Am an American,\u2022 performed by the Purdue University Marching band. It was dedicated to<\/span>
\n Purdue graduate Ross.<\/span><\/p>\n

4\/17\/2002 \u2022Noah,\u2022 performed by Steve Frick when he was a teen-ager.<\/span><\/p>\n

4\/18\/2002 “Somewhere Over the Rainbow” – STS-110 Commander Mike Bloomfield’s daughter,<\/span>
\n Courtney.<\/span><\/p>\n

4\/19\/2002 “Message in a Bottle,” by The Police.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-110\/html\/ndxpage1.html<\/span><\/p>\n

STS-111 June 5 -19, 2002<\/span><\/p>\n

6\/6\/2002 \u2022Gettin’ Jiggy Wit It,\u2022 by Will Smith. The song was played for Valery Korzun, who will soon<\/span>
\n take command of the space station.<\/span><\/p>\n

6\/7\/2002 \u2022American Woman,\u2022 by Lenny Kravitz, a song selected for Peggy Whitson.<\/span><\/p>\n

6\/8\/2002 \u2022I Have a Dream,\u2022 by ABBA, a song selected for Sergei Treschev.<\/span><\/p>\n

6\/9\/2002 \u2022Drops of Jupiter\u2022 by Train, a tune selected for Ken Cockrell.<\/span><\/p>\n

6\/10\/2002 \u2022I Only Have Eyes for You\u2022 by the Flamingos, from the American Graffiti<\/span><\/p>\n

soundtrack which was selected for Paul Lockhart. Selected by his wife<\/span>
\n Mary. The two danced to the song at their wedding. PC<\/span><\/p>\n

6\/11\/2002 \u2022Mi PC\u2022 by Juan Luis Guerra, selected for Chang-D\u00edaz by his family.<\/span><\/p>\n

6\/12\/2002 \u2022Chasing Sheep is Best Left to Shepherds,\u2022 by Peter Greenaway, selected for Philippe Perrin<\/span>
\n by his family.<\/span><\/p>\n

6\/13\/2002 \u2022On the Road Again,\u2022 by Willie Nelson, selected for Carl Walz by his family.<\/span><\/p>\n

6\/14\/2002 “The Star Spangled Banner” in honor of Flag Day.<\/span><\/p>\n

6\/15\/2002 \u2022Hello to All the Children of the World\u2022 prepared by Expedition Four Flight Engineer Dan<\/span>
\n Bursch’s son and his classmates.<\/span><\/p>\n

6\/16\/2002 “Where My Heart Will Take Me,” the theme song from TV series, \u2022Star Trek: Enterprise,\u2022<\/span><\/p>\n

performed by Russell Watson. (see STS-114, Flight Day 8\/2\/2005)<\/span><\/p>\n

6\/17\/2002 “The Eyes of Texas,” performed by the University of Texas Marching Band. Cockrell and<\/span>
\n Lockhart hold degrees from that university.<\/span><\/p>\n

6\/18\/2002 “Sojourner” by Matt Gast, the flight’s lead timeliner or scheduler of crew activities.<\/span><\/p>\n

6\/19\/2002 “I Got You Babe”by Sonny and Cher from the “Groundhog Day” movie soundtrack.<\/span><\/p>\n

“Groundhog Day’s “I Got You Babe” is a recurring theme for wakeup calls<\/span>
\n on missions which have been extended an additional two days, with the<\/span>
\n astronauts having to repeat their deorbit activities each day only to be told<\/span>
\n that because of bad weather they’re going to go through the same tasks<\/span>
\n again the next day. For commander Ken Cockrell this was his third mission<\/span>
\n in a row where he’s stayed in orbit for an additional two days in the hopes<\/span>
\n of good weather in Florida. On STS-80 the landing finally cooperated and<\/span>
\n he landed in Florida, for STS-98 and STS-111 he landed at the alternate<\/span>
\n site in California. PC<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-111\/html\/ndxpage1.html<\/span>
\n STS-112 October 7-18, 2002<\/span><\/p>\n

10\/8\/2002 “Venus and Mars” by Paul McCartney and Wings. It was for David Wolf, requested by his<\/span>
\n wife, Tammy.<\/span><\/p>\n

10\/9\/2002 “The Best” by Tina Turner for Commander Jeff Ashby from his wife, Paige.<\/span><\/p>\n

10\/10\/2002 The “medley of childhood songs” including “(Theme from) The Monkees” – The<\/span>
\n Monkees,”Rocket Man” – Elton John, “Space Oddity” – David Bowie and “I Am Woman” –<\/span>
\n Helen Reddy was played for Sandra Magnus from her family.<\/span><\/p>\n

10\/11\/2002 “Oh Thou Tupelo,” performed by the Wellesley College Choir, was for Pamela Melroy, a<\/span>
\n 1983 graduate.<\/span><\/p>\n

10\/12\/2002 “Push It,” performed by the group Garbage. It was for Piers Sellers, requested by his family.<\/span><\/p>\n

10\/13\/2002 The “Aviation March,” composed by Isaac Dunaevsky, is the hymn of the Moscow Aviation<\/span>
\n Institute, Yurchikhin’s alma mater.<\/span><\/p>\n

10\/14\/2002 “You Gave Me The Answer,” by Paul McCartney and Wings for Dave Wolf from his wife<\/span>
\n Tammy.<\/span><\/p>\n

10\/15\/2002 “Only an Ocean Away,” performed by Sarah Brightman. It was requested for Sandy Magnus<\/span>
\n by her jogging friends.<\/span><\/p>\n

10\/16\/2002 “Prime Time”by The Alan Parsons Project was played for Pilot Pam Melroy, requested by her<\/span>
\n husband, Chris.<\/span><\/p>\n

10\/17\/2002 “These are the Days” performed by 10,000 Maniacs was played for Sellers at the request of<\/span>
\n his wife.<\/span><\/p>\n

10\/18\/2002 \u2022Someday Soon,\u2022 performed by Suzy Bogguss. It was for Ashby, requested by his wife.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-112\/html\/ndxpage1.html<\/span><\/p>\n

STS-113 November 23 \u2013 December 7, 2002<\/span><\/p>\n

11\/24\/2002 The Wind Ensemble — Music for Wetherbee, provided by his daughter<\/span><\/p>\n

11\/25\/2002 “I Need You Like a Hole in My Head” by Sting<\/span><\/p>\n

11\/26\/2002 “Gimme All Your Lovin'” by ZZ Top<\/span><\/p>\n

11\/27\/2002 “Copperhead Road” by Steve Earle<\/span><\/p>\n

11\/28\/2002 “Figaro’s Wedding” from the movie “Trading Places”<\/span><\/p>\n

11\/29\/2002 “Quiet Flame” by Leap Year<\/span><\/p>\n

11\/30\/2002 “Walkin’ on Sunshine” by Kylie Minogue Selected by Paul<\/span>
\n Lockhart’s daughters. Capcom Joan Higgenbotham radioed up the music<\/span>
\n and said “Good morning Endeavour. Welcome to EVA (Spacewalk) 3 day.<\/span>
\n We’re looking forward to some more incredible views provided courtesy of<\/span>
\n our two spacewalkers. Paco (Lockhart’s nickname), this morning’s wakeup<\/span>
\n music is \u201eWalking on Sunshine\u2022 which is what Mary and the girls will be<\/span>
\n doing once your safely back home.\u201d<\/span><\/p>\n

“Good morning Miss Joanie and to everyone down there in mission control.<\/span>
\n It’s great to hear your voice this morning,” Lockhart replied. “Walking on<\/span>
\n sunshine? I think that’s what John (Herrington) and Mike (Lopez-Alegria)<\/span>
\n are going to be doing for several hours today\u2026 I’d like to say thank you to<\/span>
\n my wife and my daughters for thinking about me the last few days and I’m<\/span>
\n looking forward to seeing them too.” PC<\/span><\/p>\n

12\/1\/2002 “Roll With It” by Steve Winwood<\/span><\/p>\n

12\/2\/2002 \u2022Cheesty Proody\u2022 (phonetic spelling), which means \u2022Clear Ponds\u2022 in Russian, by Igor Talkov<\/span><\/p>\n

12\/3\/2002 “Flot” (phonetic spelling), which means “Raft” in Russian, by Yuri Loza<\/span><\/p>\n

12\/4\/2002 “Aserej\u00e9,” also known as “The Ketchup Song (Hey Hah),” by Las Ketchup<\/span><\/p>\n

12\/5\/2002 “Hotel California” by The Eagles<\/span><\/p>\n

12\/6\/2002 Clips from the movie “Groundhog Day” (\u2022I Got You Babe\u2022) and the television game show”<\/span>
\n \u2022Jeopardy”<\/span><\/p>\n

The “Groundhog Day” was a reference to the multiple landing<\/span><\/p>\n

attempts. At this point STS-113 tied the previous record of two<\/span><\/p>\n

additional extensions waiting for good weather. With the additional<\/span><\/p>\n

day beyond that, they set a new record for the number of landing<\/span><\/p>\n

tries. The Jeopardy theme music was a running gag between Mike<\/span><\/p>\n

Lopez-Alegria and the Capcoms where he would pose various questions<\/span>
\n about the mission’s status as quizzes. At one point the Capcom<\/span><\/p>\n

answered one of L-A’s queries, and he replied “But you forgot to<\/span><\/p>\n

phrase it in the form of a question.”<\/span><\/p>\n

The evening before when MCC said goodnight a Capcom cautioned “the<\/span>
\n wakeup music may sound familiar.” Wetherbee replied “How will we<\/span>
\n know?”<\/span><\/p>\n

(a reference to the repeating cycle in the movie “Groundhog Day”. PC<\/span><\/p>\n

12\/7\/2002 “I’ll Be Home for Christmas” by Perry Como<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-113\/html\/ndxpage1.html<\/span><\/p>\n

STS-107 January 16\u2014February 1, 2003<\/span><\/p>\n

The crew worked two shifts around the clock but Mission Control sent wakeup calls anyway.<\/span><\/p>\n

1\/16\/2003 Blue Team – “EMA EMA” Dedicated to Dave Brown. PC<\/span><\/p>\n

Red Team – “America, the Beautiful” by the Texas Elementary Honors Choir, with Rick<\/span>
\n Husband’s daughter, Laura<\/span><\/p>\n

1\/17\/2003 Blue Team – “Coming Back to Life” by Pink Floyd. Dedicated to Willie<\/span>
\n McCool. PC<\/span><\/p>\n

Red Team – “Space Truckin'” by Deep Purple. Dedicated to Kalpana Chawla. PC<\/span><\/p>\n

1\/18\/2003 Blue Team – “Cultural Exchange” Dedicated to Dave Brown. PC<\/span><\/p>\n

Red Team – “Hatishma Koli” by Hachalonot Hgvohim. Dedicated to Ilan Ramon. PC<\/span><\/p>\n

1\/19\/2003 Blue Team – “Fake Plastic Trees” by Radiohead. Dedicated to Willie<\/span>
\n McCool. PC<\/span><\/p>\n

Red Team – “Amazing Grace” by Black Watch and 51 Band of Highland Brigade.<\/span><\/p>\n

Dedicated to Laurel Clark – The same song on bagpipes was played at her<\/span>
\n wedding, for the wakeup in space, and at her funeral. PC<\/span><\/p>\n

1\/20\/2003 Blue Team – \u2022Texan 60\u2022 Dedicated to Dave Brown. PC<\/span><\/p>\n

Red Team – \u2022God of Wonders\u2022 by Steve Green. Dedicated to Rick Husband. PC<\/span><\/p>\n

1\/21\/2003 Blue Team – \u2022The Wedding Song\u2022 by Paul Stookey for Pilot Willie McCool<\/span><\/p>\n

Red Team – “Prabhati” by Ravi Shankar. Dedicated to Kalpana Chawla. PC<\/span><\/p>\n

1\/22\/2003 Blue Team – “Hakuna Matata” by The Baha Men for Anderson from his<\/span>
\n two kids.<\/span><\/p>\n

From the movie “Lion King” PC<\/span><\/p>\n

Red Team – “Ma ata osheh kesheata kam baboker?” by Arik Einstein.<\/span><\/p>\n

Dedicated to Ilan Ramon. PC<\/span><\/p>\n

1\/23\/2003 Blue Team – “Burning Down the House” by Talking Heads in honor of combustion<\/span>
\n experiments on this flight<\/span><\/p>\n

Red Team – “Kung Fu Fighting” by Carl Douglas.<\/span><\/p>\n

The crew had a stuffed hamster toy which played that song. It was their<\/span>
\n ‘mascot’ and they took it everywhere during their training. PC<\/span><\/p>\n

1\/24\/2003 Blue Team – “Hotel California” performed by Pilot William McCool’s<\/span>
\n family (Josie McCool, Shawn McCool)<\/span><\/p>\n

The family members were Sean McCool on the guitar, his former girlfriend<\/span>
\n (but still friend) Josee Julian, and Josee’s father Frank also on guitar.<\/span>
\n (Reference – an email to me from Lani McCool) PC<\/span><\/p>\n

Red Team – “The Prayer” by Celine Dion. Dedicated to Rick Husband. PC<\/span><\/p>\n

1\/25\/2003 Blue Team – “I Say a Little Prayer” by Dionne Warwick played for Anderson from his wife<\/span><\/p>\n

Red Team – “Drops of Jupiter” by Train. Dedicated to Kalpana Chawla. PC<\/span><\/p>\n

1\/26\/2003 Blue Team – “When Day is Done” by Django Reinhardt and Stephane<\/span>
\n Grappelli. Dedicated to Dave Brown. Capcom Charlie Hobaugh said,<\/span>
\n “We’re doing great down here, and I feel cultured.” Dave replied, “It’s<\/span>
\n about time.” PC<\/span><\/p>\n

Red Team – “Love of My Life” by Queen. Dedicated to Ilan Ramon.<\/span><\/p>\n

A videotape of the wakeup activities survived the accident. PC. “A special<\/span>
\n good morning to my wife, Rona, the love of my life,” Ramon said. In<\/span>
\n Hebrew, he added that he loved and missed his wife and children. “So, here<\/span>
\n we come, for a wonderful day in space.”<\/span>
\n 1\/27\/2003 Blue Team – “Slow Boat to Rio” by Earl Klugh. Dedicated to Mike Anderson. PC<\/span><\/p>\n

Red Team – “Running to the Light” by Runrig. Dedicated to Laurel Clark PC<\/span><\/p>\n

1\/28\/2003 Blue Team – “I Get Around” by The Beach Boys. Dedicated to Dave Brown. PC<\/span><\/p>\n

Red Team – “Up on the Roof” by James Taylor. Dedicated to Rick Husband. PC<\/span><\/p>\n

1\/29\/2003 Blue Team – “Imagine” by John Lennon. McCool and Ramon said their<\/span>
\n observations from orbit reveal no borders on the Earth below and reiterated<\/span>
\n in both English and Hebrew their hopes for peace in the world. Dedicated to<\/span>
\n Willie McCool. PC.<\/span><\/p>\n

\u2022Imagine\u2022 was played at Ilan Ramon\u2018s funeral as his funeral dirge. The<\/span>
\n mourners listened to the recording sent to the astronauts, which ended with<\/span>
\n Ilan’s voice translating Lennon’s words into Hebrew: “You may say I’m a<\/span>
\n dreamer, but I’m not the only one.”<\/span><\/p>\n

Red Team – “Yaar ko hamne ja ba ja dekha” by Abita Parveen.<\/span><\/p>\n

Dedicated to Kalpana Chawla. A videotape of the crew activities during<\/span>
\n this wakeup call survived the accident. PC<\/span><\/p>\n

1\/30\/2003 Blue Team – “Silver Inches” by Enya. Dedicated to Dave Brown. PC<\/span><\/p>\n

Red Team – “Shalom lach eretz nehederet” by Yehoram Gaon.<\/span><\/p>\n

Dedicated to Ilan Ramon – The tune is the same as Arlo Guthrie’s<\/span><\/p>\n

“City of New Orleans.” Ilan said, “Good morning, Stephanie, it was<\/span><\/p>\n

wonderful to hear your voice in Hebrew. It was perfect timing while<\/span><\/p>\n

we flew over Israel to hear this song, which says I’ve been to the<\/span><\/p>\n

North Pole and to everywhere but there’s no place better than Israel.” PC<\/span><\/p>\n

1\/31\/2003 Blue Team – “If You’ve Been Delivered” by Kirk Franklin. Dedicated to Mike Anderson. PC<\/span><\/p>\n

Red Team – “Scotland the Brave” by The Black Watch and the band of the 51st Highland<\/span>
\n Brigade. Dedicated to Laurel Clark PC<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-107\/html\/ndxpage1.html<\/span><\/p>\n

STS-114 July 26 \u2013 August 9, 2005<\/span><\/p>\n

7\/26\/2005 Excerpts from the movie “Groundhog Day” (including the repeating \u2022I Got You Babe\u2022 by<\/span>
\n Sonny and Cher) which was for the entire crew to commemorate its first day out of<\/span>
\n quarantine.<\/span><\/p>\n

7\/27\/2005 “What a Wonderful World” by Louis Armstrong. The Station crew was awakened at the same<\/span>
\n time by a tone onboard.<\/span><\/p>\n

7\/28\/2005 “Vertigo” by U2 played for Pilot Jim Kelly. Capcom Shannon Lucid noted during the wakeup<\/span>
\n call that Kelly, whose nickname is \u2022Vegas,\u2022 was promoted to Colonel in the U.S. Air Force<\/span>
\n recently. The Station crew was awakened at 11:09 p.m. CDT by a tone onboard.<\/span><\/p>\n

7\/29\/2005 “Sanpo,” performed by the chorus from the Japanese School of Houston. It is made up of a<\/span>
\n group of children, including Noguchi’s. The Station crew was awakened at 11:09 p.m. CDT<\/span>
\n by a tone onboard.<\/span><\/p>\n

7\/30\/2005 “I’m Goin’ Up” by Claire Lynch for Mission Specialist Wendy Lawrence. The Space Station<\/span>
\n crew was awakened about the same time by a tone onboard.<\/span><\/p>\n

7\/31\/2005 “Walk of Life” by Dire Straits for Steve Robinson. The Space Station crew was awakened at<\/span>
\n 10:39 p.m. CDT by a tone onboard. CAPsule COMmunicator (CAPCOM) Shannon Lucid<\/span>
\n radioed the crew with Dire Straits’ “Walk of Life,” in honor of the duo’s upcoming repair<\/span>
\n work on the International Space Station. “What a great day to go do a walk of life,” said<\/span>
\n Robinson, who happens to play guitar in the astronaut rock band, Max-Q. “I like that line in<\/span>
\n there: ‘You got the action, and you got the motion.'” From Music to Wake Up By 8\/10\/05<\/span>
\n http:\/\/www.nasa.gov\/vision\/space\/features\/wakeup_calls.html<\/span><\/p>\n

8\/1\/2005 “Big Rock Candy Mountain” by Harry McClintock for Mission Specialist Andy Thomas.<\/span><\/p>\n

8\/2\/2005 “Where My Heart Will Take Me,” the theme song from \u2022Star Trek: Enterprise.\u2022 This song, ,<\/span>
\n was selected for the crew as a surprise dedication from the Deputy Shuttle Program Manager<\/span>
\n Wayne Hale. (This selection was identified as composed by Dennis McCarthy in STS-114<\/span>
\n MCC Status Report #16. Though McCarthy did write the orchestral suites for the \u201cStar Trek\u201d<\/span>
\n TV series he did not write this. It was written by Diane Warren originally as \u201cFaith of the<\/span>
\n Heart\u201d for the soundtrack of the film, \u201cPatch Adams\u201d and sung by Rod Stewart. Then,<\/span>
\n virtually the identical song was renamed and used as the theme for \u201cEnterprise\u201d — this time<\/span>
\n sung by British tenor, Russell Watson – CAF)<\/span><\/p>\n

