Author Archives: FriendlyHelper

"Unless someone like you cares a whole awful lot, Nothing is going to get better. It’s not."

Dr Seuss: Rhymes and Reasons (2003 documentary) Part 1 of 9
Oh! The Places You’ll Go!
by Dr. Seuss
Congratulations!
Today is your day.
You’re off to Great Places!
You’re off and away!
You have brains in your head.
You have feet in your shoes.
You can steer yourself any direction you choose.
You’re on your own. And you know what you know. 
And YOU are the guy who’ll decide where to go.
You’ll look up and down streets. 
Look’em over with care. 
About some you will say, “I don’t choose to go there.” 
With your head full of brains and your shoes full of feet, 
you’re too smart to go down a not-so-good street.
And you may not find any you’ll want to go down. 
In that case, of course, you’ll head straight out of town. 
It’s opener there in the wide open air.
Out there things can happen and frequently do 
to people as brainy and footsy as you.
And when things start to happen, don’t worry. 
Don’t stew. Just go right along. 
You’ll start happening too.
Oh! The Places You’ll Go!
You’ll be on your way up!
You’ll be seeing great sights!
You’ll join the high fliers who soar to high heights.
You won’t lag behind, because you’ll have the speed. 
You’ll pass the whole gang and you’ll soon take the lead. 
Wherever you fly, you’ll be best of the best. 
Wherever you go, you will top all the rest.
Except when you don’t.
Because, sometimes, you won’t.
I’m sorry to say so but, sadly, it’s true that Bang-ups 
and Hang-ups can happen to you.
You can get all hung up in a prickle-ly perch. 
And your gang will fly on. You’ll be left in a Lurch.
You’ll come down from the Lurch with an unpleasant bump. 
And the chances are, then, that you’ll be in a Slump.
And when you’re in a Slump, you’re not in for much fun. 
Un-slumping yourself is not easily done.
You will come to a place where the streets are not marked. 
Some windows are lighted. But mostly they’re darker. 
A place you could sprain both your elbow and chin! 
Do you dare to stay out? Do you dare to go in? 
How much can you lose? How much can you win?
And if you go in, should you turn left or right…
or right-and-three-quarters? 
Or, maybe, not quite? 
Or go around back and sneak in from behind? 
Simple it’s not, I’m afraid you will find, 
for a mind-maker-upper to make up his mind.
You can get so confused that you’ll start in 
to race down long wiggled roads at a break-necking pace 
and grind on for miles across weirdish wild space, 
headed, I fear, toward a most useless place.
The Waiting Place…for people just waiting.
Waiting for a train to go or a bus to come, 
or a plane to go or the mail to come, 
or the rain to go or the phone to ring, 
or the snow to snow or waiting around for a Yes or No 
or waiting for their hair to grow. 
Everyone is just waiting.
Waiting for the fish to bite or waiting for wind to fly a kite 
or waiting around for Friday night or waiting, perhaps, 
for their Uncle Jake or a pot to boil, or a Better Break or a string of pearls, 
or a pair of pants or a wig with curls, 
or Another Chance. 
Everyone is just waiting.
No! That’s not for you!
Somehow you’ll escape all that waiting and staying. 
You’ll find the bright places where Boom Bands are playing. 
With banner flip-flapping, once more you’ll ride high! 
Ready for anything under the sky. 
Ready because you’re that kind of a guy!
Oh, the places you’ll go! 
There is fun to be done! 
There are points to be scored. 
There are games to be won. 
And the magical things you can do with that ball 
will make you the winning-est winner of all. 
Fame! You’ll be famous as famous can be, 
with the whole wide world watching you win on TV.
Except when they don’t. Because, sometimes, they won’t.
I’m afraid that some times you’ll play lonely games too. 
Games you can’t win ‘cause you’ll play against you.
All Alone!
Whether you like it or not, 
Alone will be something you’ll be quite a lot.
And when you’re alone, there’s a very good chance you’ll 
meet things that scare you right out of your pants. 
There are some, down the road between hither and yon, 
that can scare you so much you won’t want to go on.
But on you will go though the weather be foul. 
On you will go though your enemies prowl. 
On you will go though the Hakken-Kraks howl. 
Onward up many a frightening creek, 
though your arms may get sore and your sneakers may leak. 
On and on you will hike. 
And I know you’ll hike far 
and face up to your problems whatever they are.
You’ll get mixed up, of course, as you already know. 
You’ll get mixed up with many strange birds as you go. 
So be sure when you step. 
Step with care and great tact 
and remember that Life’s a Great Balancing Act. 
Just never forget to be dexterous and deft. 
And never mix up your right foot with your left.
And will you succeed?
Yes! You will, indeed!
(98 and ¾ percent guaranteed.)
Kid, you’ll move mountains!
So…be your name Buxbaum or Bixby 
or Bray or Mordecai Ale Van Allen O’Shea, 
you’re off to Great Places!
Today is your day!
Your mountain is waiting.
So…get on your way!

