Monthly Archives: October 2012

Tech Tip: Wacom Settings for Storyboarding in Photoshop

Keep in mind Feng Zhu and Dylan Cole, among many digital artists, prefer a $200 Wacom tablet to a $2,500 Cintiq.  At first this may be hard to believe — then for students and artists in developing countries, revolutionary. At the start of their studies most digital artists think: “Shesh this tablet sucks! Please I need a Cintiq!” Once comfortable with Cintiq workflows later in their careers they tend to remain conditioned to tolerate Wacom’s massive eighty-five pound twenty-five hundred dollar desk anchor. Don’t.  There is no need to buy a Cintiq — it won’t help. Practice, pay off your credit cards, and travel — with a laptop and tablet.  
Set the end of the toggle switch closest to the pen’s tip to trigger Photoshop’s “step backward function” Command+Option+Z  This is the function you will use most often.
Set top of the toggle switch (in the direction of the ‘eraser’) to trigger the “Option” key. This allows easy sampling of colors from your image when using the Brush Tool by activating the Eyedropper.
Finally program a touch strip to step between brush sizes (on the left side of the tablet if you hold the pen in your right hand)…one direction of the strip should be set to “[” the other to “]” (left and right hard brackets).  By sliding your finger across this touch strip you can adjust brush, eraser, and many other tool sizes on the fly.
Add shadows on separate layers with a dark ‘soft’ brush (0% hardness) set to opacity of 20%…adding more shadow with each stroke.
That’s basically it. Be sure to work in layers and Smart Objects (lines, shadows, highlights, etc on different layers; finished characters and references in Smart Objects)…use the lasso tool and jump selction function ( J+Shift+Command) to cut distinct elements into their own separate layers.
 It is very rare that you would ever need any other brush than the standard default hard brush with “template pen pressure” – the brush Feng used for most of his career. Other settings and exotic brushes will waste your time. Most concept artists draw with standard photoshop brushes. Feng Zhu for example spent years using only the default hard round brush — now his favorite is the default chalk brush with opacity turned off. Nothing fancy. If you want a special effect, draw it. ; )
Try to work in 16:9 ratio canvas dimensions to condition your composition skills. For storyboarding these settings will keep file size manageable: 960×540 px, 72 dpi, 8 bit greyscale. If you have questions, ask ; ) 
The best general concept art tutorials are free by Feng Zhu: http://www.youtube.com/user/FZDSCHOOL

"Exercise or Not, Sitting at a Desk All Day is Bad for You"

“It doesn’t matter if you go running every morning, or you’re a regular at the gym. If you spend most of the rest of the day sitting – in your car, your office chair, on your sofa at home – you are putting yourself at increased risk of obesity, diabetes, heart disease, a variety of cancers and an early death. In other words, irrespective of whether you exercise vigorously, sitting for long periods is bad for you.” http://lifehacker.com/5482856/exercise-or-not-sitting-at-a-desk-all-day-is-bad-for-you

$20 Cintiq Solution (standing allows an ecstatic jig once in a while too)

Update: slip a manual treadmill beneath the stand (such as this $120 version); 
throw away its vertical supports…set it on a lower wooded frame and 
you’re walking while drawing!!  The best ever!!). 

Update: an $800 electric powered seated/standing adjustable desk…for which I cannot envision spending $800, ever.
Update: “Inactivity boosts cancer risk, research finds,” Washington Post: “…among post-menopausal women, taking frequent breaks from sitting was associated with smaller waist circumference and lower risk of some cancers. Even short periods of light activity — frequently standing up and walking for as little as a minute at time — reduced risk for such biomarkers as large waist circumference, elevated triglyceride levels and increased insulin resistance, which are linked to heightened cardiovascular disease but might also boost cancer risk.”
 

Sylvia Engdahl "Planet-Girded Suns: History of Human Thought about Extrasolar Worlds"

“In a brisk, engrossing account Engdahl traces the theories and speculations concerning the possibility of extraterrestrial intelligent life throughout history.” —ALA Booklist

“Engdahl has marshalled an impressive and fascinating selection of primary sources. . . . [She] has shown how deep this vein of speculation runs . . . and reminded us that our ancestors entertained a view of the universe that was larger and more imaginative than the history books lead us to believe. Challenging and original.” —Kirkus Reviews

Facebook.com/Sylvia.Engdahl

“It’s commonly assumed that belief in other inhabited worlds, especially worlds in other solar systems, is a relatively modern idea, which didn’t become prevalent until the 20th century — many today even think it was originated by science fiction. But in fact, from the mid-17th century through 19th almost all educated people believed that the stars are suns surrounded by inhabited planets. This belief wasn’t seriously questioned until the late 19th century, and was out of favor with the majority only for a short period roughly corresponding to the time between World Wars I and II.”

“In the early 1970s, while doing research for my nonfiction book The Planet-Girded Suns, I collected quite a bit of poetry from earlier centuries that reveals what was thought about other planets. Much such poetry is by writers — many of them didactic writers — who are forgotten today, so a few stanzas by famous poets are often cited as if they were rare exceptions displaying prophetic vision.

Actually, these familiar ones are typical of the vast amount of such verse that appeared in popular publications of their day. In many cases I’ve seen only fragments of poems, quoted by scholars of literature; in others I’ve taken brief passages from long (sometimes book-length) works that are particularly relevant. This collection has been stashed away in my files for 30 years — I’m posting portions of it now in case others may find them as fascinating as I do.”

“Why do these views of the past about the universe matter today? Because, I think, they demonstrate that people have been aware of planets beyond Earth, and have been deeply attracted to them, for a very long time — long before travel between worlds was considered even a remote possibility. The desire for knowledge about them appears to be an instinctive human longing.”

“In the 18th century, of course, it was assumed that there could never be actual contact with other worlds; but the people who believed in their existence couldn’t bear to think that nobody would ever find out more than could be learned through telescopes, and so they envisioned the souls of men like Newton — and eventually, their own souls — voyaging through space and seeing those worlds at close range on their way to Heaven. A great many poems were written on this theme; it was the first form in which space travel was seriously imagined by the public (stories of trips to the moon in that era, though popular, were either fantasy or satire on earthly affairs). People felt deep emotions about the idea. The late 19th and early 20th centuries, when literal belief in an afterlife declined, coincided with the time when belief in many inhabited solar systems began to fade. I’ve always felt that this was a kind of “sour grapes” response — or rather, a perhaps- comforting conclusion that there aren’t any grapes on vines beyond our reach. It’s significant that the conviction that millions of extrasolar planets exist didn’t become widespread again until radio astronomers began to have hope of receiving messages from them, and that as time passes without evidence of extraterrestrial intelligence, the pendulum seems to be swinging again toward theories that Earth may be unique.”

“In any case, a strong sense of our kinship with a vast inhabited universe has prevailed during most of the decades for the past 350 years, and these poems are evidence of its existence before the 20th century. Dozens of poets — and no doubt more whose works aren’t accessible, as well as those who wrote in languages other than English — referred briefly to planets circling other suns, usually in a religious context as evidence of God’s power.”