8\/3\/2005 “Amarillo by Morning” by George Strait. Expedition 11 crew of Commander Sergei Krikalev<\/span>
\n and Flight Engineer and NASA ISS Science Officer John Phillips, woke up 30 minutes later.<\/span><\/p>\n

“Amarillo By Morning” was dedicated not to the crew in space, but to the<\/span>
\n Columbia STS-107 crew commanded by Amarillo Native Rick Husband.<\/span>
\n The day included a dedication to the Columbia crew and other space<\/span>
\n explorers who died during their missions. When the wakeup was sent it was<\/span>
\n Husband’s son, Matthew’s birthday. PC<\/span><\/p>\n

8\/4\/2005 “Anchors Aweigh” dedicated to Mission Specialist Wendy Lawrence at the request of<\/span>
\n Commander Eileen Collins. Space Station Expedition 11 crewmates John Phillips and Sergei<\/span>
\n Krikalev woke 30 minutes later.<\/span><\/p>\n

8\/5\/2005 “The Air Force Song” dedicated to Pilot Jim Kelly, a colonel in the U.S. Air Force, at the<\/span>
\n request of Commander Eileen Collins. Space Station Expedition 11 crewmates John Phillips<\/span>
\n and Sergei Krikalev woke 30 minutes later.<\/span><\/p>\n

8\/6\/2005 “The One and Only Flower in the World” sung by the Japanese group SMAP. It was played<\/span>
\n for Mission Specialist Soichi Noguchi of the Japan Aerospace Exploration Agency (JAXA).<\/span><\/p>\n

8\/7\/2005 “Come On Eileen” by Dexy’s Midnight Runners. It was played for Discovery’s Commander<\/span>
\n Eileen Collins from the Mission Control Team.<\/span><\/p>\n

8\/8\/2005 “Good Day Sunshine” by The Beatles.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-114\/html\/ndxpage1.html<\/span><\/p>\n

STS-121 July 4 \u201317, 2006<\/span><\/p>\n

“Well, you know, sometimes we know ahead of time what the music is going to be and who it’s for, and other times<\/span>
\n it’s a complete surprise. You’re just woken up by it and you’ve got to scramble out of your sleeping bag to try to<\/span>
\n make some profound statement about it,” [Mark] Kelly said. “And you know, other times, that just doesn’t happen.”<\/span><\/p>\n

The Flame Trench Space Blog http:\/\/www.floridatoday.com\/floridatoday\/blogs\/spaceteam\/ Posted by Todd<\/span>
\n Halvorson 7\/11\/2006<\/span><\/p>\n

A Spot On NASA’s Playlist Gets A Song Heard Around The World<\/span>
\n (USAT)<\/span><\/p>\n

By Traci Watson<\/span><\/p>\n

USA Today, July 13, 2006<\/span><\/p>\n

Early Saturday morning, Discovery’s crew cabin was flooded with I Have A Dream, a<\/span>
\n syrupy ballad from the Swedish pop megastars of the ’70s and ’80s. The song was the latest in an<\/span>
\n enduring NASA tradition: the personalized wake-up call.<\/span><\/p>\n

In a ritual dating to the Gemini program of the mid-1960s, astronauts awake not to alarms<\/span>
\n but to music chosen by family or friends. I Have A Dream was picked by the 8- and 11-year-old<\/span>
\n daughters of astronaut and unlikely ABBA fan Mark Kelly, a former Navy test pilot.<\/span><\/p>\n

The songs may seem frivolous, but the astronauts welcome them as moments of good<\/span>
\n cheer during their hectic assignments, says astronaut Mario Runco, who’s not part of the<\/span>
\n Discovery crew. As construction of the International Space Station ramps up and the workload on<\/span>
\n shuttle flights gets heavier, wake-up songs will serve as a morale booster, says Runco, whose<\/span>
\n collection has supplied many of the recordings piped up to space.<\/span><\/p>\n

“When you hear something that’s special and directed at you … you realize you have the<\/span>
\n support on the ground,” he says.<\/span><\/p>\n

Crewmembers’ friends and family say they’re happy for the chance to brighten the<\/span>
\n astronauts’ day. When Kelly wakes up Friday to U2’s Beautiful Day, girlfriend Gabrielle Giffords,<\/span>
\n who chose it for him, hopes he’ll be inspired.<\/span><\/p>\n

“Something that’s got a nice, moving melody is better than a punk rock song,” she says.<\/span><\/p>\n

The playlist is organized by the astronaut at Mission Control who serves as the link to the<\/span>
\n crew in space. Most wake-up songs fall into one of four categories:<\/span><\/p>\n

\u2022College and military. Well over half of the astronauts serve or have served in the<\/span>
\n military.<\/span>
\n \u2022Chirpy and upbeat. James Brown’s I Got You (I Feel Good) is a perennial favorite.<\/span><\/p>\n

\u2022Earnest. Some spouses choose love songs. Others choose Christian tunes, such as God of<\/span>
\n Wonders, played last week for Discovery astronaut Michael Fossum.<\/span><\/p>\n

\u2022Tongue-in-cheek. Sonny & Cher’s I Got You Babe was featured in the movie<\/span>
\n Groundhog Day, about a man who wakes up to the same day over and over. It’s often played for<\/span>
\n crews whose launch or landing is delayed repeatedly.<\/span><\/p>\n

Anthony DeCurtis, a contributing editor to Rolling Stone, says some kinds of music are<\/span>
\n nearly absent from the playlist. There is no hip-hop, for example. “These are people in an extreme<\/span>
\n situation,” he says. “I’m not sure it’s realistic to expect aesthetic daring.”<\/span><\/p>\n

Any kind of music can have a positive effect on mood as long as it’s something the<\/span>
\n listener likes, says Pennsylvania State University’s Valerie Stratton, who has studied music and<\/span>
\n emotions. At the same time, a song that gives one person a boost could seriously annoy another<\/span>
\n person.<\/span><\/p>\n

“I think they need to agree on what they play,” she says.<\/span><\/p>\n

When the crew was asked whether there had been any teasing over the ABBA song,<\/span>
\n Kelly backed away from the microphone.<\/span><\/p>\n

“I used to be an ABBA fan,” crewmate Piers Sellers said pointedly. “Hey, Mark, come back!”<\/span><\/p>\n

Astronauts Rocked Awake By Recordings (AP)<\/span><\/p>\n

By Seth Borenstein<\/span><\/p>\n

AP, July 15, 2006<\/span><\/p>\n

HOUSTON – These are not your father’s astronauts aboard the space shuttle Discovery –<\/span>
\n at least judging by the music that’s been waking them up every morning.<\/span><\/p>\n

So far in their two-week mission, the crew’s wake-up calls have included songs by<\/span>
\n Coldplay, Smashmouth and R. Kelly.<\/span><\/p>\n

What ever happened to “Anchors Aweigh”?<\/span><\/p>\n

For decades, it’s been a tradition for NASA’s mission control to start astronauts’ days with<\/span>
\n carefully chosen wake-up calls. In the case of the current Discovery mission, those days start at<\/span>
\n about 1 a.m. EDT, so it helps to play something that gets the blood flowing and the foot tapping.<\/span>
\n (Tapping on the ceiling? It is space, after all.)<\/span><\/p>\n

Astronauts’ tastes have come a long way from the early days, when “Hello Dolly” was the<\/span>
\n first wake-up call in 1965 for Gemini 6. The rest of that decade was full of military marches and<\/span>
\n songs, along with Frank Sinatra, Dean Martin, Herb Alpert and classical music.<\/span><\/p>\n

Today’s astronauts have music that they can rock to while they roll in zero gravity.<\/span><\/p>\n

“I was impressed,” Blender magazine associate editor Josh Eells said. “I had this notion<\/span>
\n of astronauts being a little bit square. There’s a little bit of hip taste there.”<\/span><\/p>\n

But taste, of course, is in the ear of listener. Asked if everyone likes all the songs played<\/span>
\n up there, astronaut Piers Sellers just rolled his eyes and shook his head.<\/span><\/p>\n

Back in Houston, the DJ job goes to the capcom – “capsule communicator” – the astronaut<\/span>
\n on the ground who radios to the ones in space.<\/span><\/p>\n

Astronaut Mario Runco, the capcom for 16 flights between 1995 and 2002, likes to think<\/span>
\n of himself as a “senior editor” of the list of requests given to him by astronauts’ families, friends<\/span>
\n and co-workers.<\/span><\/p>\n

When Runco rolled his tape – NASA mission control only recently started using a CD<\/span>
\n player – he had a few rules: Don’t step on the music. Play a full two minutes. Try to pick a good<\/span>
\n fade out point.<\/span><\/p>\n

But no matter how hard Runco tries to do justice to the music, the shuttle isn’t exactly a<\/span>
\n place to get good sound.<\/span><\/p>\n

“The speakers are fine for voice communications but their dynamic range is awful for<\/span>
\n music,” Runco said in an e-mail. “Bose speakers they’re not.”<\/span><\/p>\n

But on one of Runco’s own trips to space, sound quality wasn’t a problem. 20<\/span><\/p>\n

A huge Star Trek fan, Runco was awoken by a taped personal greeting from Patrick<\/span>
\n Stewart – Jean-Luc Picard himself, from “Star Trek: The Next Generation” – set to the show’s<\/span>
\n theme music. In the greeting, Stewart said to Runco: “Make it so.”<\/span>
\n Getting a prerecorded call is one thing, but last November, International Space Station<\/span>
\n astronauts Bill McArthur and Valery Tokarev were treated to a live wake-up miniconcert by Paul<\/span>
\n McCartney – part of a performance he was giving in Anaheim, Calif.<\/span><\/p>\n

“I can’t believe that we’re actually transmitting to space,” McCartney said as McArthur<\/span>
\n did a zero-gravity flip.<\/span><\/p>\n

McCartney played “English Tea” and “Good Day Sunshine,” in what was the longest<\/span>
\n Earth-to-space wake-up call, clocking in at nearly 14 minutes.<\/span><\/p>\n

7\/5\/2005 \u2022Lift Every Voice and Sing’\u2022 by the New Galveston Chorale played for Mission Specialist<\/span>
\n Stephanie Wilson.<\/span><\/p>\n

7\/6\/2006 \u2022Daniel\u2022 by Elton John played for Mission Specialist Thomas Reiter in honor of his son.<\/span><\/p>\n

7\/7\/2006 \u2022Good Day Sunshine\u2022 by the Beatles played for Mission Specialist Lisa Nowak.<\/span><\/p>\n

7\/8\/2006 \u2022God of Wonders\u2022 by Mark Byrd and Steve Hindalong played for Mission Specialist Mike<\/span>
\n Fossum. Selected by his family.<\/span><\/p>\n

7\/9\/2006 \u2022I Had a Dream\u2022 by ABBA for Shuttle Pilot Mark Kelly. Requested by his<\/span>
\n daughters, Claire and Claudia. Mark had a dream as a young boy– he<\/span>
\n wanted to go to space and float with the stars. So, on the sixth day of the<\/span>
\n mission, he was coaxed from his sleeping bag on the ceiling by the music of<\/span>
\n ABBA. He responded by saying: “Sometimes it is like a dream up here.<\/span>
\n Floating is a big part of that. The view outside the window is incredible<\/span>
\n right now. I’m not sure what we’re over, but we can see land down there.”<\/span><\/p>\n

7\/10\/2006 \u2022Clocks\u2022 by Coldplay for Mission Specialist Piers Sellers. Requested by his family.<\/span><\/p>\n

7\/11\/2006 \u2022All Star\u2022 by Smashmouth for Mission Specialist Lisa Nowak. Requested by her family.<\/span><\/p>\n

7\/12\/2006 \u2022I Believe I Can Fly\u2022 by R. Kelly for Mission Specialist Stephanie Wilson.<\/span><\/p>\n

7\/13\/2006 Theme from the television show \u2022Charlies Angels\u2022 for the entire STS-121 crew from their<\/span>
\n training team.<\/span><\/p>\n

7\/14\/2006 \u2022Aggie War Hymn\u2022 by the The Fightin’ Texas Aggie Band for Mission<\/span>
\n Specialist Mike Fossum, a graduate of Texas A&M University. According<\/span>
\n to Mission Control, the selection was sent by Fossum’s wife. He is the first<\/span>
\n Texas A&M graduate in space .<\/span><\/p>\n

“You know Mike, there are quite a few Aggies right here in Mission<\/span>
\n Control, and all throughout Texas, who have been watching you intently<\/span>
\n during this mission,” said astronaut Steve Swanson from Mission Control in<\/span>
\n Houston. “I think we can say the eyes of Texas are upon you.”<\/span><\/p>\n

7\/15\/2006 \u2022Beautiful Day\u2022 by U2 for Pilot Mark Kelly, on undocking day.<\/span><\/p>\n

7\/16\/2006 \u2022Just Like Heaven\u2022 by The Cure for Mission Specialist Piers Sellers. It was requested by his<\/span>
\n family.<\/span><\/p>\n

7\/17\/2006 \u2022The Astronaut\u2022 by Something Corporate for Commander Steve Lindsey.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-121\/html\/ndxpage1.html<\/span><\/p>\n

STS-115 September 9 \u201321, 2006<\/span><\/p>\n

9\/10\/2006 “Moon River,” by Audrey Hepburn, for Brent Jett, at request of commander<\/span>
\n Jett’s wife. “It really is a beautiful day up here,” Jett said after the wake-up<\/span>
\n greeting. “We’re awake and ready to get to work with the inspection.”<\/span><\/p>\n

9\/11\/2006 A solo cello performance for Mission Specialist Dan Burbank.<\/span><\/p>\n

9\/12\/2006 “My Friendly Epistle,” a Ukrainian song by Taras Shevchenko. It was<\/span>
\n played for Heide Stefanyshyn-Piper.<\/span><\/p>\n

9\/13\/2006 \u2022Takin’ Care of Business\u2022 by Bachman-Turner Overdrive for<\/span>
\n MissionSpecialist Steve MacLean.<\/span><\/p>\n

9\/14\/2006 “Wipe Out” by the Surfaris for Pilot Chris Ferguson.<\/span><\/p>\n

9\/15\/2006 “Hotel California” by the Eagles for Mission Specialist Joe Tanner.<\/span><\/p>\n

9\/16\/2006 “Twelve Volt Man” by Jimmy Buffett for Mission Specialist Dan Burbank.<\/span><\/p>\n

9\/17\/2006 “Danger Zone” by Kenny Loggins for Pilot Chris Ferguson.<\/span><\/p>\n

9\/18\/2006 “Rocky Mountain High” by John Denver for Mission Specialist Joe Tanner.<\/span><\/p>\n

9\/19\/2006 “Ne Partez Pas Sans Moi” (Don’t Leave Without Me) by Celine Dion for Mission Specialist<\/span>
\n Steve MacLean.<\/span>
\n 9\/20\/2006 “Beautiful Day” by U2 for Mission Specialist Heidemarie Stefanyshyn-Piper.<\/span><\/p>\n

9\/21\/2006 “WWOZ” by Better Than Ezra for Commander Brent Jett.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-115\/html\/ndxpage1.html<\/span><\/p>\n

STS-116 December 9 \u201322, 2006<\/span><\/p>\n

12\/10\/2006 \u2022Here Comes the Sun\u2022 by the Beatles for Mark Polansky.<\/span><\/p>\n

12\/11\/2006 “Beep Beep,” performed by Louis Prima for Sunita Williams.<\/span><\/p>\n

12\/12\/2006 \u2022Waterloo,\u2022 performed by ABBA for Christer Fuglesang who is from Sweden. \u2022Nice music<\/span>
\n this morning,\u2022 Fuglesang said from the Quest airlock, where he spent the night preparing for<\/span>
\n the spacewalk with Curbeam.<\/span><\/p>\n

12\/13\/2006 \u2022Suavemente,\u2022 performed by Elvis Crespo, played for Joan Higginbotham.<\/span><\/p>\n

12\/14\/2006 \u2022Under Pressure,\u2022 performed by Queen for Robert Curbeam.<\/span><\/p>\n

12\/15\/2006 “Low Rider,” performed by War, and played for William Oefelein.<\/span><\/p>\n

12\/16\/2006 Aaron Copeland\u2018s \u2022Fanfare for the Common Man,\u2022 performed by the London Philharmonic<\/span>
\n Orchestra. The music was played for Nicholas Patrick.<\/span><\/p>\n

12\/17\/2006 \u2022Beautiful Blue Danube” performed by the Vienna Philharmonic Orchestra for Christer<\/span>
\n Fuglesang.<\/span><\/p>\n

12\/18\/2006 \u2022Good Vibrations,\u2022 performed by the Beach Boys for the entire crew in honor of the<\/span>
\n vibrations the spacewalkers may create today to attempt to free the balky solar panels.<\/span><\/p>\n

12\/19\/2006 \u2022The Zamboni Song,\u2022 performed by the Gear Daddies. The song, dedicated to the entire crew,<\/span>
\n was requested by the training team who sent a message to Oefelein saying they had arranged<\/span>
\n for him to fly the shuttle half a lap around the station.<\/span><\/p>\n

12\/20\/2006 \u2022Say You\u2018ll be Mine,\u2022 performed by Christopher Cross for Thomas Reiter.<\/span><\/p>\n

12\/21\/2006 \u2022The Road Less Traveled,\u2022 performed by Joe Sample for Higginbotham.<\/span><\/p>\n

12\/22\/2006 \u2022Home for the Holidays,\u2022 sung by Perry Como for the crew, requested by the Mission Control<\/span>
\n Center.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-116\/html\/ndxpage1.html<\/span><\/p>\n

STS-117 June 8-22, 2007<\/span><\/p>\n

6\/9\/2007 \u2022Big Boy Toys\u2022 by Aaron Tippin, sounded on board the orbiter at 9:10 a.m. CDT, played for<\/span>
\n Commander Rick Sturckow.<\/span><\/p>\n

6\/10\/2007 \u2022Riding the Sky,\u2022 written and performed by Johnson Space Center employees David<\/span>
\n Kelldorf and Brad Loveall for Mission Specialist Clayton Anderson in honor of his move to<\/span>
\n the space station.<\/span><\/p>\n

6\/11\/2007 \u2022It Probably Always Will\u2022 by the Ozark Mountain Daredevils, played for Mission Specialist<\/span>
\n Steven Swanson.<\/span><\/p>\n

6\/12\/2007 \u2022What a Wonderful World\u2022 by Louis Armstrong, played for Mission Specialist Danny Olivas.<\/span><\/p>\n

6\/13\/2007 \u2022Questions 67 and 68\u2022 by Chicago, played for Pilot Lee Archambault.<\/span><\/p>\n

6\/14\/2007 \u2022Indescribable\u2022 by Chris Tomlin for Mission Specialist Patrick Forrester.<\/span><\/p>\n

6\/15\/2007 \u2022Radar Love\u2022 by Golden Earring, played for Mission Specialist Steve Swanson.<\/span><\/p>\n

6\/16\/2007 University of Texas at El Paso Fight Song, performed by the UTEP Pep Band, was played for<\/span>
\n Mission Specialist (and UTEP alumnus) John \u2022Danny\u2022 Olivas at 7:38 a.m. CDT.<\/span><\/p>\n