Richard Branson Interviewed on Business Advice and Virgin Galactic

Ill-informed Moderator: “It’s a wonderful buzz, it’s wonderfully exciting. But…ah…space travel costs billions…ah, how real is it…as a business model?” 

Richard Branson: “Well, once again I never thought of it as a business model. 1990 I’d been waiting for NASA which is run by governments to offer space travel to myself and you know to thousands of other people who would love to go up into space. And it soon became apparent that a government run business had no interest in you or I or anybody in this audience going into space. So, you know, so I formed the – Virgin Galactic Airways – I love the name – formed the company at __’s house, then set out on flights around the world looking for engineers or technicians who maybe had the genius to build a reusable spaceship. I was fortunate enough to come across Burt Rutan who is the, the genius. And working with him we won the X Prize. […] So, it wasn’t for a number of years before thinking, you know, is this – are we – going to pay the bills. The important thing – which is always the important thing when creating a business – is, once again, are we going to make a real difference in people’s lives – and, by being, you know, the first company in the world to offer people hopefully a return ticket into space […] we will make it – we will make a dramatic difference in people’s lives. Any who’s been to space, you know, it is the most enthralling thing that can happen to anybody. So we managed to bring the cost down from, you know, it’s going to cost 50 million dollars to go on a Russian spaceship, it will  cost 200 thousand dollars to go up on a Virgin spaceship, but, over the next ten years we’ll be able to consistently bring that price down, so that, hopefully you know, one day hundreds of thousands will have the chance to go into space. By just trying these things, and experimenting like this, you know, there are things we discover which is something we didn’t set out to do – you know, we’re going to put satellites into space – and that means that schools or universities are going to be able to have their own satellites. And perhaps most excitingly of all – we think one day we’ll be able to do point to point, you know, I’m going to Australia tonight – I’d love to be able to go there in two or three hours, you know, through Virgin Galactic. One day to be able to get on a plane in London and arrive in Australia two or three hours later. So just popping people out of the atmosphere and then back down again. 

Tech Tip: Wacom Settings for Storyboarding in Photoshop

Keep in mind Feng Zhu and Dylan Cole, among many digital artists, prefer a $200 Wacom tablet to a $2,500 Cintiq.  At first this may be hard to believe — then for students and artists in developing countries, revolutionary. At the start of their studies most digital artists think: “Shesh this tablet sucks! Please I need a Cintiq!” Once comfortable with Cintiq workflows later in their careers they tend to remain conditioned to tolerate Wacom’s massive eighty-five pound twenty-five hundred dollar desk anchor. Don’t.  There is no need to buy a Cintiq — it won’t help. Practice, pay off your credit cards, and travel — with a laptop and tablet.  
Set the end of the toggle switch closest to the pen’s tip to trigger Photoshop’s “step backward function” Command+Option+Z  This is the function you will use most often.
Set top of the toggle switch (in the direction of the ‘eraser’) to trigger the “Option” key. This allows easy sampling of colors from your image when using the Brush Tool by activating the Eyedropper.
Finally program a touch strip to step between brush sizes (on the left side of the tablet if you hold the pen in your right hand)…one direction of the strip should be set to “[” the other to “]” (left and right hard brackets).  By sliding your finger across this touch strip you can adjust brush, eraser, and many other tool sizes on the fly.
Add shadows on separate layers with a dark ‘soft’ brush (0% hardness) set to opacity of 20%…adding more shadow with each stroke.
That’s basically it. Be sure to work in layers and Smart Objects (lines, shadows, highlights, etc on different layers; finished characters and references in Smart Objects)…use the lasso tool and jump selction function ( J+Shift+Command) to cut distinct elements into their own separate layers.
 It is very rare that you would ever need any other brush than the standard default hard brush with “template pen pressure” – the brush Feng used for most of his career. Other settings and exotic brushes will waste your time. Most concept artists draw with standard photoshop brushes. Feng Zhu for example spent years using only the default hard round brush — now his favorite is the default chalk brush with opacity turned off. Nothing fancy. If you want a special effect, draw it. ; )
Try to work in 16:9 ratio canvas dimensions to condition your composition skills. For storyboarding these settings will keep file size manageable: 960×540 px, 72 dpi, 8 bit greyscale. If you have questions, ask ; ) 
The best general concept art tutorials are free by Feng Zhu: http://www.youtube.com/user/FZDSCHOOL

"Exercise or Not, Sitting at a Desk All Day is Bad for You"

“It doesn’t matter if you go running every morning, or you’re a regular at the gym. If you spend most of the rest of the day sitting – in your car, your office chair, on your sofa at home – you are putting yourself at increased risk of obesity, diabetes, heart disease, a variety of cancers and an early death. In other words, irrespective of whether you exercise vigorously, sitting for long periods is bad for you.” http://lifehacker.com/5482856/exercise-or-not-sitting-at-a-desk-all-day-is-bad-for-you

$20 Cintiq Solution (standing allows an ecstatic jig once in a while too)

Update: slip a manual treadmill beneath the stand (such as this $120 version); 
throw away its vertical supports…set it on a lower wooded frame and 
you’re walking while drawing!!  The best ever!!). 