6\/17\/2007 Theme song from \u2022Band of Brothers,\u2022 played for Mission Specialist Jim Reilly.<\/span><\/p>\n

6\/18\/2007 \u2022Redeemer\u2022 by Nicole C. Mullen, played for Mission Specialist Patrick Forrester.<\/span><\/p>\n

6\/19\/2007 \u2022Feelin\u2018 Stronger Every Day\u2022 by Chicago, played for Pilot Lee Archambault.<\/span><\/p>\n

6\/20\/2007 \u2022If I Had $1000000\u2022 by Barenaked Ladies, played for Mission Specialist Suni Williams.<\/span><\/p>\n

6\/21\/2007 \u2022Makin\u2018 Good Time Coming Home\u2022 by John Arthur Martinez, was played for Commander<\/span>
\n Rick Sturckow and Mission Specialist Jim Reilly.<\/span><\/p>\n

6\/22\/2007 \u2022The Marines\u2018 Hymn,\u2022 was played for the mission commander, Col. Rick Sturckow, USMC.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-117\/html\/ndxpage1.html<\/span><\/p>\n

STS-118 August 8-21, 2007<\/span><\/p>\n

8\/9\/2007 \u2022Where My Heart Will Take Me,\u2022 performed by Russell Watson. It was played for Mission<\/span>
\n Specialist Rick Mastracchio.<\/span>
\n 8\/10\/2007 \u2022Mr. Blue Sky,\u2022 performed by Electric Light Orchestra. It was played for Commander Scott<\/span>
\n Kelly.<\/span><\/p>\n

8\/11\/2007 \u2022Gravity,\u2022 performed by John Mayer. It was played for Pilot Charles Hobaugh.<\/span><\/p>\n

8\/12\/2007 \u2022Up!\u2022 performed by Shania Twain. It was played for Mission Specialist Dave Williams.<\/span><\/p>\n

8\/13\/2007 \u2022Outta Space\u2022 performed by Billy Preston. It was played for Mission Specialist Alvin Drew.<\/span><\/p>\n

8\/14\/2007 \u2022Happy Birthday Tracy,\u2022 performed by children in an extended day care<\/span>
\n program run by Tracy Caldwell’s mother, Mary Ellen Caldwell, at the<\/span>
\n Beaumont Cherry Valley Recreation and Park District’s Noble Creek<\/span>
\n Community Center.in recognition of the day\u2018s significance. “Thank you<\/span>
\n very much. This is one of the best places I could think of to spend my<\/span>
\n birthday,” Tracy said after hearing the pre-recorded greeting.<\/span><\/p>\n

8\/15\/2007 \u2022Good Morning World.\u2022 It was written and performed by Mission Specialist Barbara<\/span>
\n Morgan\u2018s son Adam.<\/span><\/p>\n

8\/16\/2007 \u2022Times Like These\u2022 by the Foo Fighters. It was for Mission Specialist Rick Mastracchio.<\/span><\/p>\n

8\/17\/2007 \u2022Black Horse and the Cherry Tree,\u2022 performed by KT Tunstall, for Mission Specialist Tracy<\/span>
\n Caldwell.<\/span><\/p>\n

8\/18\/2007 \u2022Learn to Fly,\u2022 performed by the Foo Fighters. It was played for Mission Specialist Alvin<\/span>
\n Drew.<\/span><\/p>\n

8\/19\/2007 \u2022Teacher, Teacher,\u2022 performed by .38 Special. It was for Mission Specialist Barbara Morgan.<\/span><\/p>\n

8\/20\/2007 \u2022Flying,\u2022 performed by the Long John Baldry Trio, a Canadian group. It was for Williams, a<\/span>
\n Canadian Space Agency astronaut.<\/span><\/p>\n

8\/21\/2007 \u2022Homeward Bound,\u2022 performed by Simon & Garfunkel. It was for the entire crew.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-118\/html\/ndxpage1.html<\/span><\/p>\n

STS-120 October 23-November 7, 2007<\/span><\/p>\n

10\/24\/2007 \u2022Lord of the Dance,\u2022 performed by John Langstaff, was played for Commander Pam Melroy.<\/span><\/p>\n

10\/25\/2007 \u2022Dancing in the Moonlight\u2022 by King Harvest for astronaut Dan Tani. “It’s moving day for me<\/span>
\n and I can’t wait to settle in my new home,” said Tani.<\/span><\/p>\n

10\/26\/2007 \u2022Rocket Man\u2022 by Elton John, played for Mission Specialist Doug Wheelock on the day he<\/span>
\n performs the first spacewalk of his career.<\/span><\/p>\n

10\/27\/2007 \u2022Bellissime Stelle\u2022 (Beautiful Stars) by Andrea Bocelli was played for European Space<\/span>
\n Agency astronaut Paolo Nespoli of Italy, the country where the new node, Harmony, was<\/span>
\n built.<\/span><\/p>\n

10\/28\/2007 \u2022What a Wonderful World,\u2022 by Louis Armstrong, was played for Mission<\/span>
\n Specialist Scott Parazynski on the day he makes his second spacewalk of<\/span>
\n the mission. “That’s how you start the day in space,” Parazynski said. “I<\/span>
\n can’t think of a more beautiful way to begin the day than hear those words.<\/span>
\n It really describes the view from space.”<\/span><\/p>\n

10\/29\/2007 \u2022One by One\u2022 by Wynton Marsalis, was played for Mission Specialist Stephanie Wilson, one<\/span>
\n of the robot arm operators for this morning\u2018s hand off of the P6 truss element between the<\/span>
\n shuttle and station robot arms.<\/span><\/p>\n

10\/30\/2007 \u2022Malaguena Salerosa\u2022 by Chingon, was played for Pilot George Zamka, who will be<\/span>
\n operating the shuttle robotic arm.<\/span><\/p>\n

10\/31\/2007 \u2022Nel Blu Dipinto di Blu\u2022 by Domenico Modugno, for Mission Specialist Paolo Nespoli. The<\/span>
\n song\u2018s title translates as \u2022In the blue (sky), painted blue;\u2022 it is widely known as \u2022Volare.\u2022<\/span><\/p>\n

11\/1\/2007 \u2022The Lion Sleeps Tonight\u2022 by Robert John. The song was chosen by the<\/span>
\n crew\u2018s training team. “That was a lot of fun,” Discovery commander<\/span>
\n Pamela Melroy said. “That certainly gets you going first thing in the<\/span>
\n morning.”<\/span><\/p>\n

11\/2\/2007 \u2022World\u2022 by Five for Fighting for Mission Specialist Doug Wheelock, who will be performing<\/span>
\n his third spacewalk on Saturday. Wheelock dedicated the song to the ground support team.<\/span>
\n 11\/3\/2007 The crews of Space Shuttle Discovery and the station were awakened this morning at 12:38<\/span>
\n with composer John Williams\u2018 theme song from the original \u2022Star Wars\u2022 movie trilogy. The<\/span>
\n song was played for Parazynski.<\/span><\/p>\n

11\/4\/2007 The crews of Discovery and the International Space Station were awakened<\/span>
\n before the change from daylight to standard time. The crew was roused at<\/span>
\n 1:08 a.m. CDT with the song \u2022The Presence of the Lord,\u2022 written by gospel<\/span>
\n musician Kurt Carr, originally recorded by Byron Cage. Cage\u2018s rendition<\/span>
\n was played for Mission Specialist Stephanie Wilson. Crew member<\/span>
\n Stephanie Wilson says she appreciates the selection. She says being in<\/span>
\n space has made her “very thankful” for the support of family, friends and<\/span>
\n the shuttle ground control team.<\/span><\/p>\n

11\/5\/2007 \u2022Roll Me Away\u2022 by Bob Seger, played for Pilot George Zamka, who will<\/span>
\n be at the controls of Discovery when it undocks from the station. \u2022That\u2018s a<\/span>
\n great song about a road trip and we\u2018ve had a great one, but it\u2018s time to turn<\/span>
\n around and head for home,\u2022astronaut George Zamka said.<\/span><\/p>\n

11\/6\/2007 \u2022Space Truckin\u2018\u2022 by Deep Purple, played for Expedition 15\/16 Flight Engineer and Mission<\/span>
\n Specialist Clay Anderson, who will wrap up a five-month mission to the International Space<\/span>
\n Station when Discovery lands.<\/span><\/p>\n

11\/7\/2007 \u2022Chitty Chitty Bang Bang\u2022 by Sherman and Sherman, was played for Commander Pam<\/span>
\n Melroy.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-120\/html\/ndxpage1.html<\/span><\/p>\n

STS-122 February 7-20, 2008ed by Peter Gabriel, was played for European Space Agency astronaut Leopold 3T.<\/span><\/p>\n

Space Shuttle Atlantis Astronaut Chooses Quincy Jones’ 1969 Recording ‘Walking in<\/span>
\n Space’ as His Wake-Up Music<\/span><\/p>\n

CAPE CANAVERAL, Fla., Dec. 2 \/PRNewswire\/ — When the Space Shuttle Atlantis launches from Cape<\/span>
\n Canaveral, Florida on Thursday, December 6th on its mission to deliver the European Space Agency’s<\/span>
\n Columbus laboratory to the International Space Station, Astronaut Leland Melvin will have in tow a copy<\/span>
\n of Quincy Jones’ 1969 Grammy Award winning recording “Walking in Space,” which he will use as his<\/span>
\n wake-up music during the mission.<\/span>
\n Commented Melvin, “Quincy Jones is someone who I have a great deal of respect and admiration for and I<\/span>
\n couldn’t think of a more appropriate selection to use as my wake-up music.”<\/span>
\n Melvin’s duties on the Shuttle Atlantis mission will be to support three space walks using the robotic arm<\/span>
\n and install the Columbus laboratory from Atlantis’ payload bay to its permanent home on the International<\/span>
\n Space Station.<\/span>
\n Commented Jones, “I am truly honored that Mr. Melvin has chosen one of my pieces of work for this<\/span>
\n momentous occasion. I was inspired to record the ‘Walking in Space’ album in 1969 after Buzz Aldrin told<\/span>
\n me that he had played my arrangement of Frank Sinatra’s ‘Fly Me To The Moon’ during his space flight to<\/span>
\n the moon, so to have it come full circle like this is quite remarkable and very humbling.”<\/span>
\n A jazz-R&B-pop fusion album that helped usher in a new era in R&B music in the early 70’s, “Walking in<\/span>
\n Space” won Jones a Grammy Award for Best Jazz Instrumental Performance By a Large Group. Citing his<\/span>
\n groundbreaking work on “Walking in Space,” in 1998 Time Magazine named Quincy Jones one of the most<\/span>
\n influential jazz musicians of the 20th Century. In January, Jones will receive the nation’s highest jazz honor<\/span>
\n when he is recognized as a Jazz Master by the National Endowment for the Arts.<\/span>
\n SOURCE Quincy Jones<\/span><\/p>\n

Copyright \u00a9 2007 PR Newswire. All rights reserved<\/span><\/p>\n

Lab Secured to Space Station<\/span><\/p>\n

By LIZ AUSTIN PETERSON, Associated Press Writer<\/span>
\n Tue Feb 12, 10:12 AM<\/span><\/p>\n

\u2026The astronauts also participated in a chat with music impresario Quincy Jones and radio talk show host<\/span>
\n Tavis Smiley. Astronaut Leland Melvin, a pianist, carried into orbit a recording of Jones’ 1969 Grammy<\/span>
\n Award-winning “Walking in Space.”<\/span><\/p>\n

Melvin said he believes Jones’ music inspires the kind of creativity that will one day lead astronauts to<\/span>
\n Mars and beyond.<\/span><\/p>\n

“It has something that reaches into your soul and it makes you think,” he said. “It makes you wonder. That’s<\/span>
\n exactly what we need to do.”\u2026<\/span><\/p>\n

Have a listen:<\/span><\/p>\n

http:\/\/history.nasa.gov\/quincy.mp3<\/span><\/p>\n

2\/8\/2008 \u2022The Book of Love\u2022 performed by Peter Gabriel, was played for European<\/span>
\n Space Agency astronaut Leopold Eyharts at 3:45 a.m. CST.<\/span><\/p>\n

2\/9\/2008 \u2022Tishomingo Blues,\u2022 a Spencer Williams composition, is the theme song<\/span>
\n from Garrison Keillor\u2018s radio variety show A Prairie Home Companion<\/span>
\n with lyrics written especially for the show.<\/span><\/p>\n

2\/10\/2008 \u2022Maenner\u2022 by German musician Herbert Groenemeyer for astronaut Hans<\/span>
\n Schlegel. \u2022Maenner\u2022 translated is \u2022Men.\u2022 Groenemeyer is also known for<\/span>
\n his portrayal of Lieutenant Werner in Wolfgang Petersen\u2018s movie Das Boot.<\/span>
\n Schlegel responded: “Thank you very much for this piece of music. It’s a<\/span>
\n German song about the nature of man, it was selected by my dear wife,<\/span>
\n Heike. Greetings to everybody in<\/span><\/p>\n

America, in Europe and in Germany and especially, of course, to my close<\/span>
\n family and my lovely wife, Heike. Thank you very much, Shannon.”<\/span><\/p>\n

2\/11\/2008 \u2022Fly Like an Eagle,\u2022 written by Steve Miller, was played for Mission<\/span>
\n Specialist Leland Melvin on the day he will use the station\u2018s robotic arm to<\/span>
\n lift the Columbus research module from Atlantis\u2018 payload bay.<\/span><\/p>\n

2\/12\/2008 \u2022Dream Come True\u2022 by Jim Brickman, was played for Mission Specialist<\/span>
\n Rex Walheim. “Doing a spacewalk certainly is a dream come true,”<\/span>
\n Walheim radioed down to Mission Control. “But the biggest dream<\/span><\/p>\n

come true is having a wonderful wife Margie and my two great little boys<\/span>
\n Alex and Jeffie.”<\/span><\/p>\n

2\/13\/2008 \u2022Oysters and Pearls\u2022 by Jimmy Buffett, was played for Pilot Alan<\/span>
\n Poindexter.<\/span><\/p>\n

2\/14\/2008 \u2022Consider Yourself at Home.\u2022 The song, which is from the musical Oliver!,<\/span>
\n was played for Mission Specialist Stanley Love. “That’s a wonderful song,<\/span>
\n thanks so much for sending it,” said Love, 42. He thanked his parents and<\/span>
\n family “and people who may be feeling there’s one fewer Love on Earth this<\/span>
\n Valentine’s Day. But I’d like to assure them that it’s great to be up here, and<\/span>
\n I’ll be home soon.”<\/span><\/p>\n

2\/15\/2008 Drafi Deutscher\u2018s song \u2022Marmor Stein und Eisen Bricht.\u2022 The song\u2018s title<\/span>
\n translates as \u2022Marble Breaks and Iron Bends.\u2022 It was played for Mission<\/span>
\n Specialist Hans Schlegel, a European Space Agency astronaut from<\/span>
\n Germany.<\/span><\/p>\n

2\/16\/2008 \u2022I Believe I Can Fly\u2022 performed by Yolanda Adams and Kenny G and<\/span>
\n played for Mission Specialist Leland Melvin.<\/span><\/p>\n

2\/17\/2008 \u2022Hail Thee, Harvey Mudd,\u2022 the Harvey Mudd College anthem written by<\/span>
\n Amy Lewkowicz for Mission Specialist Stan Love. Love is a 1987 graduate<\/span>
\n of the Claremont, Calif., private math, science and engineering college.<\/span><\/p>\n

2\/18\/2008 \u2022Over the Rainbow\/What a Wonderful World,\u2022 sung by Hawaiian-<\/span>
\n Japanese vocalist Israel Kamakawiwo’ole, accompanied by his<\/span><\/p>\n

ukulele for crew member Dan Tani. The song was chosen for Tani by his<\/span>
\n wife Jane and their two young daughters, Keiko and Lilly. “I can’t wait to<\/span>
\n get back home,” Tani said after hearing the tune. “I’ve had such a wonderful<\/span>
\n time here, but it’s time to get back to my family.”<\/span><\/p>\n

2\/19\/2008 The Spamalot rendition of \u2022Always Look on the Bright Side\u2022 played for<\/span><\/p>\n

Commander Steve Frick.<\/span><\/p>\n

2\/20\/2008 \u2022Hail to the Spirit of Liberty\u2022by John Philip Sousa, for Pilot Alan<\/span>
\n Poindexter.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-122\/html\/ndxpage1.html<\/span><\/p>\n

STS-123 March 11-26, 2008<\/span><\/p>\n

Excerpt from THE ROCK AND ROLL HALL OF FAME GOES TO OUTERSPACE ON<\/span>
\n THE SHUTTLE ATLANTIS<\/span><\/p>\n

D: \u2026 Now I know that once and a while you guys get awakened by music from Earth, who picks it and what was your first choice?<\/span><\/p>\n

G: That\u2019s a good question. It\u2019s true, we have what we call wake up music and each crew member is allotted one or two days, (depending on how long your mission is on the Space Shuttle) for the whole crew to be awakened by that persons music that day. The music is not typically picked by the Astronauts, but by the Astronaut\u2019s family. Sometimes they tell you what they are picking and sometimes they don\u2019t. For me, on my first flight, it was the fourth day of the mission and that was when I was going outside to do a Space walk. It was a big day for me and it was my first Space Walk. My wife picked the music and unbeknown to me it was \u201cSaturday Night\u201d by the Bay City Rollers. The reason she picked that is when I go snowboarding \u2013 at least that season prior to the flight \u2013 I had the tendency to sing that song for myself before I would go into the Terrain Park and jump to try and get my courage up. She figured that would be appropriate to try and get me psyched up and get my courage up to go outside a little S-A-T-U-R-D-A-Y night.<\/span><\/p>\n

May 15, 2010<\/span><\/p>\n

http:\/\/rockhall.com\/blog\/post\/4380_shuttle-atlantis\/<\/span><\/p>\n

3\/11\/2008 \u2022Linus & Lucy\u2022 by Vince Guaraldi Trio. The song, which is from the<\/span>
\n album \u2022Charlie Brown Christmas\u2022 was played for Mission Specialist Mike<\/span>
\n Foreman. “Good morning, Endeavour. And a special good morning to you,<\/span>
\n Mike,” astronaut Al Drew radioed from the Johnson Space Center. “Well<\/span>
\n good morning, Houston, we appreciate that song,” Foreman replied. “We<\/span>
\n had an exciting trip to orbit yesterday morning and we’re looking forward to<\/span>
\n our first full day in orbit.”<\/span><\/p>\n

3\/12\/2008 The wakeup call for the morning was a combination of fight scene music<\/span>
\n from the Japanese movie \u2022Godzilla Versus Space Godzilla\u2022 and the Blue<\/span>
\n Oyster Cult song \u2022Godzilla.\u2022 The songs were played for Japanese Space<\/span>
\n Agency astronaut Takao Doi. “Good morning Endeavour. Doi san, ohayo<\/span>
\n gozaimasu,” said Alvin Drew, shuttle spacecraft communicator, to Japanese<\/span>
\n astronaut Takao Doi from Mission Control here in Houston. “Take on today<\/span>
\n like a monster.” “We are very happy to hear Godzilla,” Doi responded. “We<\/span>
\n are ready to go and we’ll have a great time today docking with the space<\/span>
\n station.”<\/span><\/p>\n

3\/13\/2008 \u2022Saturday Night\u2022 by Bay City Rollers, was played for the station\u2018s newest<\/span>
\n crew member, Flight Engineer Garrett Reisman. “Just want to say that the<\/span>
\n song was an outstanding selection. Thank you very much,” said Reisman,<\/span>
\n who flew up aboard Endeavour and replaced European Space Agency<\/span>
\n astronaut Leopold Eyharts as outpost Flight Engineer 2. “We’re all pumped<\/span>
\n up, and we’re ready to go out the hatch, and doing it all and having a ball in<\/span>
\n space on Saturday night!”<\/span><\/p>\n

3\/14\/2008 \u2022Turn! Turn! Turn! (To Everything There is a Season)\u2022 by The Byrds. The<\/span>
\n song was played for Mission Specialist Rick Linnehan.<\/span><\/p>\n

3\/15\/2008 \u2022We\u2018re Going to be Friends\u2022 by the White Stripes. The song was played for<\/span>
\n Mission Specialist Robert L. Behnken. “Thanks for that, Al,” Robert<\/span>
\n Behnken replied. “Good morning to you as well, and thanks for that great<\/span>
\n wakeup music, that’s one of my favorite songs. It always reminds me of all<\/span>
\n the great friends that I’ve met going to different schools, or through different<\/span>
\n training, just like the shuttle crew I’m with right now. Thanks again, Al, and<\/span>
\n a great good morning to you.” “You bet. Have a fine day out there.”<\/span><\/p>\n

3\/16\/2008 \u2022God of Wonders\u2022 by \u2022Caedmon\u2018s Call\u2022. The song was played for<\/span>
\n Endeavour\u2018s commander, Dominic Gorie.<\/span><\/p>\n

3\/17\/2008 \u2022Sharing the World,\u2022 a song written by Pilot Gregory H. Johnson\u2018s brother.<\/span><\/p>\n

3\/18\/2008 Ayaka Hirahara\u2018s \u2022Hoshi Tsumugi no Uta\u2022, a Japanese song that translates<\/span>
\n to \u2022Song of Spinning Stars\u2022. The song was played for Mission Specialist<\/span>
\n Takao Doi, a Japan Aerospace Exploration Agency astronaut.<\/span><\/p>\n

3\/19\/2008 \u2022Burning Love\u2022 by Elvis Presley, played for Mission Specialist Mike<\/span>
\n Foreman.<\/span><\/p>\n

3\/20\/2008 \u2022Blue Sky\u2022 by Big Head Todd and the Monsters, was played for Mission<\/span>
\n Specialist Rick Linnehan, who will serve as the spacewalk coordinator for<\/span>
\n today\u2018s 6.5-hour-long excursion by Mission Specialists Robert L. Behnken<\/span>
\n and Mike Foreman.<\/span><\/p>\n

3\/21\/2008 \u2022Enter Sandman\u2022performed by Metallica. The song was played for Mission<\/span>
\n Specialist Robert L. Behnken.<\/span><\/p>\n

3\/22\/2008 Heartland\u2018s I Loved Her First\u2022. The song was played for Endeavour<\/span>
\n Commander Dominic Gorie.<\/span><\/p>\n

3\/23\/2008 Newsboys song, \u2022I am Free.\u2022 The song was played for Mission Specialist<\/span>
\n Mike Foreman and performed by the Friendswood United Methodist<\/span>
\n Church Praise Team at his church. “Good morning, Endeavour and Happy<\/span>
\n Easter to you Mike,” NASA astronaut Alvin Drew radioed up from Mission<\/span>
\n Control. “Good morning, Houston and thanks Alvin, that’s one of my<\/span>
\n favorite songs from church,” Foreman said. “That was awesome, and how<\/span>
\n appropriate for this special day. It sounds just as good up here as it does<\/span>
\n down there. Happy Easter.” Drew wished the rest of Endeavour’s astronauts<\/span>
\n a Happy Easter as well, though they were busy at the time. “They’re<\/span>
\n probably searching for their eggs,” Foreman said.<\/span><\/p>\n

3\/24\/2008 \u2022Furusato,\u2022 a Japanese folksong that translates to \u2022home\u2022 in<\/span><\/p>\n

English. The song was performed by Yuko Doi, and played for Japan<\/span><\/p>\n

Aerospace Exploration Agency astronaut Takao Doi.<\/span><\/p>\n

3\/25\/2008 \u2022Con Te Partiro\u2022 an Italian song that translates to \u2022I will go with you.\u2022<\/span><\/p>\n

The song was performed by Andrea Bocelli and played for French<\/span><\/p>\n

astronaut Leopold Eyharts. “I’d like to see everybody back on Earth,”<\/span>
\n Eyharts told flight controllers. “Thanks a lot for the music and see you very<\/span>
\n soon.”<\/span><\/p>\n

3\/26\/2008 \u2022Drops of Jupiter” by Train was played for Pilot Gregory H. Johnson.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-123\/html\/ndxpage1.html<\/span><\/p>\n

STS-124 June 1-14 , 2008<\/span><\/p>\n

As Ariz. Congresswoman Watches, Husband Heads Into Orbit (AZREP)<\/span><\/p>\n

By John Faherty<\/span><\/p>\n

Arizona Republic, June 1, 2008<\/span><\/p>\n

\u2026This will be [Space Shuttle Discovery Commander Mark] Kelly’s third flight into space. On his<\/span>
\n second mission, in July 2006, when he piloted the space shuttle Discovery, Kelly and [Gabrielle] Giffords [U.S. representative from Arizona’s 8th Congressional District] were dating but not yet engaged. During shuttle flights, the close friends and family of astronauts are allowed to choose the music that will wake the pilots from sleep in space.<\/span><\/p>\n

In 2006, Giffords chose Beautiful Day. “I’m a big U2 fan, and he likes the band as well,” Giffords<\/span>
\n said. That morning the music was a surprise, but marriages seemingly change everything. For this flight, Giffords has selected songs to wake the crew on two days. \u2022Crystal Frontier\u2022 by the <\/span>
\n Tucson-based band Calexico and the reveille, the bugle call used to wake students at the U.S.<\/span><\/p>\n

Merchant Marine Academy, where Kelly went to college.<\/span><\/p>\n

He already knows what will be playing this time. “After you are married, it’s hard to keep a<\/span>
\n secret,” Giffords said with a laugh. “He didn’t know about U2, but he knows this.” \u2026<\/span><\/p>\n

6\/1\/2008 \u2022Your Wildest Dreams\u2022 by the Moody Blues. The song was played for<\/span>
\n Pilot Ken Ham.<\/span><\/p>\n

6\/2\/2008 \u2022Away from Home\u2022performed by Jose Molina Serrano. The song was<\/span>
\n played for Mission Specialist Greg Chamitoff.<\/span><\/p>\n

6\/3\/2008 \u2022Hold Me with the Robot Arm\u2022 performed by Yusuke Hanawa. The song<\/span>
\n was played for Japan Aerospace Exploration Agency astronaut Aki<\/span>
\n Hoshide.<\/span><\/p>\n

6\/4\/2008 \u2022Have You Ever\u2022 performed by Brandi Carlile. The song was played for<\/span>
\n Mission Specialist Karen Nyberg.<\/span><\/p>\n

6\/5\/2008 \u2022Fly Away\u2022 by Lenny Kravitz was played for Mission Specialist Ron<\/span>
\n Garan.<\/span><\/p>\n

6\/6\/2008 \u2022Bright as Yellow\u2022 by Innocence Mission was played for Mission<\/span>
\n Specialist Karen Nyberg.<\/span><\/p>\n

6\/7\/2008 \u2022Taking Off” by Godaigo was played for Mission Specialist Akihiko<\/span>
\n Hoshide.<\/span><\/p>\n

6\/8\/2008 The theme music from \u2022The Mickey Mouse Club\u2022 was played for the STS-<\/span>
\n 124 crew.<\/span><\/p>\n

6\/9\/2008 \u2022The Spirit of Aggieland\u2022 performed by the Fightin\u2018 Texas Aggie Band<\/span>
\n was played for Mission Specialist Mike Fossum.<\/span><\/p>\n

6\/10\/2008 \u2022All Because of You” by U2 was played for Mission Specialist Ron Garan.<\/span><\/p>\n

6\/11\/2008 \u2022Centerfield\u2022 by John Fogerty was played for Pilot Ken Ham.<\/span><\/p>\n

Mission Control here roused the astronauts early Wednesday with the song<\/span>
\n “Centerfield” by John Fogerty, a tune selected for Ham by his wife<\/span>
\n Michelle. “Girl, you are my home, and all of us are going to start our<\/span>
\n journey home today,” Ham told his wife via Mission Control as the shuttle<\/span>
\n and space station zipped around the planet at 17,500 mph (28,163 kph).<\/span>
\n “From my rough calculations, that’s about a million miles, but we’re going<\/span>
\n really fast so we’re on our way.”<\/span><\/p>\n

6\/12\/2008 \u2022Crystal Frontier\u2022 by Calexico was played for Commander Mark Kelly.<\/span><\/p>\n

6\/13\/2008 \u2022Baby, Won’t You Please Come Home\u2022 performed by Louis Prima and<\/span>
\n Keely Smith, selected by Mr. Reisman\u2018s wife, was played for Mission<\/span>
\n Specialist Garrett Reisman. Mr. Reisman thanked the people on the ground<\/span>
\n for the song, and said \u2022A special good morning to Simone, my favorite<\/span>
\n earthling.\u2022 He added, \u2022Get ready, doll face: Discovery\u2018s coming home.\u2022<\/span><\/p>\n

6\/14\/2008 \u2022Life on an Ocean Wave\u2022 performed by the U.S. Merchant Marine<\/span>
\n Academy Band was played for Commander Mark Kelly and the entire crew.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-124\/html\/ndxpage1.html<\/span><\/p>\n

STS-126 November 14-30, 2008<\/span><\/p>\n

11\/15\/2008 \u2022Shelter\u2022 by Xavier Rudd. It was played for Commander Christopher<\/span>
\n Ferguson.<\/span><\/p>\n

11\/16\/2008 \u2022Start Me Up\u2022 by the Rolling Stones. It was played for Mission Specialist<\/span>
\n Sandra Magnus. \u2022I want to thank my family for that music and I\u2018m looking<\/span>
\n forward to moving into my new home today,\u2022 Magnus radioed down to<\/span>
\n Mission Control in Houston.<\/span><\/p>\n

11\/17\/2008 \u2022London Calling\u2022 performed by The Clash. It was played for Mission<\/span>
\n Specialist Steven Bowen.<\/span><\/p>\n

11\/18\/2008 \u2022City of Blinding Lights\u2022 by U2. It was played for Mission Specialist Shane<\/span>
\n Kimbrough.<\/span><\/p>\n

11\/19\/2008 \u2022Fanfare for the Common Man\u2022by Aaron Copeland. It was played for Pilot<\/span>
\n Eric Boe.<\/span><\/p>\n

11\/20\/2008 \u2022Summertime\u2022 played for Mission Specialist Donald Pettit. It was recorded<\/span>
\n by Bandella. Members of that group include singer Michi Pettit, Don<\/span>
\n Pettit\u2018s wife, and astronauts Steve Robinson, Chris Hadfield and Cady<\/span>
\n Coleman.<\/span><\/p>\n

11\/21\/2008 The music was for Mission Specialist Heidemarie Stefanyshyn-Piper. The<\/span>
\n song was in the Ukrainian language, which she learned as a child. It was<\/span>
\n \u2022Unharness Your Horses, Boys,\u2022 a traditional song about Cossacks<\/span>
\n performed by The Ukrainians.<\/span><\/p>\n

11\/22\/2008 \u2022You Are Here\u2022 by the group Dutton. It was played for Kimbrough.<\/span><\/p>\n

11\/23\/2008 \u2022Can\u2018t Take My Eyes Off of You\u2022 performed by Frankie Valli. It was for<\/span>
\n Ferguson. It was his 23rd wedding anniversary.<\/span><\/p>\n

11\/24\/2008 \u2022Can\u2018t Stop Loving You\u2022 by Van Halen was played for Mission Specialist<\/span>
\n Heidemarie Stefanyshyn-Piper.<\/span><\/p>\n

11\/25\/2008 \u2022Fever\u2022 by Bandella was played for Mission Specialist Donald Pettit and<\/span>
\n sung by his wife.<\/span><\/p>\n

11\/26\/2008 \u2022North Sea Oil\u2022 by Jethro Tull was played for Mission Specialist Steve<\/span>
\n Bowen.<\/span><\/p>\n

11\/27\/2008 \u2022Hold on Tight\u2022 by Electric Light Orchestra was played for Mission<\/span>
\n Specialist Heidemarie Stefanyshyn-Piper.<\/span><\/p>\n

11\/28\/2008 \u2022In the Meantime\u2022 by Spacehog was played for Pilot Eric Boe.<\/span><\/p>\n

11\/29\/2008 \u2022Twinkle, Twinkle, Little Star\u2022 was played for Mission Specialist Greg<\/span>
\n Chamitoff.<\/span><\/p>\n

11\/30\/2008 The Rocky Theme, \u2022Gonna Fly Now\u2022, performed by Bill Conti. It was for<\/span>
\n Ferguson.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-126\/html\/ndxpage1.html<\/span><\/p>\n

STS-119 March 15-28, 2009<\/span><\/p>\n

3\/16\/2009 \u2022Free Bird\u2022 by Lynyrd Skynyrd, played for Pilot Tony Antonelli.<\/span><\/p>\n

3\/17\/2009 \u2022Radio Exercise,\u2022 performed by the Tokyo Broadcast Children\u2018s Choir. The song<\/span>
\n traditionally accompanies exercise for Japanese schoolchildren, and was played for astronaut<\/span>
\n Koichi Wakata of the Japan Aerospace Exploration Agency.<\/span><\/p>\n

3\/18\/2009 \u2022I Walk the Line\u2022 by Johnny Cash, was played for Steve Swanson.<\/span><\/p>\n

3\/19\/2009 \u2022Que Bandera Bonita\u2022 by Jose Gonzalez, played for Mission Specialist Joseph Acaba.<\/span><\/p>\n

3\/20\/2009 \u2022Box of Rain\u2022 by the Grateful Dead, was played for Mission Specialist John Phillips.<\/span><\/p>\n

3\/21\/2009 \u2022In a Little While\u2022 performed by the group Pilgrim and Trout for Mission Specialist Richard<\/span>
\n Arnold.<\/span><\/p>\n

3\/22\/2009 \u2022Alive Again\u2022 by Chicago, played for Chicago-area native Commander Lee Archambault.<\/span><\/p>\n

3\/23\/2009 \u2022Ain\u2018t Nobody Here But Us Chickens\u2022 by Louis Jordan. It was played for Swanson.<\/span><\/p>\n

3\/24\/2009 \u2022Andrew\u2018s Song\u2022 by Treestump, a band in which John Phillips\u2018 daughter plays.<\/span><\/p>\n

3\/25\/2009 \u2022Dirty Water\u2022 by the Standells, played for Pilot Tony Antonelli.<\/span><\/p>\n

3\/26\/2009 \u2022Enter Sandman\u2022 by Metallica, played for Mission Specialist Joseph Acaba.<\/span>
\n 3\/27\/2009 “Bright Side of the Road” by Van Morrison, was played for Mission Specialist Richard<\/span>
\n Arnold.<\/span><\/p>\n

3\/28\/2009 \u2022I Have a Dream\u2022 by ABBA. The song was played for Sandy Magnus.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-119\/html\/ndxpage1.html<\/span><\/p>\n

STS-125 May 11-24, 2009<\/span><\/p>\n

5\/12\/2009 \u2022Kryptonite\u2022 performed by 3 Doors Down. It was played for pilot Greg Johnson.<\/span><\/p>\n

5\/13\/2009 \u2022Upside Down\u2022 by Jack Johnson at 4:01 a.m. CDT. The song was played for Megan<\/span>
\n McArthur.<\/span><\/p>\n

5\/14\/2009 \u2022Stickshifts and Safetybelts\u2022 performed by Cake. It was played for Drew Feustel.<\/span><\/p>\n

5\/15\/2009 \u2022God of Wonders.\u2022 It was played for Mike Good.<\/span><\/p>\n

5\/16\/2009 \u2022Hotel Cepollina\u2022 performed by Fuzzbox Piranha. The song was played for John Grunsfeld.<\/span><\/p>\n

5\/17\/2009 \u2022New York State of Mind\u2022 performed by Billy Joel. The song was played for Mission<\/span>
\n Specialist Mike Massimino.<\/span><\/p>\n

5\/18\/2009 \u2022Sound of Your Voice\u2022 performed by Barenaked Ladies. It was played for Commander Scott Altman.<\/span><\/p>\n

5\/19\/2009 \u2022Lie in Our Graves\u2022 performed by the Dave Matthews Band. It was played<\/span>
\n for Mission Specialist Megan McArthur.<\/span><\/p>\n

5\/20\/2009 Theme from the television series \u2022Star Trek,\u2022 which was composed by<\/span>
\n Alexander Courage. The song was played for the entire crew.<\/span><\/p>\n

5\/21\/2009 \u2022Cantina Band,\u2022 one of composer John Williams\u2018 songs from the<\/span>
\n soundtrack to \u2022Star Wars.\u2022 The song was played for the entire crew.<\/span><\/p>\n

5\/22\/2009 \u2022The Galaxy Song\u2022 from \u2022Monty Python\u2018s The Meaning of Life.\u2022 It was<\/span>
\n played for the entire crew.<\/span><\/p>\n

5\/23\/2009 \u2022Where My Heart Will Take Me\u2022 performed by Russell Watson. It was<\/span>
\n played for the entire crew.<\/span><\/p>\n

5\/24\/2009 \u2022The Ride of the Valkyries,\u2022 composed by Richard Wagner. It was played<\/span>
\n for the entire crew.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-125\/html\/ndxpage1.html<\/span><\/p>\n

STS-127 July 15-31, 2009<\/span><\/p>\n

7\/16\/2009 \u2022These Are Days\u2022 by the band 10,000 Maniacs emanated from speakers inside Endeavour\u2018s<\/span>
\n crew cabin, a wake-up call targeted especially for Mission Specialist Tim Kopra.<\/span><\/p>\n

7\/17\/2009 \u2022Here Comes the Sun\u2022 by The Beatles, was chosen for Commander Mark Polansky.<\/span><\/p>\n

7\/18\/2009 \u2022Home,\u2022 by Marc Broussard, played for lead spacewalker Dave Wolf, who heard the call<\/span>
\n while camped out in the Quest airlock with Tim Kopra, the newest addition to the Expedition<\/span>
\n 20 crew.<\/span><\/p>\n

7\/19\/2009 \u2022Learning to Fly,\u2022 by Tom Petty and the Heartbreakers, for former Navy SEAL Chris<\/span>
\n Cassidy, who is making his first space flight aboard the space shuttle Endeavour .<\/span><\/p>\n

7\/20\/2009 The theme from the 1960s television series \u2022Thunderbirds,\u2022 by composer Barry Gray, for<\/span>
\n Canadian Space Agency astronaut Julie Payette.<\/span><\/p>\n

7\/21\/2009 \u2022Life Is a Highway,\u2022 performed by Rascal Flatts. The tune was played for Tom Marshburn,<\/span>
\n who completed his first spacewalk Monday.<\/span><\/p>\n

7\/22\/2009 \u2022Santa Monica,\u2022 performed by Everclear, for Endeavour\u2018s pilot, Doug Hurley.<\/span><\/p>\n

7\/23\/2009 \u2022Tiny Dancer,\u2022 performed by Elton John. The song was selected for Polansky.<\/span><\/p>\n

7\/24\/2009 Pink Floyd\u2018s \u2022Wish You Were Here,\u2022 offered up for lead spacewalker Dave Wolf.<\/span><\/p>\n