Update: an $800 electric powered seated/standing adjustable desk…for which I cannot envision spending $800, ever.
Update: “Inactivity boosts cancer risk, research finds,” Washington Post: “…among post-menopausal women, taking frequent breaks from sitting was associated with smaller waist circumference and lower risk of some cancers. Even short periods of light activity — frequently standing up and walking for as little as a minute at time — reduced risk for such biomarkers as large waist circumference, elevated triglyceride levels and increased insulin resistance, which are linked to heightened cardiovascular disease but might also boost cancer risk.”
 

Sylvia Engdahl "Planet-Girded Suns: History of Human Thought about Extrasolar Worlds"

“In a brisk, engrossing account Engdahl traces the theories and speculations concerning the possibility of extraterrestrial intelligent life throughout history.” —ALA Booklist

“Engdahl has marshalled an impressive and fascinating selection of primary sources. . . . [She] has shown how deep this vein of speculation runs . . . and reminded us that our ancestors entertained a view of the universe that was larger and more imaginative than the history books lead us to believe. Challenging and original.” —Kirkus Reviews

Facebook.com/Sylvia.Engdahl

“It’s commonly assumed that belief in other inhabited worlds, especially worlds in other solar systems, is a relatively modern idea, which didn’t become prevalent until the 20th century — many today even think it was originated by science fiction. But in fact, from the mid-17th century through 19th almost all educated people believed that the stars are suns surrounded by inhabited planets. This belief wasn’t seriously questioned until the late 19th century, and was out of favor with the majority only for a short period roughly corresponding to the time between World Wars I and II.”

“In the early 1970s, while doing research for my nonfiction book The Planet-Girded Suns, I collected quite a bit of poetry from earlier centuries that reveals what was thought about other planets. Much such poetry is by writers — many of them didactic writers — who are forgotten today, so a few stanzas by famous poets are often cited as if they were rare exceptions displaying prophetic vision.

Actually, these familiar ones are typical of the vast amount of such verse that appeared in popular publications of their day. In many cases I’ve seen only fragments of poems, quoted by scholars of literature; in others I’ve taken brief passages from long (sometimes book-length) works that are particularly relevant. This collection has been stashed away in my files for 30 years — I’m posting portions of it now in case others may find them as fascinating as I do.”

“Why do these views of the past about the universe matter today? Because, I think, they demonstrate that people have been aware of planets beyond Earth, and have been deeply attracted to them, for a very long time — long before travel between worlds was considered even a remote possibility. The desire for knowledge about them appears to be an instinctive human longing.”

“In the 18th century, of course, it was assumed that there could never be actual contact with other worlds; but the people who believed in their existence couldn’t bear to think that nobody would ever find out more than could be learned through telescopes, and so they envisioned the souls of men like Newton — and eventually, their own souls — voyaging through space and seeing those worlds at close range on their way to Heaven. A great many poems were written on this theme; it was the first form in which space travel was seriously imagined by the public (stories of trips to the moon in that era, though popular, were either fantasy or satire on earthly affairs). People felt deep emotions about the idea. The late 19th and early 20th centuries, when literal belief in an afterlife declined, coincided with the time when belief in many inhabited solar systems began to fade. I’ve always felt that this was a kind of “sour grapes” response — or rather, a perhaps- comforting conclusion that there aren’t any grapes on vines beyond our reach. It’s significant that the conviction that millions of extrasolar planets exist didn’t become widespread again until radio astronomers began to have hope of receiving messages from them, and that as time passes without evidence of extraterrestrial intelligence, the pendulum seems to be swinging again toward theories that Earth may be unique.”

“In any case, a strong sense of our kinship with a vast inhabited universe has prevailed during most of the decades for the past 350 years, and these poems are evidence of its existence before the 20th century. Dozens of poets — and no doubt more whose works aren’t accessible, as well as those who wrote in languages other than English — referred briefly to planets circling other suns, usually in a religious context as evidence of God’s power.”

Employee References: Everyday Folks Working at Planetary Resources and SpaceX

“We are goin’to change the way the world thinks – about natural resources.”

YouTube comments left by viewers of the last video:

  • “Shutup and take my money!”
  • “our our our our our our our our our our our our our our our our our our our our our our our our our our our our our our our our our our our our our our our our our our our our our our our” 
  • “Imagine the next golden age of piracy, this time in space.”
  • “Fuck yea.”
  • “An astronaut on the ISS, ‘Yeah I drank water that wasn’t found on Earth, no big deal.'”