7\/25\/2009 \u2022In Your Eyes,\u2022 by Peter Gabriel was selected for Tom Marshburn, who completed his<\/span>
\n second spacewalk on Friday with Chris Cassidy.<\/span><\/p>\n

7\/26\/2009 George Frederic Handel\u2018s \u2022Dixit Dominus.\u2022 The excerpt was uplinked for Canadian Space<\/span>
\n Agency astronaut Julie Payette.<\/span><\/p>\n

7\/27\/2009 \u2022On the Sunny Side of the Street,\u2022 performed by Steve Tyrell. The song was uplinked<\/span>
\n especially for Commander Mark Polansky.<\/span>
\n 7\/28\/2009 \u2022Proud to Be an American\u2022 performed by Lee Greenwood. The song was selected for<\/span>
\n spacewalker Chris Cassidy, a former Navy SEAL.<\/span><\/p>\n

7\/29\/2009 \u2022Yellow\u2022 by the band Coldplay, uplinked for Pilot Doug Hurley in honor of his International<\/span>
\n Space Station fly-around.<\/span><\/p>\n

7\/30\/2009 \u2022I Got You Babe,\u2022 performed by Sonny and Cher. The song was a special request for Koichi<\/span>
\n Wakata, the first Japan Aerospace Exploration Agency astronaut to serve as a long-duration<\/span>
\n resident of the station.<\/span><\/p>\n

7\/31\/2009 \u2022Beautiful Day\u2022 by the band U2 was played for Mission Specialist Tom Marshburn.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-127\/html\/ndxpage1.html<\/span><\/p>\n

STS-128 August 28-September 11, 2009<\/span><\/p>\n

8\/29\/2009 \u2022Back in the Saddle Again\u2022 by Gene Autry was played for Commander Rick Sturckow.<\/span><\/p>\n

8\/30\/2009 \u2022Made to Love\u2022 by Toby Mac was played for Mission Specialist Nicole Stott.<\/span><\/p>\n

8\/31\/2009 \u2022Mi Tierra\u2022 by Gloria Estefan was played for Mission Specialist Jose Hernandez.<\/span><\/p>\n

9\/1\/2009 \u2022Indiana, Our Indiana\u2022 performed by the Indiana University Band was played for Pilot<\/span>
\n Kevin Ford, born in Indiana and on his first spaceflight.<\/span><\/p>\n

9\/2\/2009 \u2022What a Wonderful World\u2022 by Louis Armstrong was played for Mission Specialist Christer<\/span>
\n Fuglesang.<\/span><\/p>\n

9\/3\/2009 \u2022There is a God\u2022 by 33 Miles was played for Mission Specialist Patrick Forrester.<\/span><\/p>\n

9\/4\/2009 \u2022What a Wonderful World\u2022 by Louis Armstrong was played for Mission Specialist Danny<\/span><\/p>\n

Olivas.<\/span><\/p>\n

9\/5\/2009 \u2022El Hijo del Pueblo\u2022 by Alfredo Jimenez was played for Mission Specialist Jose Hernandez.<\/span><\/p>\n

9\/6\/2009 \u2022Rocket\u2022 by Andrew Peterson was played for Mission Specialist Pat Forrester.<\/span><\/p>\n

9\/7\/2009 \u2022Only One\u2022 by Jeremy Kay was played for Mission Specialist Danny Olivas.<\/span><\/p>\n

9\/8\/2009 \u2022Beautiful Day\u2022 by U2 was played for Mission Specialist Tim Kopra, the Shuttle\u2018s newest<\/span>
\n crew member.<\/span><\/p>\n

9\/9\/2009 \u2022Sailing\u2022 performed by Rod Stewart was played for Mission Specialist Christer Fuglesang.<\/span><\/p>\n

9\/10\/2009 \u2022Good Day Sunshine\u2022 by the Beatles was played for Pilot Kevin Ford.<\/span><\/p>\n

9\/11\/2009 \u2022Big Boy Toys\u2022 by Aaron Tippin was played for Commander Rick Sturckow.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-128\/html\/ndxpage1.html<\/span><\/p>\n

STS-129 November 16-27, 2009<\/span><\/p>\n

11\/17\/2009 \u2022I Can Only Imagine\u2022 by MercyMe was played for Mission Specialist<\/span>
\n Barry Wilmore, a tune selected by his wife Deanna to mark his first career<\/span>
\n spaceflight.<\/span><\/p>\n

“What a very pleasant song to wake up to, thank you for playing that,” Wilmore radioed<\/span>
\n Mission Control. “Thanks to my wife for selecting it.”<\/span><\/p>\n

11\/18\/2009 \u2022Higher Ground\u2022 by Stevie Wonder was played for Mission Specialist Robert L. Satcher Jr.<\/span><\/p>\n

11\/19\/2009 \u2022In Wonder\u2022 by The Newsboys was played for Mission Specialist Randy<\/span><\/p>\n

Bresnik, a tune chosen for Bresnik by his wife.<\/span><\/p>\n

“Thanks to my wonderful wife Rebecca for that song and the wonder of<\/span>
\n creation that’s going on inside of her and what’s going to happen tomorrow,”<\/span>
\n Bresnik radioed Mission Control.<\/span><\/p>\n

11\/20\/2009 \u2022We Are Family\u2022 by Sister Sledge was played for Mission Specialist Leland Melvin.<\/span><\/p>\n

11\/21\/2009 \u2022Voyage to Atlantis\u2022 by The Isley Brothers was played for Mission Specialist Robert<\/span><\/p>\n

Satcher.<\/span><\/p>\n

11\/22\/2009 \u2022Butterfly Kisses\u2022 by Bob Carlisle was played for Mission Specialist<\/span><\/p>\n

Randy Bresnik. Responding to the wake-up call from Houston, he delivered<\/span>
\n the news that his wife Rebecca had given birth, saying “good morning,<\/span>
\n Houston. Good morning, Rebecca, good morning, Wyatt, and good morning<\/span>
\n to our little girl.”<\/span><\/p>\n

“I just wanted to take this opportunity to report some good news,” he said<\/span>
\n later in the morning. “At 11:04 last night, Abigail Bresnik joined the NASA<\/span>
\n family and momma and baby are doing very well. I’m very thankful for<\/span>
\n everyone … that’s been so supportive and so helpful the last couple of days<\/span>
\n with everything that’s been going on.”<\/span><\/p>\n

The shuttle crew’s wakeup music, chosen by Bresnik’s wife, was a song titled “Butterfly<\/span>
\n Kisses,” which starts off with the lyrics: “There’s two things I know for sure: She was sent<\/span>
\n here from heaven and she’s daddy’s little girl.”<\/span><\/p>\n

11\/23\/2009 \u2022Space Rise\u2022 by Larry Whitehair was played for Mission Specialist Mike Foreman.<\/span><\/p>\n

11\/24\/2009 \u2022Marine Corps Hymn\u2022 performed by the U.S. Marine Corps Band was played for STS-129<\/span>
\n Commander Charlie Hobaugh.<\/span><\/p>\n

11\/25\/2009 \u2022Amazing Grace\u2022 from the 1995 movie \u2022Braveheart,\u2022 performed by Eric Rigler on<\/span>
\n bagpipes, was played for STS-129 Pilot Barry Wilmore.<\/span><\/p>\n

11\/26\/2009 \u2022Fly Me to the Moon\u2022 performed by Frank Sinatra was played for Mission Specialist Nicole<\/span>
\n Stott.<\/span><\/p>\n

11\/27\/2009 \u2022Home Sweet Home\u2022 performed by Motley Crue was played for the entire crew.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-129\/html\/ndxpage1.html<\/span><\/p>\n

STS-130 February 8-21, 2010<\/span><\/p>\n

Brandon Heath Wins Emmy And Has Space Shuttle Encounter (Beliefnet.)<\/span><\/p>\n

By Joanne Brokaw<\/span><\/p>\n

Beliefnet.com (blog), February 11, 2010<\/span><\/p>\n

Brandon Heath recently won a Midsouth Regional Emmy Award for his blockbuster hit “Give Me<\/span>
\n Your Eyes,” which served as the catalyst for Nashville Rescue Mission’s Hunger to Hope 2009<\/span>
\n PSA Campaign, produced by NewsChannel 5’s Jerry L. Walker, WTVF-TV (CBS).<\/span><\/p>\n

Adding to the excitement, the song was chosen by NASA as the 5:14pm CT wake-up call for the<\/span>
\n Endeavour shuttle crew, on their first day in orbit, in honor of first-time flyer Pilot Terry Virts, who<\/span>
\n is a fan of Heath’s music. Virts invited Heath to join his family as a special guest at the launch<\/span>
\n yesterday from NASA’s Kennedy Space Center in Florida. (The video above is what the<\/span>
\n astronauts heard.)<\/span><\/p>\n

Cool, huh?<\/span><\/p>\n

In a press release, Brandon said, “Having my song included in a PSA talking about serving the<\/span>
\n poor was hugely rewarding. The Emmy is a nice statue, loving Nashville’s homeless is<\/span>
\n monumental. I’m especially grateful to WTVF NewsChannel 5, and Jackie Pillers, and to Jerry<\/span>
\n Walker for the idea.”<\/span><\/p>\n

“Give Me Your Eyes” appears on Brandon’s 2008 Grammy-nominated sophomore album, What If We. The album has delivered back-to-back No. 1 singles with “Give Me Your Eyes,” which captured 14 weeks at No.1 on Billboard’s Hot Christian AC radio chart, plus 27 weeks at No. 1 on iTunes Christian Song Chart, with 439,000 total digital downloads. The second single “Wait And See” topped Billboard’s Christian AC Indicator chart in July 2009. The album’s current single “Love Never Fails” moves into Top 20 at Billboard’s AC Monitored this week.<\/span><\/p>\n

2\/8\/2010 \u2022Give Me Your Eyes\u2022 by Brandon Heath, played for Pilot Terry Virts.<\/span><\/p>\n

2\/9\/2010 \u2022Katmandu\u2022 by Bob Seger, was played for Commander George Zamka.<\/span><\/p>\n

2\/10\/2010 \u2022Also Sprach Zarathustra\u2022 by Richard Strauss, played for Mission Specialist<\/span>
\n Nicholas Patrick. The song is most widely known as the theme from the<\/span>
\n movie \u20222001: A Space Odyssey.\u2022<\/span><\/p>\n

2\/11\/2010 \u2022Beautiful Day\u2022 by U2, played for Mission Specialist Kay Hire.<\/span><\/p>\n

2\/12\/2010 The \u2022Firefly\u2022 TV show theme song, \u2022The Ballad of Serenity\u2022 by Sonny<\/span>
\n Rhodes played for Mission Specialist Bob Behnken.<\/span><\/p>\n

2\/13\/2010 \u2022Too Much Stuff\u2022 by Delbert McClinton, played for Mission Specialist<\/span>
\n Stephen Robinson.<\/span><\/p>\n

2\/14\/2010 \u2022Forty Years On\u2022 the Harrow School (London) song, for Harrow alumnus<\/span>
\n Mission Specialist Nicholas Patrick.<\/span><\/p>\n

2\/15\/2010 \u2022Parabola\u2022 performed by Tool for Mission Specialist Robert Behnken.<\/span><\/p>\n

2\/16\/2010 \u2022Window on the World\u2022 by Jimmy Buffett, played for Mission Specialist<\/span>
\n Kathryn Hire. “That song is very appropriate today,” said Endeavour<\/span>
\n mission specialist Kay Hire. “On a day that we’ll be working on opening our<\/span>
\n new window on the world.” “Our wakeup music today on Endeavour was<\/span>
\n Jimmy Buffett’s ‘Window on the World,'” astronaut Steve Robinson<\/span>
\n observed. “I think that came from Kay’s family.”<\/span><\/p>\n

“Ah, lovely,” Patrick replied.<\/span><\/p>\n

2\/17\/2010 \u2022Oh Yeah\u2022 by Johnny A., played for Mission Specialist Stephen Robinson.<\/span><\/p>\n

2\/18\/2010 \u2022I\u2018m Gonna Be (500 Miles)\u2022 by Steven Curtis Chapman played for Pilot<\/span>
\n Terry Virts.<\/span><\/p>\n

2\/19\/2010 \u2022In Wonder\u2022 by Newsboys, played for Pilot Terry Virts.<\/span><\/p>\n

2\/20\/2010 \u2022The Distance\u2022 by Cake, played for all six astronauts from their flight<\/span>
\n control team in the Mission Control Center in Houston.<\/span><\/p>\n

2\/21\/2010 \u2022The Marines\u2018 Hymn\u2022 played for Commander George Zamka, who is a<\/span>
\n colonel in the Marine Corps.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-130\/html\/ndxpage1.html<\/span><\/p>\n

STS-131 April 4-20, 2010<\/span><\/p>\n

4\/5\/2010 \u2022Find Us Faithful\u2022 performed by Steve Green. It was played for veteran<\/span>
\n Mission Specialist Clayton Anderson, who spent 152 days as a member of<\/span>
\n the Station\u2018s Expedition 15 crew in 2007.<\/span><\/p>\n

4\/6\/2010 \u2022I Will Rise\u2022 by Chris Tomlin, was played for Pilot James P. Dutton Jr.<\/span><\/p>\n

4\/7\/2010 \u2022The Pigeon and a Boy\u2022 by Joe Hisaishi, played for Japan Aerospace<\/span>
\n Exploration Agency astronaut Naoko Yamazaki.<\/span><\/p>\n

4\/8\/2010 \u2022Defying Gravity\u2022, from the musical \u2022Wicked\u2022, sung by Idina Menzel and<\/span>
\n Kristen Chenoweth, played for Mission Specialist Dottie Metcalf-<\/span>
\n Lindenburger.<\/span><\/p>\n

4\/9\/2010 \u2022We Weren\u2018t Born to Follow\u2022 by Bon Jovi, played for Mission Specialist<\/span>
\n Rick Mastracchio.<\/span><\/p>\n

4\/10\/2010 \u2022Stairway to the Stars\u2022 by Ella Fitzgerald, played for Mission Specialist<\/span>
\n Stephanie Wilson.<\/span><\/p>\n

4\/11\/2010 \u2022Because We Believe\u2022, by Andrea Bocelli for Commander Alan G.<\/span>
\n Poindexter.<\/span><\/p>\n

4\/12\/2010 “Galileo” by the Indigo Girls for Mission Specialist Dottie Metcalf-<\/span>
\n Lindenburger and the rest of the crew.<\/span><\/p>\n

4\/13\/2010 \u2022Miracle of Flight\u2022 by Mike Hyden, played for Mission Specialist Clayton<\/span>
\n Anderson.<\/span><\/p>\n

4\/14\/2010 \u2022The Earth in the Color of Lapis Lazuli\u2022 by Seiko Matsuda for Naoko<\/span>
\n Yamazaki.<\/span><\/p>\n

4\/15\/2010 \u2022Theme from Stargate\u2022 played for Mission Specialist Rick Mastracchio.<\/span><\/p>\n

4\/16\/2010 \u2022Joy\u2022 performed by the Newsboys selected for Pilot James P. Dutton Jr.<\/span><\/p>\n

4\/17\/2010 \u2022What a Wonderful World\u2022, by Louis Armstrong for Mission Specialist<\/span>
\n Stephanie Wilson.<\/span><\/p>\n

4\/18\/2010 \u2022The Star Spangled Banner\u2022,played for Commander Alan G. Poindexter.<\/span><\/p>\n

4\/19\/2010 \u2022On the Road Again\u2022 by Willie Nelson for the crew.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-131\/html\/ndxpage1.html<\/span><\/p>\n

STS-132 May 14-26, 2010<\/span><\/p>\n

See THE ROCK AND ROLL HALL OF FAME GOES TO OUTERSPACE ON THE<\/span>
\n SHUTTLE ATLANTIS<\/span><\/p>\n

May 15, 2010<\/span><\/p>\n

http:\/\/rockhall.com\/blog\/post\/4380_shuttle-atlantis\/<\/span><\/p>\n

5\/15\/2010 \u2022You\u2018re My Home\u2022 performed by Billy Joel. The song was played for<\/span>
\n Commander Ken Ham.<\/span><\/p>\n

5\/16\/2010 \u2022Sweet Home Alabama\u2022 performed by Lynyrd Skynyrd, was played for<\/span>
\n Tony Antonelli.<\/span><\/p>\n

5\/17\/2010 \u2022Alive Again\u2022 performed by Matt Maher was played for Mike Good.<\/span><\/p>\n

5\/18\/2010 \u2022Macho Man\u2022 performed by The Village People was played for Garrett<\/span>
\n Reisman.<\/span><\/p>\n

5\/19\/2010 \u2022Start Me Up\u2022 by the Rolling Stones was played for Piers Sellers.<\/span><\/p>\n

5\/20\/2010 \u2022Welcome to the Working Week\u2022 by Elvis Costello was played for Stephen<\/span>
\n Bowen.<\/span><\/p>\n

5\/21\/2010 \u2022Traveling Light\u2022 performed by JJ Cale was played for Piers Sellers.<\/span><\/p>\n

5\/22\/2010 \u2022Lord We Have Seen the Rising Sun\u2022 by Matt Redman was played for<\/span>
\n Mission Specialist Mike Good.<\/span><\/p>\n

5\/23\/2010 \u2022These Are Days\u2022 performed by 10,000 Maniacs played for Pilot Tony<\/span>
\n Antonelli.<\/span><\/p>\n

5\/24\/2010 The theme to \u2022Wallace and Gromit\u2022 played for Steve Bowen.<\/span><\/p>\n

5\/25\/2010 \u2022Empire State of Mind\u2022 performed by Jay Z and Alicia Keys was played for<\/span>
\n Garrett Reisman.<\/span><\/p>\n

5\/26\/2010 \u2022Supermassive Black Hole\u2022 performed by Muse was played for Ken Ham.<\/span><\/p>\n

http:\/\/spaceflight.nasa.gov\/gallery\/audio\/shuttle\/sts-132\/html\/ndxpage1.html<\/span><\/p>\n

A Little Flight Music: NASA Contest for Wake-Up Songs Prompts<\/span>
\n Astronauts to Recall Tuneful Highlights<\/span><\/p>\n

From daily wake-up songs to portable music players, music is a big part of life in orbit<\/span><\/p>\n

By John Matson astronaut working out with an iPod<\/span><\/p>\n

SPACE JAMS: Eric Boe, pilot of the STS 126 mission, exercises with a portable music player on<\/span>
\n space shuttle Endeavour in 2008.<\/span>
\n NASA<\/span><\/p>\n

As deejay gigs go this is a short one, but the audience is captive and the venue is very exclusive.<\/span>
\n With a recently announced contest, NASA has opened the door to the public to choose music to<\/span>
\n be played for astronauts during the final two scheduled space shuttle missions. Four winning<\/span>
\n songs will serve as wake-up music on the missions, currently pegged for November and February<\/span>
\n launches.<\/span>
\n Wake-up music is a tradition that, according to a NASA history of the practice, stretches back to<\/span>
\n the Apollo moon program. Ground control pipes a tune up to the spacecraft to rouse the crew<\/span>
\n from their sleep shifts, and often a crew member’s family will choose a song with special meaning<\/span>
\n for their relative. In this case the two wake-up songs will be chosen from a selection of past<\/span>
\n shuttle tunes, and two more will be selected from original, space-themed compositions submitted<\/span>
\n by musicians.<\/span>
\n The contest will probably provide a nice public relations boost for the space agency, but what<\/span>
\n about the astronauts? Does in-flight music even register during the rigors of space travel?<\/span>
\n Apparently it does. Wake-up music provides both a source of camaraderie and a connection to<\/span><\/p>\n

home, according to a few former astronauts, who shared their memories of the practice via e-<\/span>
\n mail.<\/span>
\n “Wake-up music is one of my favorite parts of a mission,” says Pamela Melroy, a veteran of three<\/span>
\n shuttle missions between 2000 and 2007. “The way I was taught by my commanders, and the<\/span>
\n way I ran wake-up music on my flight as a commander, was to know in advance what crew<\/span>
\n member and what song was being played each morning.” That way, she says, there would be no<\/span>
\n question of whose family was waiting for acknowledgment on the ground.<\/span>
\n “I set a small timer right by my head for about two minutes before, and I would gently wake up the<\/span>
\n crew member whose turn it was and make sure they were in place on the flight deck\u2014upstairs\u2014<\/span>
\n in time to hear the music,” Melroy explains. “I would stay up there with them, make sure they<\/span>
\n knew the name of the song if they weren’t sure, and basically be there with them to witness their<\/span>
\n moment. It’s a very fond memory from being a commander\u2014to share those few minutes with<\/span>
\n each crew member and their loving families.”<\/span>
\n One of the most popular wake-up selections through the years has been Louis Armstrong’s “What<\/span>
\n a Wonderful World,” which has appeared on no fewer than 11 shuttle missions, including one<\/span>
\n mission on which it was played twice for two different astronauts. (The song’s late co-composer,<\/span>
\n George David Weiss, died August 23 at the age of 89.) Armstrong’s recording was cued up at<\/span>
\n least three times for Scott Parazynski, who flew on five shuttle missions between 1994 and 2007.<\/span>
\n “‘What a Wonderful World’ was always the perfect accompaniment to the vistas from space,”<\/span>
\n Parazynski says. “My family played it for me on several missions, typically before big EVA days.”<\/span>
\n (Short for extravehicular activity, EVA is NASA-speak for a spacewalk.)<\/span>
\n “My son Luke also dedicated the theme to Star Wars to me before the solar array repair we did<\/span>
\n on STS 120,” a 2007 shuttle mission to the International Space Station, Parazynski adds. That<\/span>
\n was probably Parazynski’s biggest day ever on the job, he says, and “it really made me smile,<\/span>
\n and put me in the perfect state of mind to go face the challenge.”<\/span>
\n Wake-up music also offers an opportunity for lightheartedness, as was the case on STS 92, a<\/span>
\n 2000 mission to the space station. On the fifth day of the mission, ground control woke the crew<\/span>
\n with “Camelot,” from Monty Python and the Holy Grail. That moment rates as three-time shuttle<\/span>
\n flier Leroy Chiao’s favorite encounter with shuttle music. All during training the crew was quoting<\/span>
\n lines from the film, “and on the day of the first spacewalk it was played for us,” Chiao says. “It set<\/span>
\n the tone for the day, and we had a perfect spacewalk.” Like Satchmo, Monty Python has been<\/span>
\n well represented on shuttle flights\u2014the theme to Monty Python’s Flying Circus television show<\/span><\/p>\n

was played twice, and the U.K. comedy troupe’s “The Galaxy Song” was played once.<\/span>
\n Melroy’s favorite wake-up music memory comes from that same 2000 shuttle mission. “One of<\/span>
\n the movies we loved as a crew was So I Married an Axe Murderer,” she recalls. In one scene the<\/span>
\n father of the main character (both father and son are played by Mike Myers), a caricature of a<\/span>
\n Scotsman who tends his own Scottish Wall of Fame, dances arm-in-arm with his wife to<\/span>
\n “Saturday Night,” a 1970s hit by the Edinburgh pop group the Bay City Rollers. The mission’s<\/span>
\n training team, knowing the astronauts’ affinity for the movie, dedicated the song to the entire crew<\/span>
\n on the 11th day of the mission. “The whole crew crowded up on the flight deck, and Brian Duffy<\/span>
\n [the mission’s commander] and I linked arms and mimicked the dance in the movie, floating<\/span>
\n around in zero g and cracking up,” Melroy says.<\/span>
\n Portable music players also find plenty of use in space. Parazynski relied on earbuds during<\/span>
\n workouts, and Chiao says some astronauts use them during work operations as well. “Most of us<\/span>
\n just use one earbud, and leave the other ear open to hear operational calls,” he says. But<\/span>
\n sometimes personal players simply provide a musical accompaniment to one of the greatest<\/span>
\n vistas available to humankind. Melroy caught on to listening to music toward the end of her first<\/span>
\n shuttle flight. “Everyone else carried their CD players and headphones with them,” she says, “and<\/span>
\n it wasn’t until I did the same\u2014perhaps eight days into the mission\u2014and heard the swelling<\/span>
\n sounds of music as I looked out at the majesty of Earth that I realized what I had been missing.”<\/span><\/p>\n

August 27, 2010<\/span><\/p>\n

http:\/\/www.scientificamerican.com\/article.cfm?id=nasa-shuttle-music<\/span><\/p>\n

STS-133 February 24- March 9, 2011<\/span><\/p>\n

Read NASA\u2018s Press Release announcing the winners of the STS-133 wakeup song contest:<\/span><\/p>\n

http:\/\/www.nasa.gov\/home\/hqnews\/2011\/feb\/HQ_11-055_Top_40.html<\/span><\/p>\n

Read a space.com article on the contest and wakeup calls through history:<\/span><\/p>\n

http:\/\/www.space.com\/11029-space-music-astronauts-wakeup-songs.html<\/span><\/p>\n

Discovery crew enjoys ‘live’ wakeup tune; packs for re-entry<\/span><\/p>\n

03\/08\/2011 04:45 AM<\/span><\/p>\n

By WILLIAM HARWOOD<\/span>
\n CBS News<\/span>
\n In a first for mission control and a shuttle crew, the Discovery astronauts were awakened Tuesday with a live performance of “Blue Sky” by Big Head Todd and the Monsters, a tune inspired by the first post-<\/span>
\n Columbia mission. The song won the most votes in a NASA “Top 40” competition giving the public an opportunity to select the crew’s wakeup music.<\/span><\/p>\n

Todd Park Mohr, leader of Big Head Todd and the Monsters,<\/span>
\n performs the band’s song “Blue Sky” in a live wakeup call to the<\/span>
\n Discovery astronauts. (Credit: NASA TV)<\/span><\/p>\n

Playing an acoustic guitar, band leader Todd Park Mohr, singing solo but flanked by his three fellow<\/span>
\n musicians, serenaded the astronauts at 3:23 a.m. EST (GMT-5) to kick start Discovery’s final full day in<\/span>
\n space. “We’ve waited long for this day to come,” he sang, “for all the midnight lights we’ve burned into the morning sun, I can’t wait to see your sweet mysteries, the moon, the stars, the sun, the universe, the <\/span>
\n galaxies. “Fly home on your silver wings, with your new song for the world to sing, light this candle, make it right.”<\/span>
\n Big Head Todd and the Monsters won a NASA competition allowing the public to pick two of the<\/span>
\n Discovery crew’s wakeup songs, winning 722,662 of the more than 2.4 million votes cast. Second place went to the theme from the “Star Trek” television series, which was beamed up to the crew Monday with a voice over by William Shatner marking Discovery’s final mission. <\/span>
\n “Hello everybody. Greetings, this is Todd from Big Head Todd and the Monsters,” Mohr radioed Discovery from mission control. <\/span>
\n “Well, good morning, Todd, thanks very much for that,” commander Steven Lindsey replied from orbit. “That was great. Did you just do that live?” <\/span>
\n “I did just do that iive, and I believe it’s a first in history.”<\/span>
\n “Well, that was terrific, we really appreciate it and congratulations on winning the contest,” Lindsey said.<\/span>
\n Todd Park Mohr chats with Discovery commander Steven Lindsey.<\/span>
\n (Credit: NASA TV)<\/span><\/p>\n

“Well, on behalf of Big Head Todd and the Monsters and songwriters and artists everywhere, we just want to thank you so much for your courage and your bravery and your effort in just giving all of us a better shot at knowing more. It’s very inspirational to the arts as well. I just want you to be home safely and as soon as you can.” <\/span>
\n “Thank you very much,” Lindsey said. “We all wish you could see what we can see when we look out at the Earth and hopefully, everybody will be able to do that one of these days. Hopefully sooner rather than later.” <\/span>
\n “We’ll work on that together. Thank you so much.”<\/span><\/p>\n

http:\/\/www.cbsnews.com\/network\/news\/space\/home\/spacenews\/files\/abb7063d9ed444cbd4a0e1d9bbbac4d7-192.html<\/span>
\n Listen to the Big Head Todd and the Monsters wakeup call here:<\/span>
\n http:\/\/www.nasa.gov\/multimedia\/videogallery\/index.html?collection_id=14483&media_id=70058841&module=homepage<\/span><\/p>\n

2\/25\/2011 \u2022Through Heaven’s Eyes\u2022 performed by Brian Stokes Mitchell on the \u2022The<\/span><\/p>\n

Prince of Egypt\u2022 soundtrack. The song was played for Mission Specialist<\/span>
\n Michael Barratt.<\/span><\/p>\n

2\/26 \/2011 \u2022Woody\u2018s Roundup\u2022 performed by Riders in the Sky, which was played for<\/span>
\n Mission Specialist Alvin Drew.<\/span><\/p>\n

2\/27\/2011 \u2022Java Jive\u2022 as performed by The Manhattan Transfer quartet, was played<\/span><\/p>\n

for Commander Steve Lindsey.<\/span><\/p>\n

2\/28\/2011 \u2022Oh What a Beautiful Morning\u2022 by Davy Knowles and Back Door Slam<\/span>
\n was played for Mission Specialist Nicole Stott.<\/span><\/p>\n

3\/1\/2011 \u2022Happy Together\u2022 by The Turtles. The song was played for Mission<\/span>
\n Specialist Steve Bowen.<\/span><\/p>\n

3\/2\/2011 “The Speed of Sound” by Coldplay. It was played for Pilot Eric Boe.<\/span><\/p>\n

3\/3\/2011 \u2022City of Blinding Lights\u2022 by U2. It was for all the crew members.<\/span><\/p>\n

3\/4\/2011 \u2022The Ritual\/Ancient Battle\/2nd Kroykah,\u2022 from volume two of \u2022Star Trek:<\/span><\/p>\n

The Original Television Soundtrack\u2022 \u2013 better known as the Star Trek fight<\/span>
\n song \u2013 was played for the crew. The song was chosen by the crew\u2018s training<\/span>
\n team.<\/span><\/p>\n

3\/5\/2011 Bowling for Soup\u2018s \u2022Ohio (Come Back to Texas),\u2022 which was played for<\/span><\/p>\n

the whole crew.<\/span><\/p>\n

3\/6 \/2011 \u2022Spaceship Superstar\u2022 by Prism. It was chosen for all Discovery crew members by the team of flight controllers who have been supporting them overnight throughout the mission.<\/span><\/p>\n

3\/7\/2011 The \u2022Theme from Star Trek,\u2022 performed by Alexander Courage, served as<\/span><\/p>\n

the wake up music for Discovery\u2018s crew at 2:23 a.m. It received the second<\/span>
\n most public votes from a Top 40 list in a Space Shuttle Program-sponsored<\/span>
\n song contest (671,134 votes (27 percent of the total). The top two songs with<\/span>
\n the most votes from that list earned the right to be played as wake up music<\/span>
\n for Discovery\u2018s crew during its final mission. As a bonus, actor William<\/span>
\n Shatner recorded a special introduction to the song:<\/span>
\n \u201cSpace, the final frontier. These have been the voyages of the Space Shuttle<\/span>
\n Discovery. Her 30 year mission: To seek out new science. To build new<\/span>
\n outposts. To bring nations together on the final frontier. To boldly go, and<\/span>
\n do, what no spacecraft has done before.\u201d<\/span>
\n It was a fitting beginning to the day that will see Discovery undock from the<\/span>
\n space station for the last time. Discovery was the first space shuttle to dock<\/span>
\n to the International Space Station, during the STS-96 mission in 1999,<\/span>
\n marking just one time it did what no spacecraft had done before.<\/span><\/p>\n

3\/8\/2011 \u2022Blue Sky\u2022 by Big Head Todd and the Monsters. The song was performed<\/span><\/p>\n

live by Todd Park Mohr, vocalist and lead guitarist of the band,<\/span>
\n accompanied by fellow band mates Brian Nevin, Rob Squires and Jeremy<\/span>
\n Lawton. The song received the most votes in NASA\u2018s Top 40 song contest<\/span>
\n receiving 722,662 votes (29 percent of the 2,463,774 total). It was originally<\/span>
\n written as a tribute to the space program and workforce, and is routinely<\/span>
\n played in concert by the four-member band. The live performance was the<\/span>
\n first time a shuttle crew has been awakened \u2022live\u2022 from Mission Control,<\/span>
\n Houston. \u2022That was terrific,\u2022 Lindsey radioed down to Mohr. \u2022We really<\/span>
\n appreciate it and congratulations on winning the contest.\u2022<\/span>
\n Mohr, with his three band members in the control center, thanked Lindsey<\/span>
\n for his courage, bravery \u2022and your effort in just giving all of us a better shot<\/span>
\n at knowing more. It\u2018s very inspirational to the arts as well.\u2022<\/span><\/p>\n

3\/9\/2010 \u2022Coming Home\u2022 by Gwyneth Paltrow chosen by the International Space<\/span>
\n Station flight control teams that supported the crew.<\/span>
\n http:\/\/www.archive.org\/details\/STS-133<\/span><\/p>\n

STS-134 May 16-June 1, 2011<\/span><\/p>\n

Read NASA\u2018s Press Release announcing the winners of the STS-134 \u2022Original Song Contest\u2022:<\/span><\/p>\n

http:\/\/www.nasa.gov\/home\/hqnews\/2011\/may\/HQ_11-154_Wake_Up_Songs.html<\/span><\/p>\n

5\/16\/2011 \u2022Beautiful Day\u2022 performed by U2. The song was played for Commander<\/span>
\n Mark Kelly. Wounded U.S. Rep. Gabrielle Giffords helped start the first<\/span>
\n full work day in space for her husband and the crew of the space shuttle<\/span>
\n Endeavour with the song. It’s the same song Giffords sent as a wake-up call<\/span>
\n to Mark Kelly in 2006 when they were just dating. But this time the<\/span>
\n message-of-hope lyrics seemed to have a special meaning given her<\/span>
\n recovery from being shot in the head Jan. 8 in Arizona.<\/span><\/p>\n

This time the song was from Giffords and Kelly’s two daughters.<\/span><\/p>\n

“It’s good to be waking up in space again,” Kelly radioed back to Earth. “I<\/span>
\n want to thank Gabby, Claudia and Claire for that great wake up song. It’s<\/span>
\n always good to hear U2 and ‘Beautiful Day’ in space.”<\/span><\/p>\n

5\/17\/2011 \u2022Drops of Jupiter\u2022, a song by the band Train played for Pilot Greg Johnson,<\/span>
\n a tune selected for Johnson by his family and radioed up to the shuttle by<\/span>
\n Mission Control.<\/span><\/p>\n

“I love that song and I love being in space,” Johnson radioed Mission<\/span>
\n Control. Johnson thanked his teenage son Matt for choosing the song and<\/span>
\n apologized for missing his birthday, which is tomorrow. “And I want to say<\/span>
\n that’s a perfect way to start an exciting rendezvous day!”<\/span><\/p>\n

5\/18\/2011 \u2022Luna,\u2022 performed by Jose Serrano for his friend Greg Chamitoff<\/span><\/p>\n

5\/19\/2011 \u2022We All Do What We Can Do.\u2022 The song was sent up for Mike Fincke by<\/span>
\n shuttle thermal protection system engineer Dan Keenan, and Kenny<\/span>
\n McLaughlin, a Kennedy Space Center launch pad engineer. The two shuttle<\/span>
\n workers created the song to honor those who have helped make the space<\/span>
\n program a success.<\/span><\/p>\n

5\/20\/2011 \u2022In View\u2022 performed by Tragically Hip. The song was played for Andrew<\/span>
\n Feustel.<\/span><\/p>\n

5\/21\/2011 \u2022Il Mio Pensiero\u2022 performed by Ligabue. The song was played for Roberto<\/span>
\n Vittori.<\/span><\/p>\n

5\/22\/2011 \u2022Times Like These\u2022 by the Foo Fighters for Mission Specialist Andrew<\/span>
\n Feustel.<\/span><\/p>\n

5\/23\/2011 \u2022Svegliarsi La Mattina (Woke Up This Morning)\u2022 by the Italian duo Zero<\/span>
\n Assoluto, uplinked especially for Mission Specialist Roberto Vittori of<\/span>
\n Italy.<\/span><\/p>\n

5\/24\/2011 \u2022Real World\u2022 by Matchbox 20 for shuttle Pilot Greg Johnson.<\/span><\/p>\n

5\/25\/2011 \u2022Countdown\u2022 by the Canadian band Rush, played for Mission Specialist<\/span>
\n Mike Fincke. Fincke described how his friends Greg Shurtz and NASA<\/span>
\n employee Ken Fisher chose the song because the band was inspired to write<\/span>
\n it and the album \u2022Signals\u2022 after viewing the launch of STS-1. Fincke went<\/span>
\n on to say the song was played as a tribute to the space shuttle program,<\/span>
\n which has inspired people around the world.<\/span><\/p>\n

5\/26\/2011 A modified version of the song \u2022Fun, Fun, Fun\u2022 with shuttle-themed lyrics,<\/span>
\n played for all six STS-134 crew members.<\/span><\/p>\n

5\/27\/2011 \u2022Will You Carry Me?\u2022 performed by Michael FitzPatrick. FitzPatrick has<\/span>
\n been an Electrical, Environmental, Consumables, and Mechanical flight<\/span>
\n controller at NASA’s Johnson Space Center for more than 20 years and<\/span>
\n supported 80 missions.<\/span><\/p>\n

5\/28\/2011 \u2022Galaxy Song\u2022 performed by Clint Black. The song was dedicated to the<\/span>
\n whole crew by the flight control team.<\/span><\/p>\n

5\/29\/2011\u2022 \u2022Slowness\u2022 by the Tucson, Arizona-based band Calexico, was played for<\/span>
\n Kelly. Mark Kelly picked Calexico’s “Slowness” as a wake-up call to honor<\/span>
\n his wife, Congresswoman Gabrielle Giffords, and her hometown, Tucson.<\/span>
\n Kelly tells mission control in Houston that Gabby \u2022really wants to get back<\/span>
\n there and is really looking forward to that, so it\u2018s an appropriate song.<\/span>
\n That\u2018s coming soon.”<\/span><\/p>\n

5\/30\/2011 The original composition \u2022Dreams You Give\u2022 by Brain Plunkett, the second<\/span>
\n place winner in the Space Shuttle Program\u2018s Original Song Contest, which<\/span>
\n drew more than 1,300 entries. More than a million votes were cast online by<\/span>
\n the general public to choose two songs from among 10 finalists to be played<\/span>
\n to the astronauts.<\/span><\/p>\n

5\/31\/2011 \u2022Sunrise Number 1,\u2022 performed by the band Stormy Mondays. This song<\/span>
\n was chosen in an online vote of the general public as the winner in the<\/span>
\n Space Shuttle Program\u2018s Original Song Contest, which attracted 1350<\/span>
\n entrants.<\/span><\/p>\n

http:\/\/www.archive.org\/details\/STS-134<\/span><\/p>\n

STS-135 July 8-July , 2011<\/span><\/p>\n

7\/9\/2011 \u2022Viva la Vida\u2022 performed by Coldplay, a song picked by STS-135 Pilot Doug Hurley. The<\/span>
\n song was accompanied by a special good morning message recorded by employees at<\/span>
\n NASA\u2018s Marshall Spaceflight Center in Huntsville, Alabama, the NASA center that has<\/span>
\n managed the Space Shuttle\u2018s solid rocket boosters, main engines and external tank throughout<\/span>
\n the program\u2018s history.<\/span><\/p>\n

7\/10\/2011 \u2022Mr. Blue Sky\u2022 by Electric Light Orchestra played for Commander Chris Ferguson.<\/span><\/p>\n

7\/11\/2011 \u2022Tubthumping\u2022 by Chumbawamba played for Mission Specialist Sandy Magnus.<\/span><\/p>\n

7\/12\/2011 \u2022More\u2022 by Matthew West played for Mission Specialist Rex Walheim.<\/span><\/p>\n

7\/13\/2011 Flight Day 6 was kick-started for the STS-135 astronauts with a special wake-up message<\/span>
\n from Elton John and one of the legendary performer\u2018s greatest hits. “Rocket Man” debuted<\/span>
\n around the time of the Apollo 16 mission, which sent men to the moon for the fifth time. The<\/span>
\n 4-\u2022\u2022\u2022 minute song, which describes a long-term space bound astronaut\u2018s mixed feelings at<\/span>
\n leaving his family to do his job, has been played to awaken four shuttle crews aboard<\/span>
\n Discovery and Atlantis. “Rocket Man” also, one of NASA\u2018s top 40 wakeup call songs listed<\/span>
\n for voter selection during a contest to commemorate the Space Shuttle Discovery and<\/span>
\n Endeavour\u2018s last missions, earned nearly 5,000 votes from the public. The song inspired by<\/span>
\n space exploration woke up the final space shuttle crew of Atlantis one last time: “Good<\/span>
\n morning Atlantis, this is Elton John. We wish you much success on your mission. A huge<\/span>
\n thank you to all the men and women at NASA who worked on the shuttle for the last three<\/span>
\n decades.”<\/span><\/p>\n

7\/14\/2011 Michael Stipe front man for R.E.M. started the crew\u2018s day with an A capella version of the<\/span>
\n group\u2018s hit, “Man on the Moon”. On recording this song for the Atlantis\u2018 last crew Stipe said,<\/span>
\n \u2022I recorded \u2022\u2022Man on The Moon\u2018 for NASA in Venice, Italy, where Galileo first presented to<\/span>
\n the Venetian government his eight-power telescope, and in 1610 wrote ‘The Starry Messenger’<\/span>
\n (Sidereus Nuncius), an account of his early astronomical discoveries that altered forever our<\/span>
\n view of our place in the universe.\u2022<\/span><\/p>\n

\u2022Good morning, Atlantis,\u2022 he said. \u2022This is Michael Stipe from R.E.M. We wish you much<\/span>
\n success on your mission, and thank all the women and men at NASA who have worked on<\/span>
\n shuttle for three decades. From Earth, a very good morning to you.\u2022<\/span><\/p>\n

7\/15\/2011 Paul McCartney greets the Atlantis crew with the Beatles favorite “Good Day Sunshine”.<\/span>
\n “Good morning guys, wake up! And good luck on this, your last mission. Well done,”<\/span>
\n McCartney said in a message recorded pre-launch for the final space shuttle crew.<\/span><\/p>\n

http:\/\/www.nasa.gov\/mission_pages\/shuttle\/shuttlemissions\/sts135\/135_wakeup.html<\/span><\/p>\n

INTERNATIONAL SPACE STATION (ISS)<\/span>
\n \u2026only a shuttle crew receives wake up music while a space station crew uses an alarm clock.<\/span><\/p>\n

From: http:\/\/spaceflight.nasa.gov\/living\/spacesleep\/index.html<\/span><\/p>\n

“Crew members will be allowed to take a certain amount of personal gear up with them,” said Lu. “So<\/span>
\n things like checkers or chess sets, CDs and tape players, and the like are allowed. You can listen to your<\/span>
\n favorite music if you like. DVD movies will also be available for viewing.”<\/span><\/p>\n

Edward Lu<\/span><\/p>\n

From: http:\/\/www.science.nasa.gov\/headlines\/y2000\/ast29nov_1.htm<\/span><\/p>\n

The station’s Russian-built crew quarters is outfitted with only two small “staterooms.” About the size of<\/span>
\n broom closets, the so-called “kayudas” feature porthole windows that face Earth.<\/span><\/p>\n

The temporary sleep station is a hollow lab rack outfitted with a ventilation system, radiation protection,<\/span>
\n lights and electrical outlets for laptop computers or CD and DVD players.<\/span><\/p>\n

From: \u2022Moving Van Mounted to Station, Change of Command Underway\u2022<\/span><\/p>\n

By Todd Halvorson , August 13, 2001 Space.com<\/span><\/p>\n

And we actually can listen to music. We have speakers in the \u2013 in the service module, and also in the node where we can listen to whatever tunes we would like to listen to, and we also have a little CD players, private ones, that we can listen to with headphones in our little cabins\u2026<\/span><\/p>\n

Carl Walz<\/span><\/p>\n

Interview of Dan Bursch, Yury Onufrienko, and Carl Walz, Astronauts<\/span><\/p>\n

Leon Harris, Miles O\u2018Brien January 3, 2002 CNN: Live This Morning<\/span><\/p>\n

February 2, 2002 \u2013 Elvis, also known as Carl Walz, treated the teachers to a new version of “Heartbreak Hotel” during a live videoconference between teachers attending ISSEC and the Expedition Four Crew during ISS Educator Conference at Space Center Houston. “Well since I left my baby; I found a new place to dwell. It’s 400 kilometers in the air. It’s called space station Alpha. But baby it’s lonely. Oh, it’s so lonely. But I’ll be back in May. Ohhhhhhh, yeah.”<\/span><\/p>\n

http:\/\/www.greenbush.org\/MSSWeb\/Stargazer7.htm<\/span><\/p>\n

It turns out that music plays a big role. You know, of course, we have, CDs that we play when we work out, when we ride the bikes and exercise, or just to have on while we\u2022re living in space and of course we also brought along some musical instruments. It so happens that I have a small keyboard up here\u2026And, so I can play that as well here, and we also have a guitar as well, so I\u2022ve been learning how to play the guitar. I play the keyboard back home but the guitar is a new thing that I\u2022ve picked up here in my free time.<\/span><\/p>\n

Carl Walz from E-Town radio show broadcast May 9, 2002 \u2013 \u2022ISS Interview\u2022<\/span><\/p>\n

Astronaut Ellen Ochoa, a classical musician, brought her flute as one of her personal items on her first<\/span>
\n shuttle flight. She only got to play it once, though, and that was as part of an educational video for school kids. On short shuttle flights, she explains, astronauts are so busy that they really don’t have much time to play an instrument. “For a shuttle flight, it’s probably more of a sentimental thing, a memento for people who have had music as a serious hobby.”<\/span><\/p>\n

But on long duration stints onboard the station, “you do have a fair amount of free time,” says Walz,<\/span>
\n “especially on Sundays.” There’s more opportunity to take out an instrument and play.<\/span><\/p>\n

“It’s a link to home,” says Walz, who plays for his hometown church, sings in the astronaut band, is<\/span>
\n known for his Elvis imitations, and, during his time on station not only played the keyboard, but also found the time to teach himself some guitar. Walz thinks that link is important. “Some guys might disagree, and say, ‘well, you know, you want to cut all those links.’ But I prefer to have them.” No matter how long an astronaut remains in space, he says, “we all know we’re going back to Earth. We know we’re going back to that life\u2026”<\/span><\/p>\n

“In long duration,” says Ochoa, “you want to prepare yourself for being away a long time. One of the<\/span>
\n things you want to do is to carry on with activities that are important to you on the ground. A lot of those, you can’t. But whenever you can–and playing a musical instrument is an example — people sure like to do that.”<\/span><\/p>\n

“The strangest thing about playing music in space,” says Carl Walz, “is that it’s not strange. In most<\/span>
\n homes, there’s a musical instrument or two. And I think it’s fitting that in a home in space you have musical instruments as well. It’s natural.”<\/span><\/p>\n

“Music makes it seem less like a space ship, and more like a home.”<\/span><\/p>\n

\u2022Space Station Music\u2022 http:\/\/science.nasa.gov\/headlines\/y2003\/04sep_music.htm<\/span>
\n \u201cWe have a small piano up here. It’s an electronic piano, and I like to play the piano in my spare time,” Lu explained to the 124 space campers at Space Center Turkey in Izmir during a July 14 contact arranged as part of the Amateur Radio on the International Space Station program.<\/span><\/p>\n

\u2022Ed Lu is “The Piano Man” Aboard the ISS \u2022<\/span><\/p>\n

http:\/\/www.arrl.org\/news\/stories\/2003\/07\/23\/1\/?nc=1 July 23, 2003<\/span><\/p>\n

This Sunday, the Expedition 12 crew aboard the international space station received a special treat — a<\/span>
\n live musical wakeup call from Paul McCartney during a first-ever concert linkup. The wakeup call, during which McCartney performed “Good Day Sunshine” and “English Tea,” came from McCartney’s “US” Tour performance at the Anaheim, Calif., Arrowhead Pond. It was broadcast live on NASA TV.<\/span><\/p>\n

NASA News 11\/13\/05<\/span><\/p>\n

ANAHEIM, Calif. — It was “Good Day Sunshine” for the international space station crew Sunday morning. NASA astronaut Bill McArthur and Russian cosmonaut Valery Tokarev were treated to a live wake-up call of the Beatles classic in a first-ever concert linkup to the space station.<\/span><\/p>\n

On Earth, former Beatle Sir Paul McCartney performed the hit and another song, “English Tea,” on<\/span>
\n Saturday night before a cheering crowd as part of his 11-week “US” tour.<\/span><\/p>\n

The performance was beamed from the West Coast to the space station crew 220 miles above Earth and<\/span>
\n broadcast on NASA television, which showed live feeds from space.<\/span><\/p>\n

McArthur and Tokarev bobbed up and down and sipped from squeeze pouches through the show, getting a rousing cheer from the audience.<\/span><\/p>\n

“I can’t believe that we’re actually transmitting to space!” McCartney said. “This is sensational. I love it.”<\/span><\/p>\n

McArthur, who did a couple flips, noted McCartney’s creative achievements and thanked him for playing the songs.<\/span><\/p>\n

“That was simply magnificent,” McArthur said. “We consider you an explorer just as we are.”<\/span><\/p>\n

It is a tradition to wake astronauts up with recorded songs, but this marked the first time astronauts<\/span>
\n listened to live music from space.<\/span><\/p>\n

The rock icon came up with the idea after learning that NASA’s Mission Control used “Good Day<\/span>
\n Sunshine” to wake up the Space Shuttle Discovery astronauts in August with word that conditions were favorable to return to Earth.<\/span><\/p>\n

The wake-up call marked the space station crew’s 44th day of a planned six month mission in space.<\/span><\/p>\n

Paul McCartney Sings to Space Station Crew<\/span><\/p>\n

The Associated Press<\/span>
\n Sunday, November 13, 2005<\/span>
\n MARS PATHFINDER & SOJOURNER ROVER<\/span><\/p>\n

Sol<\/span><\/p>\n

4 \u2022The Final Frontier\u2022 Paul Reiser, Don Was (Theme from \u2022Mad About You\u2022)<\/span><\/p>\n

The team sent their “wakeup call” to Mars as a joke (it’s not like a spacecraft would need music) and the<\/span>
\n team enjoyed it enough that it became a tradition. The “Mad About You” production office was surprised<\/span>
\n by the choice and put out a press release noting the unusual use for their theme song. They even used a clip<\/span>
\n of the Mars team playing the music in the end credits of one of their shows. PC<\/span><\/p>\n

5 \u2022Three Little Birds\u2022 Bob Marley<\/span><\/p>\n

6 \u2022In the Mood\u2022 Glenn Miller (with live accompaniment by Chief Engineer Rob<\/span>
\n Manning)<\/span><\/p>\n

8 \u2022Coisinha Do Pai\u2022 Brazilian Samba<\/span><\/p>\n

12 \u2022You\u2018ve Got a Friend\u2022 Randy Newman<\/span><\/p>\n

13 \u2022Follow You, Follow Me\u2022 Genesis<\/span><\/p>\n

14 \u2022Also Sprach Zarathrustra\u2022 Richard Strauss (Theme from \u20222001: A Space<\/span>
\n Odyssey\u2022)<\/span><\/p>\n

17 \u2022Roll to Me\u2022 Del Amitri<\/span><\/p>\n

18 \u2022Let the Good Times Roll\u2022 Ray Charles<\/span><\/p>\n

19 \u2022So Far Away\u2022 Dire Straits<\/span><\/p>\n

20 \u2022Life in the Fast Lane\u2022 Eagles<\/span><\/p>\n

21 \u2022Ride of the Valkyries\u2022 Richard Wagner<\/span><\/p>\n

22 \u2022Wild, Wild Life\u2022 Talking Heads<\/span><\/p>\n

23 \u2022Theme from Rawhide\u2022 Blues Brothers<\/span><\/p>\n

24 \u2022Radar Love\u2022 Golden Earring<\/span><\/p>\n

25 \u2022Wise Up\u2022 Bim Skala Bim<\/span><\/p>\n

26 \u2022Dreams\u2022 Van Halen<\/span><\/p>\n

27 \u2022I\u2018ll Be There For You\u2022 Rembrandts (Theme from \u2022Friends\u2022)<\/span><\/p>\n

28 \u2022Long Distance\u2022 Kinks<\/span><\/p>\n

29 \u2022Learning to Fly\u2022 Pink Floyd<\/span><\/p>\n

30 \u2022The Way You Look Tonight\u2022 Frank Sinatra<\/span><\/p>\n

\u2022Fantastic, That\u2018s You\u2022 Louis Armstrong<\/span><\/p>\n

32 \u2022Love Me Like a Rock\u2022 Paul Simon<\/span><\/p>\n

33 \u2022You\u2018ve Made Me So Very Happy\u2022 Blood, Sweat and Tears<\/span><\/p>\n

34 \u2022Let Your Fingers Do the Walking\u2022 Sort Sol<\/span><\/p>\n

35 \u2022The World is Waiting for the Sunrise\u2022 Gene Lockhart (father of June Lockhart of<\/span>
\n \u2022Lost in Space\u2022)<\/span><\/p>\n

36 \u2022Obscured By Clouds\u2022 Pink Floyd<\/span><\/p>\n

37 \u2022Where the Streets Have No Name\u2022 U2<\/span><\/p>\n

39 \u2022Mars Rovin\u2018\u2022 Tempus Fugit and the Time Travellers<\/span>
\n MARS SPIRIT AND OPPORTUNITY<\/span><\/p>\n

The function of the Wake-Up Music is as it would suggest, to ‘wake-up’ the mission team and get them<\/span>
\n focused on the days activities. As we will see the selection is often a little bit tongue-in-cheek. The music was originally played for the team around the time that the “sweep” was transmitted to the Rover shortly after it woke up. This sweeps the transmit frequency so the Rover’s receiver can lock onto it. This occurs at around 8.45AM local time (at the landing site). However this meant the song was being played before many of the team members came-in, so the time was subsequently shifted to 10AM local time. By this time most of the crew are on station and ready to begin the Sol’s activities. Sol is the term for a Martian ‘Day’. One Martian Sol is 39.5 minutes longer than one Earth Day. The song (sometimes songs) for each Sol are typically chosen by the Mission Managers, in the case of Spirit this is Dr. Mark Adler. The songs are chosen for a link they have with the planned activities for the day.<\/span><\/p>\n

NASA Gets Into the Groove! From Above Top Secret News Network, February 21, 2004<\/span>
\n theGroove!<\/span><\/p>\n

The eclectic playlist is Mars rover Spirit mission manager Mark Adler’s way of waking exhausted engineers and scientists who are working and sleeping on Mars time and dealing with a sometimes temperamental rover millions of miles away\u2026 Below is the Spirit playlist, along with some explanations by Adler for why the songs were chosen. A sol is a Martian day, slightly longer than a day on Earth at 24 hours, 37 minutes.<\/span><\/p>\n

From: Mars Rocks! Eclectic Music Moves Rover Mission. By Robert Roy Britt February 26, 2004,<\/span>
\n Space.com and Jet Propulsion Laboratory Rover Daily Updates.<\/span><\/p>\n

Spirit’s playlist:<\/span>
\n Sol 2: Good Morning, Good Morning, by the Beatles.<\/span><\/p>\n

Sol 3: Oh What a Beautiful Mornin\u2018, by Rodgers and Hammerstein.<\/span><\/p>\n

Sol 4: Hail to the Chief, by the Mormon Tabernacle Choir. (Presidential phone call.)<\/span><\/p>\n

Sol 5: Satisfaction, by the Rolling Stones. (“I can’t get no …”, Air bags not cooperating.)<\/span><\/p>\n

Sol 6: Get Up, Stand Up, by Bob Marley. (Lift mechanism actuated.)<\/span><\/p>\n

Sol 7: Da Da Da, by Casaca. (Brazilian song suggested by investigator from Brazil, RRGTM<\/span>
\n student that week from Brazil.)<\/span><\/p>\n

Sol 8: Soak Up the Sun, by Cheryl Crow. (Laid-back sol.)<\/span><\/p>\n

Sol 9: I Can See Clearly Now, by Jimmy Cliff. (Picture taking sol.)<\/span><\/p>\n

Sol 10: Unchained, by Van Halen; Hit the Road Jack, by Buster Poindexter; Turn, Turn, Turn, by<\/span>
\n the Byrds. (Cable-cutting, backup on landing deck. start turn on deck.)<\/span><\/p>\n

Sol 11: I Get Around, by the Beach Boys; Round and Round, by Ratt; You Spin Me \u2022\u2022Round, by<\/span>
\n Thal\u00eda. (Rest of turn on landing deck.)<\/span><\/p>\n

Sol 12: Born to be Wild, by Steppenwolf; Rawhide, by Riders in the Sky; Who Let The Dogs<\/span>
\n Out?, by the Baha Men. (Egress.)<\/span><\/p>\n

Sol 13: Reach Out, by the Four Tops. (First robotic arm activity.)<\/span><\/p>\n

Sol 14: You\u2018ve Got The Magic Touch, by the Platters. (Touching robotic arm down on Mars.)<\/span><\/p>\n

Sol 15: If You Love Somebody Set Them Free, by Sting; Roam, by The B-52\u2018s; Good Times Roll,<\/span>
\n by The Cars. (Last engineering activities, first drive on the surface.)<\/span><\/p>\n

Sol 16: After Midnight, by Eric Clapton; Trash Day, by Weird Al Yankovic. (Crew starts Mars<\/span>
\n day after California midnight, part of the sol dedicated to deleting contents of flash.)<\/span><\/p>\n

Sol 17: We Will Rock You, by Queen. (First arm activities and observations on a rock.)<\/span><\/p>\n

Sol 18: Sledgehammer, by Peter Gabriel. (Intended first [Rock Abrasion Tool] RAT sol, though<\/span>
\n ran into problems later, to put it mildly.)<\/span><\/p>\n

Sol 19: S.O.S., by Abba. (Objective was to regain contact with Spirit after a loss of<\/span>
\n communications. We did.)<\/span><\/p>\n

Sol 20: Baby, Talk to Me, from the musical Bye Bye Birdie. (Objective was to get Spirit to send<\/span>
\n data. She did.)<\/span><\/p>\n

Sol 21: Satellite, by The Hooters. (A rousing lullaby for when we were trying, and succeeded, to<\/span>
\n get the rover to go to sleep.)<\/span><\/p>\n

Sol 22: We Can Work it Out, by The Beatles. (Beginning debugging activities to get Spirit back to<\/span>
\n normal.)<\/span><\/p>\n

Sol 23: Start Me Up, by the Rolling Stones. (Booting in crippled mode.)<\/span><\/p>\n

Sol 24: Flash, by Queen. (Clearly a flash problem, continuing to debug.)<\/span><\/p>\n

Sol 25: (You’re The) Devil In Disguise, by Elvis Presley, and With a Little Help From My Friends,<\/span>
\nby The Beatles. (Continuing debug, got picture!)<\/span><\/p>\n

Sol 26: I Want a New Drug, by Huey Lewis & The News. (Trying yet another recipe for getting<\/span>
\ntask trace, still didn’t work.)<\/span><\/p>\n

Sol 27: Anticipation, by Carly Simon. (Seeing if the file deletes will do the trick or not. They did.)<\/span><\/p>\n

Sol 28: On the Road Again, by Willie Nelson. (“Can’t wait to get back on …”, back to normal use<\/span>
\nof the flash file system, itching to get going.)<\/span><\/p>\n

Sol 29: Here Comes the Sun, by The Beatles. (More normal operations, Mars Express coordinated<\/span>
\noverflight.)<\/span><\/p>\n

Sol 30: Lean On Me, performed by Club Nouveau. (Intended RAT brush sol, pressing RAT on<\/span>
\nrock, though activities did not complete.)<\/span><\/p>\n

Sol 31: I Wanna Be Sedated, by the Ramones. (Very low activity sol to get the rover rested and<\/span>
\nready for surgery on the following sol.)<\/span><\/p>\n

Sol 32: Wipe Out, by The Surfaris, and We’re Not Gonna Take It, by Twisted Sister. (File system<\/span>
\nreformat.)<\/span><\/p>\n

Sol 33: Back In the Saddle Again, by Gene Autry, and The Star Spangled Banner, performed by<\/span>
\nBeyonc\u00e9. (Back to normal operations, color flag picture on RAT.)<\/span><\/p>\n

Sol 34: The Laundry Cycle: Pounded on a Rock, by The Bobs, and Bump N’ Grind, by R. Kelly.<\/span>
\n(First RAT grinding.)<\/span><\/p>\n

Sol 35: Up Around the Bend, by Credence Clearwater Revival. (Intended drive around lander to<\/span>
\nbegin drive to crater. Didn’t get anywhere though.)<\/span><\/p>\n

Sol 36: Stuck On You, by Elvis Presley. (Drive didn’t work yestersol — we’ve been stuck here for<\/span>
\nweeks. Drive did work later that sol.)<\/span><\/p>\n

Sol 37: Proud Mary, performed by Tina Turner. (“And we’re rolling, rolling, rolling on the river<\/span>
\n…”, first long drive, ended up being more than 20 meters.)<\/span><\/p>\n

Sol 38: Runnin’ With the Devil, by Van Halen. (HGA [High Gain Antenna] problem that sol, no<\/span>
\nactivities, song played late in the sol.)<\/span><\/p>\n

Sol 39: Hit the Road Jack, by Buster Poindexter. (Another long drive — yes, this is a reuse of that<\/span>
\nsong.)<\/span><\/p>\n

Sol 40: What a Wonderful World, by Louis Armstrong. (Mars, that is.)<\/span><\/p>\n

Sol 41: Open Road Song, by Eve 6. (Driving song, though only did several inches of driving to<\/span>
\nposition in front of rock.)<\/span><\/p>\n

Sol 42: Lift Up Every Stone, by John Hiatt. (Observations of the rock “Mimi”.)<\/span><\/p>\n

Sol 43: Livin’ On a Prayer, by Bon Jovi. (Many sols tend to start with our fingers crossed.)<\/span><\/p>\n

Sol 44: Way Over Yonder, by Carole King. (Heading for that crater.)<\/span><\/p>\n

Sol 45: Touch Me in the Morning, by Diana Ross. (Touch and go sol.)<\/span><\/p>\n

Sol 46: Wake Up Little Susie, by The Everly Brothers. (Generic wakeup song.)<\/span><\/p>\n

Sol 47: Dig Down Deep, by Hot Soup. (Trenching sol.)<\/span><\/p>\n

Sol 48: Working in the Coal Mine, by Devo. (Working in the trench.)<\/span><\/p>\n

Sol 49: Coisinha Do Pai, by Beth Carvalho. (Brazilian song played on Mars Pathfinder, played<\/span>
\nagain for Carnival weekend.)<\/span><\/p>\n

Sol 50: Samba De Marte, by Beth Carvalho. (Brazilian song written by same artist inspired by use<\/span>
\nof previous song on MPF, this one is a “Mars Samba”, also for Carnival weekend. Starts off<\/span>
\n“Hello NASA!”.)<\/span><\/p>\n

Sol 51: Chariots of Fire, by Vangelis. (Appropriate for slow-motion races.)<\/span><\/p>\n

Sol 52: Cold as Ice by Foreigner.<\/span><\/p>\n

Sol 53: Dust in the Wind by Kansas, with the anticipation of possibly capturing dust devils<\/span>
\nspinning across the Martian surface.<\/span><\/p>\n

Sol 54: Big Rock in the Road by Pete Wernick as it made its final approach to the imposing rock<\/span>
\ncalled “Humphrey.”<\/span><\/p>\n

Sol 55: Brush Your Teeth by Cathy Fink and Marcy Marxer, and Knock Three Times by Tony<\/span>
\nOrlando and Dawn.<\/span><\/p>\n

Sol 56: Walking On Sunshine performed by Jump 5.<\/span><\/p>\n

Sol 58: I Still Haven’t Found What I’m Looking For” by U2 to pay homage to its twin rover’s<\/span>
\namazing findings of water evidence at Meridiani Planum.<\/span><\/p>\n

Sol 59: One More Time by The Real McCoy.<\/span><\/p>\n

Sol 60: Pictures to Prove It by the Mighty Mighty Bosstones.<\/span><\/p>\n

Sol 61: Motor Away by Guided by Voices.<\/span><\/p>\n

Sol 62: My First Trip to Mars,” by Atticus Fault.<\/span><\/p>\n

Sol 66: Livin’ on the Edge by Aerosmith since Spirit is at the edge of Bonneville crater.<\/span><\/p>\n

Sol 67: On Top of the World by the Carpenters. The song was fitting, as yestersols\u2018s drive put<\/span>
\nSpirit at the rim of “Bonneville” crater, but it took some additional maneuvering to get the rover<\/span>
\nperfectly placed for the 360-degree panoramic camera images it will take on upcoming sols.<\/span><\/p>\n

Sol 69: Watching the Wheels by John Lennon.<\/span><\/p>\n

Sol 77: “One Step Closer” by the Doobie Brothers, since the rover was to make its final approach<\/span>
\nto the rock target named “Mazatzal” today.<\/span><\/p>\n

Sol 80: “Open the Door” by Otis Redding.<\/span><\/p>\n

Sol 81: “Boy from New York City” by The Manhattan Transfer, in honor of the grind on the New<\/span>
\nYork target.<\/span><\/p>\n

Sol 98: “Where Is My Mind?” by The Pixies in honor of its software transplant.<\/span><\/p>\n

Sol 109: “(Take me) Riding in my Car” by Woody Guthrie.<\/span><\/p>\n

Opportunity’s playlist:<\/span><\/p>\n

Sol 2: So Happy Together, by the Turtles (First full sol with both rovers on Mars.)<\/span><\/p>\n

Sol 3: The Spirit of Radio, by Rush (HGA release.)<\/span><\/p>\n

Sol 4: n\/a<\/span><\/p>\n

Sol 5: Stand, by REM; I’m Still Standing, by Elton John (Standup.)<\/span><\/p>\n

Sol 6: Lookin’ Out My Back Door, by Creedence Clearwater (Revival.); Release Me, by Elvis<\/span>
\nPresley (Middle wheel release); Born to Run,<\/span><\/p>\n

by Bruce Springsteen (Wake up.)<\/span><\/p>\n

Sol 7: I’m Free, by The Who (Cable Cut #3); Going Mobile, by The Who (Egress.)<\/span><\/p>\n

Sol 8: You Ain’t Seen Nothing Yet, by Bachman-Turner Overdrive (First dual surface nominal<\/span>
\nrover operation.)<\/span><\/p>\n

Sol 9: I’m Coiming Out, by Diana Ross (IDD release.)<\/span><\/p>\n

Sol 10: Pictures of You, by The Cure (First MI image.)<\/span><\/p>\n

Sol 11: Please Please Tell Me Know, by Depeche Mode (First MB data readout of soil.)<\/span><\/p>\n

Sol 12: I’m Leaving Here, by Motorhead (First drive since egress.)<\/span><\/p>\n

Sol 13: Little Honda (aka First Gear), by the Beach Boys (Jaunt away from lander.)<\/span><\/p>\n

Sol 14: Should I Stay or Should I Go, The Clash (We went.)<\/span><\/p>\n

Sol 15: The Flintstones Theme Song, end credits, Version 2 from 1962 (For the arrival at the<\/span>
\n“bedrock.”)<\/span><\/p>\n

Sol 16: Slip Slidin’ Away, by Paul Simon (Large slips along drive up to the outcrop.)<\/span><\/p>\n

Sol 17: Wake Me Up, by Wham (Touch and go.)<\/span><\/p>\n

Sol 18: Running Down a Dream, by Tom Petty and the Heartbreakers (Drive along the outcrop.)<\/span><\/p>\n

Sol 19: Here I Go Again, by Whitesnake (Repeat of sol 18 drive objective.)<\/span><\/p>\n

Sol 20: I Like Dirt, by Red Hot Chili Peppers; The Pioneers of Mars, by Landa\/Linsley (MI\/MB<\/span>
\nand drive.)<\/span><\/p>\n

Sol 21: Send Me On My Way, by Rusted Root; Desert Drive, by Tangerine Dream (Drive back to<\/span>
\nEl Capitan.)<\/span><\/p>\n

Sol 22: Invisible Touch, by Genesis (MI-MB placement.)<\/span><\/p>\n

Sol 23: Spinning Wheel, by Blood, Sweat, and Tears (Right front trenching wheel.)<\/span><\/p>\n

Sol 24: Trench Town Rock, by Bob Marley (Make use of the trench.)<\/span><\/p>\n

Sol 25: Fascination, by Human League (Regarding the img return from the trench.)<\/span><\/p>\n

Sol 26: Body Movin’, by the Beastie Boys (Every rover part exercised.)<\/span><\/p>\n

Sol 27: Touch and Go, by Emerson, Lake and Powell (Touch and go.)<\/span><\/p>\n

Sol 28: I am a Rock, by Simon and Garfunkel (El Capitan target assessment.)<\/span><\/p>\n

Sol 29: Riders on the Storm, by the Doors (Heavy weather at DSS-63 and DSS-14.)<\/span><\/p>\n

Sol 30: Rock ‘n Me, by Steve Miller Band (1st RAT on opportunity.)<\/span><\/p>\n

Sol 31: Rock around the Clock, by Bill Haley and His Comets (APXS\/MB.)<\/span><\/p>\n

Sol 32: Let It Be, by the Beatles (Long MB integration — no IDD or mobility.)<\/span><\/p>\n

Sol 33: Blueberry Hill by Fats Domino, in honor of the hill in front of the rover.<\/span><\/p>\n

Sol 34: Dig In by Lenny Kravitz.<\/span><\/p>\n

Sol 35: I Can See Clearly Now by Jimmy Cliff.<\/span><\/p>\n

Sol 36: Rock Steady by Sting.<\/span><\/p>\n

Sol 37: Let’s Go by the Cars.<\/span><\/p>\n

Sol 38: Have You Ever Seen the Rain? by Creedence Clearwater Revival in honor of the<\/span>
\nconfirmation that liquid water once flowed through the rocks at Meridiani Planum.<\/span><\/p>\n

Sol 39: Bad Moon Rising” by Creedence Clearwater Revival in honor of the eclipse caused by the<\/span>
\nMartian moon Deimos.<\/span><\/p>\n

Sol 41: On the Road Again by Willie Nelson.<\/span><\/p>\n

Sol 43: ”You Can Look (But You Better Not Touch)” by Bruce Springsteen in recognition of the<\/span>
\nfact that the rock abrasion tool grind did not touch the surface of its rock target on sol 42.<\/span><\/p>\n

Sol 44: “Try (Just a Little Bit Harder)” by Janis Joplin for the rock abrasion tool’s second attempt<\/span>
\nat “Mojo 2,” and “X-ray Eyes” by Kiss for the alpha particle X-ray spectrometer.<\/span><\/p>\n

Sol 45: ”Eclipse” by Pink Floyd in recognition of the transit of the martian moon, Phobos. A<\/span>
\nsecond song, “Meet Me Halfway” by Kenny Loggins, was played because Opportunity is halfway<\/span>
\nthrough its primary 90-sol surface mission.<\/span><\/p>\n

Sol 46: The wakeup songs were “Berry Nice News” by Raffi and “Huckling the Berries” by<\/span>
\nCountry Cooking in honor of researching the mysterious “blueberries” with the instruments on the<\/span>
\nrobotic arm.<\/span><\/p>\n

Sol 47: \u2022No Particular Place to Go\u2022 by Chuck Berry in recognition of the stay at “Berry Bowl.”<\/span><\/p>\n

Sol 48: Jaws: MainTitle and Fist Victim by John Williams.<\/span><\/p>\n

Sol 50: The Dentist by Bill Cosby, in honor of the toothy targets in “Shark’s Cage.”<\/span><\/p>\n

Sol 51: Song of the South by Alabama.<\/span><\/p>\n

Sol 53: Ice Cream Man by John Brim woke Opportunity this sol to remind it of the possible sweet<\/span>
\ntreats that await at targets referred to as “Chocolate Chip” and “Coconut” in the neighborhood<\/span>
\ndubbed “Mudpie.”<\/span><\/p>\n

Sol 54: I Feel The Earth Move” by Carole King.<\/span><\/p>\n

Sol 56: Fly Like an Eagle by the Steve Miller Band.<\/span><\/p>\n

Sol 57: “If You Don’t Get it the First Time, Back Up and Try it Again” by the JBs and Fred<\/span>
\nWesley.<\/span><\/p>\n

Sol 58: “Come on Home” by Lambert, Hendricks and Ross beckoned Opportunity back toward its<\/span>
\nlanding site crater to an area of bright material.<\/span><\/p>\n

Sol 59: “59th Street Bridge Song (Feeling Groovy)” by Simon and Garfunkel.<\/span><\/p>\n

Sol 60: \u2022The Circle of Life\u2022 by Elton John in honor of the Lion King panorama.<\/span><\/p>\n

Sol 64: “Stand” by REM.<\/span><\/p>\n

Sol 65: “Back in the Saddle” by Aerosmith.<\/span><\/p>\n

Sol 66: “Bounce” by Bon Jovi. Opportunity’s rock abrasion tool ground into “Bounce” for just over<\/span>
\ntwo hours.<\/span><\/p>\n

Sol 67: “Changes” by David Bowie.<\/span><\/p>\n

Sol 68: “Got to Go Back” by Van Morrison.<\/span><\/p>\n

Sol 69: “Little Maggie” by Tom Adams, chosen for the soil target named “Maggie.”<\/span><\/p>\n

Sol 70: “Truckin'” by The Greatful Dead.<\/span><\/p>\n

Sol 72: “The Wanderer” by Dion and the Belmonts.<\/span><\/p>\n

Sol 73: “Let the Good Times Roll” by B.B. King – a nod to Spirit’s successful primary mission of<\/span>
\n91 sols and a call for more good times during the coming sols.<\/span><\/p>\n

Sol 79: “Teenage Lobotomy” by Ramones. Opportunity began operating with new flight software.<\/span><\/p>\n

Sol 82: “I Would Walk 500 Miles,” by Less Than Jake (originally by the Proclaimers).<\/span><\/p>\n

Sol 85: “Take Me Out to the Ball Game!” by Jack Norworth in honor of all the baseball-related<\/span>
\ntarget names chosen this sol.<\/span><\/p>\n

Sol 101-102: “Morning has Broken” by Cat Stevens; “Hallelujah Chorus” from George Frederic<\/span>
\nHandel’s Messiah; and “Dazed and Confused” by Led Zeppelin.<\/span><\/p>\n

SOURCES<\/span><\/p>\n

Chien, Philip author of “Columbia – Final Voyage; The Last Flight of NASA’s First Space<\/span>
\nShuttle”. http:\/\/www.sts107.info<\/span>
\n (Philip Chien\u2018s contributions to the Chronology are italicized and followed by \u2022PC\u2022.)<\/span>
\nEzell, Edward Clinton and Ezell, Linda Neuman, \u2022The Partnership: A History of the Apollo-<\/span>
\nSoyuz Test Project\u2022, 1978, SP-4209.<\/span>
\nMars Pathfinder Sojourner Rover Wake-up Song<\/span>
\nlist:http:\/\/mpfwww.jpl.nasa.gov\/MPF\/rover\/roversongs.html<\/span>
\nMCC Status Reports<\/span>
\nThe Mission Transcript Collection: U.S. Human Spaceflight Missions from Mercury Redstone 3<\/span>
\nto Apollo 17 (SP-2000-4602, 2001).<\/span>
\nNASA Audio Highlights Tapes<\/span>
\nNASA Headquarters Current News<\/span>
\nNASA Headquarters Historical Reference Collection<\/span>
\nNASA Johnson Space Center (JSC) Audio Control Room<\/span>
\nNASA Johnson Space Center (JSC) Mission Profiles<\/span>
\nNASA Johnson Space Center (JSC) Space Shuttle Wakeup Calls Website:<\/span>
\nhttp:\/\/spaceflight.nasa.gov\/gallery\/index.html<\/span>
\nNASA Johnson Space Center (JSC) Video Repository<\/span>
\nSkylab and Space Shuttle Air-to-Ground Transcripts and PAO Commentary<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

For all search results under this blog’s “Music” label click here:\u00a0 http:\/\/marsartists.blogspot.com\/search\/label\/Music See also:\u00a0http:\/\/Reddit.com\/r\/SpaceMusic Christopher Abbas Cassini Mission NASA | SDO’s Ultra-high Definition View of 2012 Venus Transit The Future Is Ours Meditations on the Martian Surface Blue Sun Composite The Most Astounding Fact The Definitive Guide to the Milky Way The Detailed Universe Atlas […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-7","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/factualfiction.com\/marsartists\/wp-json\/wp\/v2\/pages\/7","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/factualfiction.com\/marsartists\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/factualfiction.com\/marsartists\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/factualfiction.com\/marsartists\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/factualfiction.com\/marsartists\/wp-json\/wp\/v2\/comments?post=7"}],"version-history":[{"count":13,"href":"https:\/\/factualfiction.com\/marsartists\/wp-json\/wp\/v2\/pages\/7\/revisions"}],"predecessor-version":[{"id":6184,"href":"https:\/\/factualfiction.com\/marsartists\/wp-json\/wp\/v2\/pages\/7\/revisions\/6184"}],"wp:attachment":[{"href":"https:\/\/factualfiction.com\/marsartists\/wp-json\/wp\/v2\/media?parent=7"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}